I quite like this thought of mine so let me elaborate on it a bit more
Thanks to my dietologist friend, I've been recently watching more closely what I eat and how it influences me. I've always eaten healthy but basically thought food is food, you need certain amount of calories, vitamines, fiber etc and call it done. But then I discovered all those seemingly subtle, at least for me then, variations that you can make. Cleaning out highly processed food and sugars, changing what you eat depending on the activity etc etc. The results are just great and influence not only the physical body but also the state of mind to some degree.
I think very much the same applies to our systems. When I still had time to solder my own gear, I was paying close attention to power supplies design and execution but zero attention to how the power is actually delivered to PS. Same with vibrations - I was just gluing some rubber or sorbothane here or there and called it done. Power and vibration considerations were just tweaking to me at that time. Then came the first necessity to look closer at the vibrations - after a move my TT started to catch the live of the house. Footsteps, washing machine etc. After some research I designed my own support, going at the end totally crazy with a 600kg rack with two pneumatic suspensions (one for TT, one for the electronics). I did solve the "first order" problem of the footsteps and the washing machine but at the same time I've discovered a totally new to me "higher order" or more subtle effects of increased resolution, which manifested in a whole spectrum of improvements - better articulation, increased micro and macro dynamics, much more involving sound etc etc. This was sort of an epiphany! At the same time, the increased resolution showed weaknesses somewhere else. E.g. sometimes violinists sounded like they wanted to saw their instruments in half. So I went a bit crazy again and cut through one of the concrete walls installing three dedicated power lines plus took a look at the power cables. That again brought a fantastic effect of much more "good electricity days" with cleaner HF and unpleasant HF halo around the sounds.
So just like our bodies can be amazingly abused food-wise and still function sort of OK, our equipment will also play with whatever power and whatever vibration background. Not only play, but a cello will sound like a cello and trumpet like a trumpet. But it will be nowhere close to showing the real potential of a system and a recording! Now, having done the path I've described, I no longer think of power line and vibration control efforts as of merely tweaking, but rather as something necessary if one treats listening seriously. For example, I wouldn't call proper vibration control devices an accessory, but rather an equipment-room interface. Speaker-room interface seems a good analogy here.
Just my 2c to the subject.
Cheers,