nice!! Its an incredible dac !Ordered, dual PS, proISL/USB. According to Alma Audio may ship in only 2-3 weeks!
nice!! Its an incredible dac !Ordered, dual PS, proISL/USB. According to Alma Audio may ship in only 2-3 weeks!
It appears universally agreed upon that MSB DAC's are 'Primo' (top-notch) .... and priced accordingly. However, if a/the second power-supply contributes that significantly to performance -and by all accounts it does- then MSB should see to it to include "the second P/S" within the same chassis, or enlarge the chassis to accept another transformer/regulation. Asking customers to pay another $2K (USD?) for another $100-$200 in parts is both unnecessary and a financial "tug" (grab) that should be dispensed with.We have the Discrete on demo at the store. It's an amazing product for what it costs. The key here is whether you've had experience with other MSB DACs.
If you've only heard chip-based DACs, listening to an MSB, even the Discrete, is eye opening. We've just had a local fclient who listened to it at home, and
BTW, the two power supplies should be mandatory with either Discrete or Premier. The difference is huge. That bumps up the price a little, but it's worth it.
View attachment 53149
I auditioned MSB Discrete, Premier and Lampiziator Pacific on 23rd May in Seoul, Korea.
The source was simple Roon Nucleus with Octave Tube pre and Viola Monoblocks.
I also added just one more power supply to MSB Discrete, Premier as suggested by other member.
I started with Discrete first.
It sounds balanced with good details which belies its price tag of 11,500$ with one more power supply.
I played two vocals(one classical and one Jazz) one classical concertos and one New Age.
After switching to Premier, the sound changed drastic with more refined sound and tone color.
The difference of sound between Discrete and Premier is not minor.
After listening to Premier, I can not go back to Discrete.
MSB discrete sounds just slightly better than my 10 years old EMMLab Dac2(New price 9K$).
No consideration for upgrade at all.
After switching to Pacific, the sound had more body, timber and bass slam.
Pacific cost 25K$ in USA so It may be fair to compare it with Premier with improved clock.
Unfortunately they did not have upgraded clock.
But the difference of sound between Pacific and Premier is not so drastic as those between Premier and Discrete.
I say Premier is better than Discrete by 40% but Pacific is better than Premier by 15%.
With power bass block or upgraded clock, Premier may match the sound of Pacific.
I try to limit my budget to 20K$.
Thus I had hoped that the difference between Premier and Discrete shall be minor.so that I can be happy with Discrete.
But I will not consider MSB Discrete at all after this audition.
On 26th, I will audition Trinity Dac and Aqua Formula XHd with SGM Extreme server.
Let us see what happens.
I don't care if a DAC sounds "analog" or not. I take unamplified live music as reference, and that is what a DAC should sound like, as much as possible. And that's what an analog set-up should sound like, too.
It is the ostensible but of course currently unobtainable goal for most home "hi fi" systems. It also supposes that there is a source recording that attempts to accurately record "live, unamplified music", and there are not that many around (and even more rarely of music I would want to listen to, although that may not true for all listeners). A number of classical (and a very few jazz) labels do limit the amount of mastering between recording and release, but there is almost always some.That makes no sense:
" ...I don't care if a DAC sounds "analog" or not. I take unamplified live music as reference, and that is what a DAC should sound like, as much as possible. And that's what an analog set-up should sound like, too."
How can that possibly make sense ? Your "reference" (for recorded music) is live, unamplified music ??
pj
It is the ostensible but of course currently unobtainable goal for most home "hi fi" systems. It also supposes that there is a source recording that attempts to accurately record "live, unamplified music", and there are not that many around (and even more rarely of music I would want to listen to, although that may not true for all listeners). A number of classical (and a very few jazz) labels do limit the amount of mastering between recording and release, but there is almost always some.
Isn't it 2-3x the price of the Discrete and more appropriately compared to the MSB Premier?My buddy had the Discrete in for a trial run. He greatly preferred the DAC in the Esoteric K-01XD Disc Spinner. Sent the Discrete right back. Told me it wasnt even close...For what its worth.
MSRP is 23K...but your not paying that amount for just the Dac obviously. Think my friend paid around 13.5K for it...he gets great discounts...Totally envious!!Isn't it 2-3x the price of the Discrete and more appropriately compared to the MSB Premier?
I think about $28k (US, not Europe). There are used ones at eBay listed for under $8000; resale value may not the only indication of a component's true worth, but it is certainly an important one which doesn't put the Esoteric in a very good light.MSRP is 23K...but your not paying that amount for just the Dac obviously. Think my friend paid around 13.5K for it...he gets great discounts...Totally envious!!
What was the setup (specifically the source) for the comparison?My buddy had the Discrete in for a trial run. He greatly preferred the DAC in the Esoteric K-01XD Disc Spinner. Sent the Discrete right back. Told me it wasnt even close...For what its worth.
I think that list for a second power supply is about $1,450. But you really need two. I had only one while I waited for the Premier Power Base that I had ordered. The Power Base is a lot of $$$ but the difference between one power supply and the Power Base is huge.Can you define "a little"?
It is the ostensible but of course currently unobtainable goal for most home "hi fi" systems. It also supposes that there is a source recording that attempts to accurately record "live, unamplified music", and there are not that many around (and even more rarely of music I would want to listen to, although that may not true for all listeners). A number of classical (and a very few jazz) labels do limit the amount of mastering between recording and release, but there is almost always some.