Not totally random at all. Results are simply explained by variation across a normal distribution curve. This means that if you took the average results over a large number of test records, you would be pretty damn close to perfect. However, you aren’t collecting enough information if you’re only looking at decibels. You have to watch the phase. If you did this, I think you would see a little better consistency across records.I know I must seem like I'm completely hung up on crosstalk, but I just had more experiences from which I can only conclude that there is no reliable way to ever objectively set ideal crosstalk - it's all relative to the particular test record being used.
I decided to experiment. I found four copies of the old Command Test Record (CS100) is excellent or NM condition and bought them. This record has tracks for L and R crosstalk that contain a 1KHz signal in one channel and nothing on the other (like some other records), but it had been lauded by some in the analog world as being among the most accurately cut test records out there. I also bought two other copies of the AP Ultimate Analog test record. Including my other copy of the AP test record, I ran crosstalk measurements using the same softwares (A+ and the Visual Analyser oscilliscope) using all 7 records. The results were less than encouraging. The variation across results was up to +/- .9dB, consistently. That means depending on which two records one might use, if one shows the R to L difference of +.9 dB, the other would shows the L to R difference of + .9dB - a difference in crosstalk measurement of 1.8dB! More amazingly, the difference across just the AP Ultimate Analog test records was -.7/+.8 dB, a 1.5dB variation that, if choosing one measure as right and the other as “wrong”, would have the cartridge tilted in the completely opposite direction!
Frankly this suggests to me that the whole mania of trying to get anything right using any test record is nothing but random.
The problem starts with the symmetry (or lack thereof) of the cutting stylus. As I’ve discussed in my videos, this is a big problem and very common. I have spoken with many mastering engineers and none of them inspect for this.
Not a single test record to date offers any assurance that their four cutting angles, cut path and stylus symmetry were defined and margin of error noted before cutting the lacquer. THEREFORE, not a single test record can be trusted as a reference for any given playback alignment test.
We are doing something about this.