When I change gear, I prefer evaluating the change one piece at a time. There's surely merit to changing 3 or 4 things and then commenting on the final result, but when you change one piece at a time, the changes can then be attributed to a single piece of gear which I find most helpful. It was with great anticipation that I received a pair of Sigma digital power cords for evaluation before the Holidays. But for the reasons above, I preferred to replace one cable, wait a reasonable period of time for break-in, and then evaluate it. Based on the break-in time of my Sigma Alpha digital, I didn't expect I'd be able to comment in the Sigma in less than 3 weeks, but I think I'm far enough along the break-in process that I can make some useful observations after about 9 days of listening. To be clear, I do to believe they are fully broken in, especially in the bass, but enough procrastinating. Here's the bottom line. The Sigma digital cord is not just good, its superb. It is simply superb, and a clear improvement in performance from the outstanding alpha digital that proceeded it. It is frankly, essential, especially if the system it is in aspires to be a SOA system. The very first thing most people will notice is that bass performance is rendered with more authority and articulation than the alpha series. The improved level of performance here is more akin to a component change than a cable change, so great is the benefit. The second area of improvement is midrange immediacy. A more vivid palpable image is the result. Third, the cable is a lower distortion, quieter cable, than its predecessor. Perhaps that alone contributes to the increased midrange palpability? Aside from the obvious increase in cable thickness and a supposed re-working of the digital noise filters in the cable, I don't know what else was done to make its performance so superior in comparison to it alpha predecessor, but frankly, I don't care. I cannot imagine a system upgrade that would offer a bigger bang for the buck. Once the Sigma digital is in your system, its simply never going to leave. I will wait another week before installing the second one so I can see its benefits independently, (One presently drives my TacT 2.2 XP DSP unit and the other will power my Meitner XDS1v2). I would highly recommend considering doing whatever it takes (i.e. rob a bank, sell grandma, etc) to get one of these things in your system for your own evaluation. It's that good.
I agree with the positive comments on the Sigma Digital. I replaced an Alpha Digital with the Sigma, and it increased the effects of the Alpha. I refer to the soundstage now as a black hole from which sound emerges. However, I suspect the Sigma will be like the Alpha, and work better on some components than others. For example, I was knocked over by the improvement the Alpha did to my Bryston BDP-1 file player. However, on the DAC the Alpha didn't appear much different than the Zitron Cobra it replaced.
When I change gear, I prefer evaluating the change one piece at a time. There's surely merit to changing 3 or 4 things and then commenting on the final result, but when you change one piece at a time, the changes can then be attributed to a single piece of gear which I find most helpful. It was with great anticipation that I received a pair of Sigma digital power cords for evaluation before the Holidays. But for the reasons above, I preferred to replace one cable, wait a reasonable period of time for break-in, and then evaluate it. Based on the break-in time of my Sigma Alpha digital, I didn't expect I'd be able to comment in the Sigma in less than 3 weeks, but I think I'm far enough along the break-in process that I can make some useful observations after about 9 days of listening. To be clear, I do not believe they are fully broken in, especially in the bass, but enough procrastinating. Here's the bottom line. The Sigma digital cord is not just good, its superb. Moreover, it is a clear improvement in performance from the outstanding alpha digital that proceeded it. It is frankly, essential, especially if the system it is in aspires to be a SOA system. The very first thing most people will notice is that bass performance is rendered with more authority and articulation than the alpha series. The improved level of performance here is more akin to a component change than a cable change, so great is the benefit. The second area of improvement is midrange immediacy. A more vivid palpable image is the result. Third, the cable is a lower distortion, quieter cable, than its predecessor. Perhaps that alone contributes to the increased midrange palpability? Aside from the obvious increase in cable thickness and a supposed re-working of the digital noise filters in the cable, I don't know what else was done to make its performance so superior in comparison to it alpha predecessor, but frankly, I don't care. I cannot imagine a system upgrade that would offer a bigger bang for the buck. Once the Sigma digital is in your system, its simply never going to leave. I will wait another week before installing the second one so I can see its benefits independently, (One presently drives my TacT 2.2 XP DSP unit and the other will power my Meitner XDS1v2). I would highly recommend considering doing whatever it takes (i.e. rob a bank, sell grandma, etc) to get one of these things in your system for your own evaluation. It's that good.
Some folks have sent me emails asking where my final evaluation of the Sigma digital cables was posted. It can be found here:
http://www.whatsbestforum.com/showthread.php?12490-Spectral-DMA-400s-arrive-in-New-Jersey/page6
The link takes me to a 2013 thread about amps. The Sigma Digital didn't exist in 2013.
Great. Thank you. I agree with your comments on the Sigma/Alpha Digital cable. I was just astounded at the improvement the Alpha made when I added it to my Bryston BDR-1 file player. The later upgrade to the Sigma simply refined what the Alpha had accomplished. Likewise, the new Anaconda Digital AES bought the overall sound up a notch by, I assume, lowering/eliminating jitter from the file player to the DAC.
Out of curiosity, why didn't you try the Anaconda ICs versus MIT?
Because Spectral gear allows only their own cable and MIT cable
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