Introducing Olympus & Olympus I/O - A new perspective on modern music playback

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For those who just started reading up on Olympus, Olympus I/O, and XDMI, please note that all information in this thread has been summarized in a single PDF document that can be downloaded from the Taiko Website.

https://taikoaudio.com/taiko-2020/taiko-audio-downloads

The document is frequently updated.

Scroll down to the 'XDMI, Olympus Music Server, Olympus I/O' section and click 'XDMI, Olympus, Olympus I/O Product Introduction & FAQ' to download the latest version.

Good morning WBF!​


We are introducing the culmination of close to 4 years of research and development. As a bona fide IT/tech nerd with a passion for music, I have always been intrigued by the potential of leveraging the most modern of technologies in order to create a better music playback experience. This, amongst others, led to the creation of our popular, perhaps even revolutionary, Extreme music server 5 years ago, which we have been steadily improving and updating with new technologies throughout its life cycle. Today I feel we can safely claim it's holding its ground against the onslaught of new server releases from other companies, and we are committed to keep improving it for years to come.

We are introducing a new server model called the Olympus. Hierarchically, it positions itself above the Extreme. It does provide quite a different music experience than the Extreme, or any other server I've heard, for that matter. Conventional audiophile descriptions such as sound staging, dynamics, color palette, etc, fall short to describe this difference. It does not sound digital or analog, I would be inclined to describe it as coming closer to the intended (or unintended) performance of the recording engineer.

Committed to keeping the Extreme as current as possible, we are introducing a second product called the Olympus I/O. This is an external upgrade to the Extreme containing a significant part of the Olympus technology, allowing it to come near, though not entirely at, Olympus performance levels. The Olympus I/O can even be added to the Olympus itself to elevate its performance even further, though not as dramatic an uplift as adding it to the Extreme. Consider it the proverbial "cherry on top".
 
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We should take the electric school bus, A Ken Kesey reenactment...It would then truly be "The Electric Acid Kool-Aid Test"...
Would a blue VW bus with TARDIS license plates suffice? Could time travel through the desert to Vegas. A similar trip, just backward. Bring your camera. I know it's been a while.

We could pick up Vassil before the Field of Dreams, because somebody has to drive the bus. ;)
 
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Everyone seems to agree the Olympus is better than the Extreme regardless of how you configure it, so I don't see a big deal either way. I do, however, believe there was an agenda to go after the MSB Select 2, aggressively, and the resulting report, to me, was not convincing. There are just so many variables, and the music seemed cherry-picked. I like the way Steve W continues to express his preference, and I think @ray-dude did the most thorough job advocating for the new tech. FWIW ;)
 
Would a blue VW bus with TARDIS license plates suffice? Could time travel through the desert to Vegas. A similar trip, just backward. Bring your camera. I know it's been a while.

We could pick up Vassil before the Field of Dreams, because somebody has to drive the bus. ;)
Sure that will work. Having an analog photographer will be so appropriate! I can do some infrared time exposures...
 
At the end of the day, it is one's own ears that are decisive for oneself. Somebody may have more tech knowledge or skills, but his ears are not mine, and the kind of music he listens to is not my kind (and in the same genre of classical music, I find myself often in disagreement with, say, David Hurwitz of Classicstoday.com, who has made a big name for himself and has more "tech" knowledge in music). He is perhaps more passionate (at least subconsciously or even unconsciously) partly because he is a dealer, has a special affiliation with a business or has an interest to promote for himself (all legitimate as long as he is honest about disclosure). Unless one cannot decide without a guide, guru, leader to anchor oneself, why should he expect that somebody to be perfect, all-knowing and all-true?
 
Many of us are just hoping for an honest comp between analog XDMI out versus Digital XDMI out to Horizon or MSB compatible XDMI.

Agreed, there is indeed a great hunger for this vital comparison. But we really need to be patient.

There are only a few lucky souls who have:
- received their Olympi
- have MSB or H360 DACs
- have burned in their XDMI Analog daughter cards
- have burned in their XDMI Digital Lampi/MSB daughter cards
- have the motivation and skill to do the surgery to swap the daughter cards a few times to do A/B comparisons.

