There you go! Nick is the best!! I just know that whatever head you go with, stick with it. These pre-amps are built for a certain inductance for each head.
Mine are differentially balanced in/out with XLR in/out. Waited a year for them but well worth it.
I have been fortunate to hear Nick's tape pre-amp and it is just wonderful. The sound that comes from it is BIG! And yet it lets through those subtle cues and micro detail easily.
The matching head was also part of the system and I feel that certainly gave it the edge.
Some call the ECC801S the Holy Grail as also the ECC803S. I use the ECC801S in Nick's tape pre and the ECC803S in my amp. You guys have the great fortune of having Nick's current version whereas mine was probably the first version. Having said that and knowing that Nick has put a lot of effort and thought into the new version and one day I know I will send mine back to Nick to do the upgrade but for now I love what mine does and FWIW, I auditioned several and they were all noisy whereas Nick's unit is dead quiet and will put goose bumps on our skin when you hear your tape through his unit. IMO Nick's tape pre is the Holy Grail of tape preamps and everyone should have a listen because the sound is extraordinary
I am listening to a master protection copy of Coltrane's Ole' through Nick's preamp. Wow. I have never heard this album sound like this. Of course, it has a lot to do with the tape too, but the preamp brings the best out of the source.
I just purchased a quad of these from a reliable ebay seller. However, in testing them on my Jackson 646S they are all reading at about 70%. Is there something unusual about how these test? I am using the jackson settings for an ECC 801s which are the same as a 12AT7.