Yes, but not in your system compared to your digital.
Sure, but if I have heard tons of vinyl in other systems, systems that I consider high quality, then an inherently greater realism of vinyl would have to jump out at me, no?
Yes, but not in your system compared to your digital.
The key word there is IF. The data shows higher dynamics. Distortion is largely low order and sonically innocuous and masks higher oder unpleasant distortion.Did you read the conclusion:
If LPs have higher distortion and are exaggerating dynamics, it may explain why the apparent "benefits" of LPs translate even into LP recordings, and potentially explain why LPs of digital recordings sound better than their CD equivalents.
Yes, and you know what happens when the applied RIAA equalization that is applied/encoded in the recording doesn’t align perfectly with the RiAA equalization decoded during playback?You do know what the RIAA curve is , right? Your argument is silly.
Yes, so what? Stop changing the criterion. You said it would jump out of the groove with similar dynamics and this is simply not true due to the equalisation being applied.Yes, and you know what happens when the applied RIAA equalization is encoded in the recording doesn’t align perfectly with the RiAA equalization decoded during playback?
Yes, so what? Stop changing the criterion. You said it would jump out of the groove with similar dynamics and this is simply not true due to the equalisation being applied.
Harmonic distortion for sure is a huge part of it. It is also reassuring to think about because anyone with a probe and an analyzer can quantify.I think it is largely a). Low order harmonics that are a) benign up to surprisingly high levels and b) mask a lot of the higher order harmonics, rendering them sonically invisible. When you look at most digital, the harmonic distortion profiles consist of a lot of high order harmonics and not much low order of higher level. Then factor in other types of purely digital based errors and I think you have a big part of the story. Tube DACs help probably by injecting some low order harmonics that then mask some of the other stuff.
Noise might have some effect but the best vinyl and tape are pretty quiet actually.
Not sure I agree with you about c). If it universally sounded worse I don’t think it would have made a comeback…there is not really a market for VHS tape, for example…
A bit like adding dither to a digital signal?Harmonic distortion for sure is a huge part of it. It is also reassuring to think about because anyone with a probe and an analyzer can quantify.
The very best of vinyl and tape is incommensurably noisy, from an electro mechanical stance. It is not pink noise you hear, but it is there and the same guy with an analyzer can measure it. I'm not talking about hash on the loudspeakers, pops and crackles etc. I'm talking signal correlated, low level noise. Just read the paper. No person heard noise but the results are pretty clear, the effects where better intelligibility of speech for example with some types of (not hearable!) noise.
The distribution is pretty much on par with what I'd expect from this type of suggestion based effect, the ritual of using a real, physical thing, based on this forums population. It is not universally worse, but also not universally better. Not evidence for it, but also not against it.
Look at the data in the article.For an LP to have the dynamic range of digital would require deeper grooves. Look it up.
Any.
To much to mention , many sound good
Look at the data in the article.
I meant technical advantages. Something with substance and technical meaning.
That was for Mike, but it also applies to you. What can we do with words like “completeness”, “natural” and so in when we are having a discussion to tease out things that can be validated and confirmed?Whenever I give an answer to one of your questions you tell me you meant something else. Thank you for clarifying again.
Peak dynamics. Also, they show that above 400 hz you can have 90dB from vinyl. If you won’t read the article…An LP made out of perfect vinyl LP would have a theoretical dynamic range of 70 dB. Measurements indicate maximum actual performance in the 60 to 70 dB range.
The lowly CD has a wide dynamic range as high as 96 dB.
The very best of vinyl and tape is incommensurably noisy, from an electro mechanical stance. It is not pink noise you hear, but it is there and the same guy with an analyzer can measure it. I'm not talking about hash on the loudspeakers, pops and crackles etc. I'm talking signal correlated, low level noise. Just read the paper. No person heard noise but the results are pretty clear, the effects where better intelligibility of speech for example with some types of (not hearable!) noise.
ADC is effectively transparent. DAC can be made effectively transparent as well. This is trivial to measure and quantify, don't get confused by people that say otherwise. Digital processes run the world and their resolution is not something we should trivialize with annecdote. 24 bits gives you just short of 17 million discrete intervals to categorize something.
Just a bit of fun, those 24 bits, how do they compare to the potential of vinyl? the smallest groove is about 0.04 mm, so half that divided by 24bits is ~1.2e-11. That's the information size, in meters, you'd need to get to reproduce 24bits on a record. So do we get it? A small molecule is about ~1e-9 meters. We're in about two orders of magnitude off, in favor of a simple 24bit recording. It is, at minimum, 100x more resolving than analog. This is the reason why people digitize tape to DSD and 'it sounds the same'. The tape signal literally fits within the digital signal, with headroom to spare, and that is only possible with the ubiquitous high quality ADCs and DACs we have.
consistently from the same music played at the same volume i see decidedly higher peak watts on vinyl verses digital on my dart 468 readouts. digital smears peaks relative to analog. hundreds of occasions i've observed this. drum whacks, horns, vocals, electric guitar plucks.For an LP to have the dynamic range of digital would require deeper grooves.
look it up where according to who?Look it up.
consistently from the same music played at the same volume i see decidedly higher peak watts on vinyl verses digital on my dart 468 readouts. digital smears peaks relative to analog. hundreds of occasions i've observed this. drum whacks, horns, vocals, electric guitar plucks.
It’s from scientist not pro audio guys. These is simple mathematics.estimated dynamic range of vinyl by pro audio guys is not close. they don't know what they are talking about. and analog has no hard limits.
this is easy to hear and nothing new. where is @Atmasphere when we need him?
This piece of information is not dispositive, but I find it highly probative. MikeL maxes out each of his three formats on a cost no object basis and on a time no object basis and on a tweaking no object basis. Importantly, this means Mike has no partisan bias, legacy preference, inertial preference or dogma in favor of any of the three formats.
He reports to us that the majority of his listening time is now via digital.
This tells me that digital truly has come of age, and can be competitive with analog formats on a sound quality basis and on an emotional engagement basis.