Those of us on this thread who are more technical and/or comfortable with computers may consider the last point no big deal, but for many, even the simple act of swapping daughter cards is a daunting proposition. I consider myself in the technical/skilled category, but even I had some choice swear words when I was bent over trying to align the six bolts on the back to fasten the XDMI card securely. And if you have to move the O and I/O to do this, there's the 130lb weight problem.

The point of all this is, we would hope that the lucky few would be more proactive in doing these comparisons (yesterday!) but let's give them some grace and understanding. This is NOT as easy as swapping cables, and so we just have to be patient until somebody with enough motivation gets around to doing this.

I should also mention that the Taiko community is a union of at least 2 sets of people:
- those who would love for XDMI Analog to render their current DACs redundant, thus mitigating the cost of the O by selling their DACs and
- those who would love for the XDMI digital interface to take their existing beloved DACs to new heights of performance. These folks aren't really looking to replace their beloved DACs, so would likely not be very motivated to do the comparison with XDMI Analog.

Both these groups can coexist, and the happy truth is that both groups are buying (or want to buy) Olympi. And that ultimately, is what we wish for Taiko's continued success!
 
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At the end of the day, it is one's own ears that are decisive for oneself. Somebody may have more tech knowledge or skills, but his ears are not mine, and the kind of music he listens to is not my kind (and in the same genre of classical music, I find myself often in disagreement with, say, David Hurwitz of Classicstoday.com, who has made a big name for himself and has more "tech" knowledge in music). He is perhaps more passionate (at least subconsciously or even unconsciously) partly because he is a dealer, has a special affiliation with a business or has an interest to promote for himself (all legitimate as long as he is honest about disclosure). Unless one cannot decide without a guide, guru, leader to anchor oneself, why should he expect that somebody to be perfect, all-knowing and all-true?

I agree. When someone is intense, it gives pause, especially when it involves a sale ;)

PS - Hurwitz could make his points without being so divisive, but he chooses to be obnoxious.
 
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I agree. When someone is intense, it gives pause, especially when it involves a sale ;)
I was not insinuating against Vassil. I had the pleasure of speaking with him twice. Even though I have not purchased anything from him, I have the gut feeling that he is an honest and reliable dealer (so is Fred Ainsley). I was impressed by his passion and friendliness but could see that he had his preference or "bias" (who does not?) - I would hope that he can try himself the cables I recommend to him - but he is somebody I'd love to meet with and his system is one I'd love to experience (if I ever find myself in Chicago; I have never been to and have no intention to go to any tradeshow; I rarely go to a dealer either; just buy and sell over the years, treating audiophile passion as a disease to be guarded against). Continue to believe that if one cares too much about SQ (which could become an end in itself, an endless process, one could not have time and patience to appreciate the wealth and depth of classical music.
 
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PS - Hurwitz could make his points without being so divisive, but he chooses to be obnoxious.
On the whole, I enjoyed watching Hurwitz's YouTube clips and often learned from his recommendations (most recently I "discovered" and came to love Zoltan Kocsis's piano recordings (whom I had heard about) thanks to his glowing recommendations. Sure, Hurwitz appears to be arrogant, condescending, and obnoxious, but perhaps it is his public persona or mask. To give you an instance of my disagreement with him: he loves Mahler much more than Bruckner; I am the opposite. But even for Mahler 9, he never mentioned Maderna/BBC SO 1971 live; his top choice is Chaily/RCO, which is not even among my top 3 choices; Maderna is so special, especially for the 1st movement). I also disagreed with Hurwitz's view about Bach's religious music, which is something so bitter that needs to be sweetened by "mild" and "beautiful" performances in his view. He completely "missed the ball." I digressed and will stop here before somebody calling the stop here.
 
