Umm…back to the original thread of whether tubes “homogenize” the sound of music. I’d have to say it depends on the tube. I have come to the reluctant conclusion that, much as I like the sound of Western Electric 300B tubes, they do tend to homogenize music, imparting a luxuriant sheen on everything that passes through them, Granted, this is not an entirely a bad thing. Most recordings are appalling drecks. A little second harmonic enrichment is not bad. But for those who want the unvarnished truth, whatever that might mean, one must look elsewhere.
My current favorite output power tube, for those who seek the unvarnished truth, is the glorious 10th anniversary Emission Labs 45 tube. Thing thing is so transparent that I can literally count the rivets on a drum kit. On massed choral music, I hear individual singers like never before, when they sing in tune, and when they are off tune, when they go out of breath, when they exhale. Not everyone wants to take a microscope to their music. But if you do, and 2 watts is enough to drive your speakers, and what glorious watts they are, I present your salvation. But they’re not available, so you’ll have to scrounge a bit. Not as pricey yet as WE 300B NOS, but they might get there. I’ve been assured they’re reliable.
One reason is that this tube is made uniquely so that the tube elements inside are “floating”, and impervious to the usual microphonics. But the manufacturer wants the tubes are fragile and subject to shipping damage if carelessly handled. Caveat emptor.