Thanks for posting this review. Harley way quite impressed. I wonder if this time alignment feature will trickle down the line and reach the smaller 3-way speakers.
Yes.
I believe that their patents have long since expired , however I could be wrong about this.
Cheers...
http://pdfpiw.uspto.gov/.piw?PageNu...TXT%26s1=D504,674%26OS=D504,674%26RS=D504,674
As far as I can tell, it is a patent that still has a currently valid claim for "the ornamental design of a speaker cabinet as shown and described". Looks like an Alexandria.
For the cost of this speaker, I and 643 of my closest friends could attend a lot of live concerts.
I do get this concept of building a "reference" cost be darned speaker but I don't get it either. I get it because I'm sure it was fun for Dave to do it. But as another poster suggested, why not take Dave's 30 or 40 years of experience of designing and building loudspeakers and see what he can create that mere humans could afford. And I'm not talking about a $10,000 plus loudspeaker. If he has any interest in bringing new folks into the world of more accurately reproduced music (he clearly does not), that would be a great boon to the industry rather than to just his pockets and pride.
No need to respond to that as I already know the answer, but I must confess I really do find it troubling.
I just don't understand the criticisms for building this speaker, or criticism of the cost. If someone is as passionate about reproducing music as Dave Wilson who has kept his passion alive for decades, why criticise him for working (for years) on his very best effort, combining all he has learned, with the latest measurement and reproduction technologies toward achieving what audiophiles all claim to want—the sound of live music in your room?
In my opinion, these kinds of criticisms come from folks who have never known the joy of being totally immersed in solving a problem or being completely consumed by the creative process. Do you criticise the great composers for writing their greatest symphonies? Do you criticise Ferarri or Lamborgini? Would you have been critical of Michaelangelo?
While a WAMM may not be the ceiling of the Sistine Chapel, with respect to the manifestation of passion and creativity of the individual I cannot judge one as greater than the other.
I am well past worrying about the price of products that "mere" humans can afford. I don't get pissed at Ferrari or Porsche because not everyone can purchase the La Ferrari or a 918. I don't lust after the top of the line Patek Philippe or Vacheron Constantin. I don't have to order Sassicaia, Tignanello or Ornellaia to enjoy wine. Not every company has to offer entry level products. There are plenty of products and lifestyles that I could never justify, that doesn't mean someone or some company shouldn't offer them. For the few individuals who will want these speakers it is not a either/or consideration. They will buy the WAMM and anything else they want too.
No one has to own Wilson, MBL, Magico or ........... They have plenty of other fine options to fit their needs.
I agree
Only 70 pair will ever be made and if someone is able to afford these speakers then why not??? I have owned Wilson speakers since 1994 and have followed Dave Wilson's contributions to high end audio. There aren't many men in the industry who even come close to him
I would love to own a pair of these but us mere mortals can only hope for trickle down technology to show up in future Wilson speakers
Audioguy , Wilsons arent made from mdf and the fit and finish is exemplary so a wilson under 10 K is not gonna happen , you have dealer/distributor mark up international transport , whatever , why not buy a secondhand WP 7 , latest is nt always the greatest .![]()
I would love to hear what a $700,000 speaker in the right room sounds like ........ or maybe I wouldn't !!
I just don't understand the criticisms for building this speaker, or criticism of the cost. If someone is as passionate about reproducing music as Dave Wilson who has kept his passion alive for decades, why criticise him for working (for years) on his very best effort, combining all he has learned, with the latest measurement and reproduction technologies toward achieving what audiophiles all claim to want—the sound of live music in your room?
In my opinion, these kinds of criticisms come from folks who have never known the joy of being totally immersed in solving a problem or being completely consumed by the creative process. Do you criticise the great composers for writing their greatest symphonies? Do you criticise Ferarri or Lamborgini? Would you have been critical of Michaelangelo?
While a WAMM may not be the ceiling of the Sistine Chapel, with respect to the manifestation of passion and creativity of the individual I cannot judge one as greater than the other.
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