On the whole, I enjoyed watching Hurwitz's YouTube clips and often learned from his recommendations (most recently I "discovered" and came to love Zoltan Kocsis's piano recordings (whom I had heard about) thanks to his glowing recommendations. Sure, Hurwitz appears to be arrogant, condescending, and obnoxious, but perhaps it is his public persona or mask. To give you an instance of my disagreement with him: he loves Mahler much more than Bruckner; I am the opposite. But even for Mahler 9, he never mentioned Maderna/BBC SO 1971 live; his top choice is Chaily/RCO, which is not even among my top 3 choices; Maderna is so special, especially for the 1st movement). I also disagreed with Hurwitz's view about Bach's religious music, which is something so bitter that needs to be sweetened by "mild" and "beautiful" performances in his view. He completely "missed the ball." I digressed and will stop here before somebody calling the stop here.
Ok...I am no classical expert. I have several different conductors' worth of Mahler's Symphonies. The ones I tend to listen to most often that come to mind first are:
- Haitnick & Royal Concertgebouw
- Ivan Fischer particularly Symphony 2

Will give Maderna a read...what else do you recommend?

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Ok...I am no classical expert. I have several different conductors' worth of Mahler's Symphonies. The ones I tend to listen to most often that come to mind first are:
- Haitnick & Royal Concertgebouw
- Ivan Fischer particularly Symphony 2

Will give Maderna a read...what else do you recommend?

View attachment 142978
View attachment 142979
Very briefly (b/c not relevant to this forum). My enthusiasm for Mahler has cooled down considerably over the years; my passion is for Bruckner (for whom I can give you recommendations I am much more sure about). 3: Ozawa/BSO; Abbado/Lucerne (Bernstein's 2 recordings suffer from too low mvt 6, but his DG/NYPO is otherwise great); 4 (Maazel/VPO); 5 (Bernstein/VPO; Levine/Philly); 6 (Bernstein/NYPO or VPO; Tilson Thomas/SFS); 7 (Bernstein, Levine); 8 (Solti/CSO; Wit); 9 (Maderna/BBC SO except last mvt, too fast for my taste while Levine or Bernstein is too slow; 24 minutes or so would be ideal to me; Giulini/CSO; Ozawa/BSO); 1 & 2 (not sure at this moment). We could exchange views further via PM. (I am no Karajan fan, either for Mahler or Bruckner.)
 
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Thank you! Would like to know more about Bruckner...again Haitnick for me. But Nelsons, Rattle, Honeck were all good but not necessarily inspiring for me.
 
Thank you! Would like to know more about Bruckner...again Haitnick for me. But Nelsons, Rattle, Honeck were all good but not necessarily inspiring for me.
PM. I am passionate about Bruckner, the greatest symphonist ever to me; next is Brahms, 3rd is Beethoven (silly, but that's my preference). I have about 40 different albums of Bruckner 8. Love Jochum's DG set (not the best for every symphony, but the one box I'd recommend the most).
 
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On the whole, I enjoyed watching Hurwitz's YouTube clips and often learned from his recommendations (most recently I "discovered" and came to love Zoltan Kocsis's piano recordings (whom I had heard about) thanks to his glowing recommendations. Sure, Hurwitz appears to be arrogant, condescending, and obnoxious, but perhaps it is his public persona or mask. To give you an instance of my disagreement with him: he loves Mahler much more than Bruckner; I am the opposite. But even for Mahler 9, he never mentioned Maderna/BBC SO 1971 live; his top choice is Chaily/RCO, which is not even among my top 3 choices; Maderna is so special, especially for the 1st movement). I also disagreed with Hurwitz's view about Bach's religious music, which is something so bitter that needs to be sweetened by "mild" and "beautiful" performances in his view. He completely "missed the ball." I digressed and will stop here before somebody calling the stop here.
BTW, got the Maderna! Coming later this month! Thanks for the recommendations...the mini-reviews were also spectacularly positive as well.
 
BTW, got the Maderna! Coming later this month! Thanks for the recommendations...the mini-reviews were also spectacularly positive as well.
The first movement of Mahler 9: such consummate phrasing, rhythm, pulse, amazingly good sound for a 1971 live recording from the Royal Festival Hall (said to be bad in acoustics), notwithstanding very audible coughing from audience. Only the last movement at 21:28, sounds too fast to me, but it is a valid alternative "optimistic" approach (not the kind of dreary, world-weary, death-engrossed interpretation of Bernstein or Levine, stretching to 28-31 minutes). Maderna was an outstanding composer too, died too young.
 

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Agreed, there is indeed a great hunger for this vital comparison. But we really need to be patient.

