Hello all,
I am not sure how we hear from a medical /scientific standpoint but i do believe that while infinitely varied because of the uniqueness of humans, there are cultural responses to sound that are imposed that are different. I have thought about this on a number of occasions in the past but i started to think about it again because of a video on mono stereo featuring an interview with Rainer Webber of Kaiser Acoustics and Maskai Ashizawa. https://m.youtube.com/watch?v=SOdH4zjQApI&feature=youtu.be
I find this alliance curious and would love help with any additional insight. If what I said above is true, and I have no way of proving that it is, what are the overlapping agreements on what makes "good" sound? I think that these cross cultural collaborations speak volumes! The other challenges here is the understanding and agreement on the meaning of terms.
- What characteristics of Kondo wire are at play here?
- Is it the wire specifically or the sameness of the. Wire from transformer > internal amp wire > to speaker wire > to internal speaker wire > to ribbon tweeter transformer wire ........ We might be getting into the weeds here but there just might be something to "sameness".
- To the ears of Rainer and the ears of Maskai what are the characteristics of sound that they find important.
- Do the 2 align on all aspects of reproduction?
- Are the areas of nonalignment cultural?
I realize that this is all speculation and neither company has any forum representation here but this is a forum and i am curious about the thoughts of the many.
thanks
Xero
I am not sure how we hear from a medical /scientific standpoint but i do believe that while infinitely varied because of the uniqueness of humans, there are cultural responses to sound that are imposed that are different. I have thought about this on a number of occasions in the past but i started to think about it again because of a video on mono stereo featuring an interview with Rainer Webber of Kaiser Acoustics and Maskai Ashizawa. https://m.youtube.com/watch?v=SOdH4zjQApI&feature=youtu.be
I find this alliance curious and would love help with any additional insight. If what I said above is true, and I have no way of proving that it is, what are the overlapping agreements on what makes "good" sound? I think that these cross cultural collaborations speak volumes! The other challenges here is the understanding and agreement on the meaning of terms.
- What characteristics of Kondo wire are at play here?
- Is it the wire specifically or the sameness of the. Wire from transformer > internal amp wire > to speaker wire > to internal speaker wire > to ribbon tweeter transformer wire ........ We might be getting into the weeds here but there just might be something to "sameness".
- To the ears of Rainer and the ears of Maskai what are the characteristics of sound that they find important.
- Do the 2 align on all aspects of reproduction?
- Are the areas of nonalignment cultural?
I realize that this is all speculation and neither company has any forum representation here but this is a forum and i am curious about the thoughts of the many.
thanks
Xero