Let me tell you of my set up at present it consists of playback mps3 which i think is quite good as a front, then the Dart integrated with ascendo system F speakers with audience AU24e cabling all around.
It would really depend on the existing system, but I agree that the biggest bang comes from improving the source. Next would be the speakers. However, as Tim has noted, some transducer upgrades might require upgrades around them. Some cartridges necessitate a better tonearm, and if you upgrade from a MM to MC, you would also require a phono preamp that can take a lower-level signal.
It has never been BS in my book and many other people as well, but one's veiwpoint does get narrower when you run one source component and the component is digital based on a laptop. The guy that coined the saying also sold speakers in addition to sources, but I'm sure you knew that.
So, at the risk of being practical for a minute, if the OP ever does return, what's the consensus? I looked up the speaker, there was an english translation of a german review on 6moons. It looks like a serious piece of gear. The Dartzeel integrated ain't too shabby either. (If I ever went to a solid state amp, that brand would be on my short list). I know literally nothing about his front end, other than Myles' translation of the brand name, and i assume the OP is doing computer based audio of some sort? So, rather than forcing the OP to wade through all of our digressions about what in theory, one ought do, anybody got any views on how this guy's system might be improved? (I liked the first time poster's suggestion of sorting his AC and haven't a clue about European electrical systems, other than what i've read about power conditioners marketed there). But, beyond that?
I sell speakers and no sources.... and I still said upgrade source first.
This is easy: Find the weakest link in your system and improve that first. In this case "weak link" can be defined by knowing the frequency response, noise, and distortion of each component. As Tim explained, transducers are usually the weakest link among audio gear. But in most rooms standing waves and echoes create even worse problems. Peaks and nulls spanning 30 dB caused entirely by the room are not only common, but typical.
--Ethan
This is my first post and fairly new to this forum, here goes. I would say the first thing would be to upgrade your electrical setup. Like in drag racing the type of fuel determines the level of performance. Electrical and audio in a way is like plumbing, the electricity and the audio signal is like the water, so the bigger the diameter of the pipe the greater the flow of water with less resistance and with a lower noise floor.
Gary, my experience tells me it's the speakers first. As I said earlier, the best sound system I've heard was a modest front end (a Marantz transport with an Audio Space DAC, Conrad Johnson ART II preamp and a 70 watt VAC amp) driving your G1.1 and despite a less than ideal room. This system easily thrashes all of the other mega-buck systems that I have listened to. My conclusion is if you have a great pair of speakers (adequately driven), even with a modest front end, the system can be top class.
I never understood the source first approach GIGO is fine and all but if your speakers are mediocre whats the point?? I always put the most into speakers first and went from there. It makes no sense to spend a fortune upgrading the front end if your speakers don't allow you to hear the improvements. Compared to speaker upgrades the front end are in most cases much more subtle.
Rob
I never understood the source first approach GIGO is fine and all but if your speakers are mediocre whats the point?? I always put the most into speakers first and went from there. It makes no sense to spend a fortune upgrading the front end if your speakers don't allow you to hear the improvements. Compared to speaker upgrades the front end are in most cases much more subtle.
Rob
First of all, nothing is going to help a mediocre set of speakers except sxxt canning them! You [the consumer] didn't do your homework then.
But even then, you need a balanced approach to setting up the upstream equipment and eventually the source is going to be the limiting factor (and let's include a modicum of some room Rx and good speaker set up).
Third, how do you know if the speaker is the issue or the front-end. As I've said, I've heard speakers that most of us would turn their nose up at sound like a million bucks fed a master tape.
That's the other thing about great trial lawyers- they always see something after the fact that they think they shoulda/coulda done.Great trial lawyer always start working on their cases by analyzing what the jury instruction will look like. After you know what the jury instruction should look like in your case, then you work backwards from there. I would recommend the exact same approach in building a system.
1.The Room
2.The Speakers
3.Amps
4.Source
Of course, I didn't actually do it this way. I wish I had. I would have saved alot of money.
So it seems we have had almost every possible recommendation made at least once??