Hey all! News at the casa di Thundersnow hi fi!
In preparation for my move to the new space, I was looking for an all-around solution for power/grounding. After listening to Shunyata Everest at my buddy’s place, I was impressed with what I heard so I pulled the trigger and thanks to
@Golum and Florian got my mitts on a Shunyata Everest and their Omega XC cable.
It’s been about a week of critical listening now and all I can say is I am absolutely stoked about buying this power distributor. I plug all of my equipment including the power amps into it. First and foremost, the sound hasn’t lost any of its finesse or the life it brings to the music. If anything, and along with the dynamics, Shunyata has kicked things into another gear.
The icing on the cake was grounding all of my equipment chasis to the Everest as well.
As a power distributer/filter only, Everest to my ears does not color the tone in any way, but it does add a certain very, very pleasing harmonic richness to the tones. I would compare it to having the even harmonics of my tube gear going into overdrive with whatever is that magic in the highs and mids that the tubes bring. Though I never was a huge fan of the term “blacker background”, having tried numerous different power distribution solutions (Ansuz, PS Audio, Audience, AudioQuest, McIntosh isolation transformer… you name it), this effect is most pronounced with the Shunyata Everest — at least in my system and my setup.
Compared to for example, the Ansuz DTC distributor and the DTC2 power cord, which I own, you could say that both the Everest and the Ansuz DTC do their job, but Ansuz does it at the expense of diminished dynamics (especially with the monos plugged into it) and this somewhat unfortunate hint of artificial overtones, which I suspect are due to the active components it utilizes.
I heard none of that with Everest. In short, it emphasizes all the good aspects of the system at the expense of virtually nothing.
Finally, once I’ve set up chasis grounding to go along with the power filtering (made my own grounding cables), the sound got freed up of almost any remaining faint hints of digital harshness. It became more analogue, with more presence and realism in the tone. Easily heard on “organic” instruments like, say, leather skin drums and similar such instruments. Nylon guitar strings sound like nylon, etc.
I am currently very tempted to acquire Shunyata’s standalone grounding solutions as well. We’ll see…