I think we audiophiles are "thinking too much analytic" during listening, including myself!
Very much agree.
My other half sings not professionally but in several choral groups of a standard that is high and we have a small piano in a humble shared listening space.
What interests me listing to discussions with other musician friends is the observations of live performances. The pace, Staccato and Legato, rhythm, pitch, how a note sounds flat sharp you get the picture.
Some of this discussion I am able to contribute to but really I just listen because my musical knowledge is limited. But some of it makes perfect sense when I am listening to a recorded performance and helps me understand.
There are of course books on singing that refer to the whole body as the instrument, that resonance in the head and other parts effects the sound, quite a complex instrument to tune and perfect.
The subtle nuances that we audiophiles sometimes experience are always or mostly there in a live performance. These are not easily revealed in a recorded performance sometime because we cant hear them or sometimes they are not there.
Its obviously about the recording and the system being revealing enough.
Why am I going on about this in the Abbas thread.
Well I have been keeping quite, busy with work and school holidays but also finding time to listen to music.
This arrived
Some have seen this before
This one had my name on it in paper of course.
Of course it was all there.
Very next day the front, AC cable and tubes turned up. 12-14 day's to get half way around the world from a war zone WOW.
Fantastic packaging and all arrived safely.
It has been warming the room for over 2 weeks now.
I was discussing with an audiophile friend the burn in process and what i am hearing. The observations are similar.
Within the first 10 -20 hours for me you get an insight into what the DAC will sound like.
Then there are changes you will hear to its base and mids sound staging etc, all be them subtle.
For me it started to sound more settled at the 80 hour mark but once you hit 100 + it's way better.
The other more interesting part of my discussion with this person was his observation of the TDA1541.
A lot is made of frequency response (easily measured) but not alot of what he called micro dynamics. That is what i am hearing now the Staccato and Legato the space around notes, plenty of what i call detail and air.
Tonally this is the most impressive DAC I have heard so limitations there but truly hard to stop listening.
Now I am burning in a few NOS tubes to start some comparisons but truly think I will just get lost in the music
Forgive the poor photo but I will get to posting some more.