Our local audio show starts 10am Saturday, that makes it a few hours from now. We're showing the AF3 PS with a Graham Elite Arm (My SAT stays on my AF1
) and I opted for the Koetsu Jasper Diamond. The P10 is crazy. I'm pretty jaded or at least I think I am. Before the P1/X1 I was using the EMT JPA 66, still an incredible phonostage. Yet, what can I say? It is the noise floor. With the already incredibly low noise of a TechDAS table where the carts are riding on essentially multi-kilogram LPs when under vacuum and the absurdly low noise floor of the P10, the end result is simply more information, tonal AND timbral. It's shocking to really hear how deeply the styli are tracking when the noise is gone or rather to realize what has been so smothered by noise for as long as one can remember.
The weak spot of MCs has always been, at least for me, that there is this dynamic ceiling. You might want to keep going but there comes a point when you go at it that the low level noise has come up along with the increase in gain that would make me say, alright enough is enough, time to back off and just accept it. The P10 vaporizes the glass ceiling that the P1/X1 breaks. In between the subtleties and the fireworks, the vivid, sweet and rich character of the stone body fills up the canvass. The Rutter Requiem on the ELAC demo LP. OMG.
So yeah, I'm with Roy on this. Happy to be part of the CH Family for sure.
The rest of the components of the show system are the L10, M10 Monos, D1.5, C1.2, Taiko SGM Extreme (Digital powered separately via Stromtank S-2500 that's another story!) Von Schweikert Ultra 7s, All MasterBuilt Ultra and CMS racks and footers.