I'm not sure, but I don't think any of Elliot's "great" systems fall under that price point. And don't forget the room; my guess would be that to do that really well will cost as well (Jack? Amir? Steve?)Why should it be any harder to buy $100k of gear and set it up for great sound?
I do envy and appreciate what Priaptor has managed to accomplish. OTOH, his equipment is both new and expensive, so I'm not sure how this debunks "newer = better" or "more expensive = better". FWIW, his system components are among the handful I might choose (quite possibly the exact ones) at his system price point; just think how much more challenging it would be to assemble and setup a truly "great" system at a much lower, but still high. price point e.g. $100k?
That is rich. You think you can judge my sound if you haven't even heard it. I am not sure if you have the faintest idea of what a well set-up high-quality mini monitor/sub combo can do, how well it can portray a hall, and if it can be magical. And yes, I've heard big systems in large rooms. Some have greatly impressed and convinced me in some aspects (large image, for one), none entirely. I am sure your system will be special; I don't assume otherwise since I haven't heard it.
First I am so sorry that the thread became all about you and YOUR system ad that I offended your sensibilities. I know for many it is impossible to believe that their system isn't the BEST the world has to offer.
My point was that there are many good or very good products there are very few GREAT,
If you are happy with what you have then enjoy it.
I did forget however that you and you overwhelming skill have taken apples and oranges and put them together like no one ever in the history of audio. That you have done the impossible and that you have done what the best speaker designers in the world cant.
So congrats!
Just to clarify a few things. I didn't start this thread. I added to it on the heels of Elliot being blown away by what he "heard". As I have stated, he hasn't heard the system in months, he wanted to hear it and I offered to play it for him, under the condition we "listen" not do the audiophile thing that is so prevalent of comparing Patricia Barbara, Krall or some other audiophile cut. We just listened to all kinds of music, ranging from huge symphonic presentations to the solo guitarist. We listened for hours. We didn't talk equipment. In fact we didn't talk. Elliot's post was spontaneous, he and I have no dog in this race.
However, I do respect his opinion as the guy has been in the business since the 70s, has worked and/or owned some of the most respected dealers selling the most respected brands and has had a hand in setting up 1000s of systems. Additionally he has had the good fortune of learning from some of the best such as from HP during his prime as well as some other pioneers in the industry from some of the brands that most audiophiles covet. Unfortunately the NET has turned most into professionals regardless of true experience.
He was stating his opinion about my system using his vast database of previous encounters to judge what he heard. This is not a threatening issue and if he didn't like what he heard in my house (and there were times in the past he did criticize) I would have listened and evaluated.
Unless I am missing the point his observations are not a dis on others, just a personal observation.
Depends on your setup? (just making an educated guess)Elliot-What kind of chance do I have to get what you call a "real audio experience" with my ARC REF 5SE, REF 75, and Nola KOs (when the KOs ever arrive)?
Depends on your setup? (just making an educated guess)
I have found that very few people will pay for the expertise of someone to advise and set up the system and show them how to get the most out of the gear. Audiophiles all seem to want to be expert whether they have learned how to or not.
In the case at hand my firend has a pair of Concert Grands. These are large open baffle design speakers. They like to be away from corners and walls. They get set up strait towards the listing area and at a 90 degree angle to rear wall, no tilt in either direction.
These are in my opinion the easiest to set up since you only have to play with the distance from the back wall. The width is really easy to get right.
So how do I do this?
Elliot, do you really mean 90 degrees and the "rear" wall? I'm confused by this description of your set up technique.
Are you advocating a rectangular arrangement or something? Or do you mean an equilateral triangle with the listener or something else?
"I had the system sounding excellent. The last time Elliot heard it was several months ago before I made my last tweaks. I replaced my REF75 PC with an Odin direct to the wall, changed my USB card to a JCAT USB card, moved around some traps, experimented with Stillpoints Apertures and bought 4 of them and experimented until I found the right placement, changed out my power supply for my server with a Kaia LPS and lastly replaced the KT120s with the KT150s."
I am new to computer audio playback. I am evaluating several different avenues at the moment, and one of them is a MAC MINI. Can the USB sound card in the MAC MINI be replaced (or some how by passed )by the JCAT USB card you mentioned above ? If so where can I get this card, and would I have to take it to an APPLE store for a tech to do the replacement?
I think he means the speakers are not toed in towards the listener-they are facing straight ahead. It also doesn't sound like he would agree with your statement about speakers "don't have to be large," but then I guess we would have to define what "large" means. It sure sounds like no stand mount speakers need apply.
I cant tell you when they will arrive LOL but I think that you can get something really special when they do if you take the time to get them right!Elliot-What kind of chance do I have to get what you call a "real audio experience" with my ARC REF 5SE, REF 75, and Nola KOs (when the KOs ever arrive)?
I am talking about the rooms at Transparent and at Karens home.I guess I and the many clients of Jim Smith's, as well as of other set up guys like him, are the "very few". Jim does what Elliot describes, and his results are astonishing. I fully agree that the room and how the speakers play in the room is the critical aspect of getting great sound. Speakers don't have to be large, in my experience.
I have heard the main room up at Transparent Audio. I wonder if it sounds similar to Karen's room.
the back of the Nolas should be square or parallel to the rear wall. The distance apart is something that needs to be played with based on the listening position and how far away you are going to sit.Elliot, do you really mean 90 degrees and the "rear" wall? I'm confused by this description of your set up technique.
Are you advocating a rectangular arrangement or something? Or do you mean an equilateral triangle with the listener or something else?