More far reaching than you knoware you Auidogod in another guise
More far reaching than you knoware you Auidogod in another guise
I see the primary argument made today for streaming is "access to all the new music'.
that I have not heard is new music to me
Yes it does, and this can be great in rock, jazz, etc; In classical however, the platform doesn't (yet?) distinguish between mediocre and noteworthy performances -- which, in my case, is an important parameter since much of my listening is classical..... the platform I believe , someone correct if appropriate, also makes suggestions based upon your genre(s), artists and track selections
Oddly what bothers me about digital is it becomes a never ending drone. I relish the few minutes of silence as I find a new record and put it on. It helps calm my brain and lets me reset for something new.I would agree that digital cannot sound as good as vinyl.
Until my Horizon and tube rolling came along.
I am in heaven.
Now I don't stand up every 15 minutes to flip a record, clean, destatic, find albums, etc.
Call me lazy
well, more like "new to me" (in my case). Since I enjoy reading the biographies of jazz musicians, I can follow along listening to what they listened to and were influenced by as well as more easily follow their own musical development. The reading experience therefore becomes richer and more meaningful.I see the primary argument made today for streaming is "access to all the new music'.
Not completely accurate. For a one step, the first metal piece IS the stamper. In a three step, the 3rd metal piece is the stamper.@Audiofile and, as mentioned, the nuances matter. What the audience heard, is not what a vinyl lover can hear at home.
From the blog piece:
"First of all, no one outside a mastering studio will ever hear the quality of the lacquer. In the process of vinyl production (when pressing >10000 copies of an album), the lacquer is first converted to an intermediate negative copy, from which a ‘father’ is copied, from which various ‘mothers’ are copied, from which stampers are then made that are used in the actual pressing of the vinyl (which is also a copying process). This means there are four mechanical copies between the lacquer and the vinyl record you have at home, and with every copy some details get lost and noise is added.
Second, it is extremely rare for a vinyl record to be cut directly from the microphone feed."
I prefer to say digital is technically superior to vinyl. Sonic superiority is a different discussion.Another reason why digital is superior as it's not dependent on the quality of any physical media
“Never ending drone” listening is about ones intentions, not the media. I usually listen to one album at a time, with the best focus I can. If I want music more in the background while working, that’s a different listening intention.Oddly what bothers me about digital is it becomes a never ending drone. I relish the few minutes of silence as I find a new record and put it on. It helps calm my brain and lets me reset for something new.
That's a good way to put itI prefer to say digital is technically superior to vinyl. Sonic superiority is a different discussion.
You are entitled to think that. I enjoy Digital and Analog with my preference being analog sources. This is my preference and is what makes me happy, not going to argue it's merits nor dissuade from your opinions or preferences. You do you not here to argue.That's a good way to put it
But after reading this thread(not all of it)
I'm getting the vibe that not many would agree that digital is technically better
100%You are entitled to think that. I enjoy Digital and Analog with my preference being analog sources. This is my preference and is what makes me happy, not going to argue it's merits nor dissuade from your opinions or preferences. You do you not here to argue.
Dave, I am glad you are here to share your insight and experiences. I have always enjoyed your work at PTA and now at Tracking Angle.100%
I'm not here to argue either. And I certainly think it’s absurd to tell people what they should like.
The only reason I post is I’m in a position to know things that most audiophiles do not. My hope is my first hand experience can add some amount of truth to a murky subject.
I prefer listening to vinyl regardless of whether the lacquer was cut from tape or digital. I can also state that in the case of a digital recording and mix down, the CD or stream is as close to a clone of the master as anyone needs. The vinyl has some added deficiencies AND enhancements that I like.
In the case of a project mixed to tape, it’s not essential for sonics that the lacquers be cut from the tape. It comes down more to the taste, experience, skill level, and use of best practices of the engineer than what the format is or was.
Streaming doesn't only provide access to new music. I've found releases from artists, obscure gems, through the streaming catalog. From my experience, convenience and keeping my ass in the chair is not a factor at all in my choices. But I'm sure it is with some.I see the primary argument made today for streaming is "access to all the new music'. The second most common argument is "I can keep my ass in my chair and click around the clock" (convenience.) Streaming today as a front-end strikes me as largely an IT exercise. (How many of you streamers are in IT?)
Absolutely my view as well. I admit to getting triggered by what come across to me as arrogant, often ignorant, statements, which seem to serve no purpose other than ego stroking. I feel the same way toward simplistic statements promoting digital as superior. However, the later is in the distinct minority on this forum and the AudioGod was banished for his digital superior inanities.Stream on. And if you do, chill a bit and accept your choice -- too much anxiety goes into defending it, when there is no need. If someone says vinyl or tape is superior, so what, stay calm and embrace your choice if you have confidence in it.
100%
I'm not here to argue either. And I certainly think it’s absurd to tell people what they should like.
The only reason I post is I’m in a position to know things that most audiophiles do not. My hope is my first hand experience can add some amount of truth to a murky subject.
I prefer listening to vinyl regardless of whether the lacquer was cut from tape or digital. I can also state that in the case of a digital recording and mix down, the CD or stream is as close to a clone of the master as anyone needs. The vinyl has some added deficiencies AND enhancements that I like.
In the case of a project mixed to tape, it’s not essential for sonics that the lacquers be cut from the tape. It comes down more to the taste, experience, skill level, and use of best practices of the engineer than what the format is or was.
I'm not arguing at allYou are entitled to think that. I enjoy Digital and Analog with my preference being analog sources. This is my preference and is what makes me happy, not going to argue it's merits nor dissuade from your opinions or preferences. You do you not here to argue.
Like I said I do not want to argue. You do you.I'm not arguing at all
He said that digital is technically better
And to me that's an undisputed fact so I agreed with him .
Anyone can like whichever format they want , that's not the point at all.
The point is I don't feel many agree with the fact that digital is technically superior .