There are only a few lucky souls who have:
- received their Olympi
- have MSB or H360 DACs
- have burned in their XDMI Analog daughter cards
- have burned in their XDMI Digital Lampi/MSB daughter cards
- have the motivation and skill to do the surgery to swap the daughter cards a few times to do A/B comparisons.

Those of us on this thread who are more technical and/or comfortable with computers may consider the last point no big deal, but for many, even the simple act of swapping daughter cards is a daunting proposition. I consider myself in the technical/skilled category, but even I had some choice swear words when I was bent over trying to align the six bolts on the back to fasten the XDMI card securely. And if you have to move the O and I/O to do this, there's the 130lb weight problem.

The point of all this is, we would hope that the lucky few would be more proactive in doing these comparisons (yesterday!) but let's give them some grace and understanding. This is NOT as easy as swapping cables, and so we just have to be patient until somebody with enough motivation gets around to doing this.

I should also mention that the Taiko community is a union of at least 2 sets of people:
- those who would love for XDMI Analog to render their current DACs redundant, thus mitigating the cost of the O by selling their DACs and
- those who would love for the XDMI digital interface to take their existing beloved DACs to new heights of performance. These folks aren't really looking to replace their beloved DACs, so would likely not be very motivated to do the comparison with XDMI Analog.

Both these groups can coexist, and the happy truth is that both groups are buying (or want to buy) Olympi. And that ultimately, is what we wish for Taiko's continued success!
This problem is quite easily solved. For all these owners, just buy another O and IO. And they do not need to swap the cards.
 
always appreciate your posts as i’m sure we all do. it is noteworthy imho you did not mention comps to Horizon 360 via xdmi.

also you say “We can already see massive resistance by a lot of people here. It does not have my favorite tube, so it can't match my current DAC. It does not have XX DAC chips (5000?) in parallel, so it can't be good. It's just a small board in a very noisy computer environment, and it can't be better than my DAC. It does not have the analog stage of my X or Y DAC, and it can't be that good. It does not have the fancy (5-digit priced) clock on my DAC, so it can't be taken seriously. The resistance from quite a few people here so far has been so big, that they refuse to pop in the XDMI analog card they have on hand and have a listen to it.”

Really do not know what “massive” resistance that you are referring to? or “resistance has been so big that they refuse to pop in the XDMI analog card”’…. are you implying SteveW? others?

Many of us are just hoping for an honest comp between analog XDMI out versus Digital XDMI out to Horizon or MSB compatible XDMI. would never describe this as “massive resistance” or some refusal to believe.

you say “A lot of pushback... and yet, almost everyone who dared to listen to the XDMI analog card has decided to stay with it and sell their previous favorite DAC. That includes a wide range of what were considered state-of-the-art DACs ranging from $50K to $150K and from quite a few really good manufacturers.”

almost everyone? “dared”? Has anyone sold their Lampizator or MSB xdmi compatible dacs? have they said olympus analog out is superior to them? Please share as noone has posted that here. Have you done those comparisons?

Hey @ctydwn, let me clarify a bit more.

When I talk about "massive resistance," I mean the broader skepticism I encounter almost daily. Out of every 10 people I explain the Taiko Olympus XDMI to, about 9 fall into the "resistant" category. I’m not even trying to sell it - just suggesting they give it a listen in their system.

For example, one person recently spent close to a million dollars on equipment and still doesn’t believe a server can make any difference. He would buy the most expensive DAC there is but skip the server as a non-believer. Another refuses to even consider a "computer" in their setup, so both the Extreme and Olympus are a no-go. Then there’s the usual criticism: it doesn’t have this, it doesn’t have that, it’s a small card in a noisy computer, so it can't be good, the analog section makes the DAC, so that little card can't be good, etc. Little do they realize how much they’re missing out on their digital source.

I’m relatively new to the industry, but I’ve built pretty much everything myself over the years - speakers, amps, preamps, phono stages, turntables, servers, DACs, you name it, and have a good technical understanding of how things work. What really bothers me is seeing people spend massive amounts of money on the wrong solution for the problem they have. Like someone having an untreated room causing issues, and their dealer selling them more expensive amplifiers to solve the problem. And 6 months later they sell them the upgraded version of these amplifiers. And another 6 months later they sell them a more expensive amplifier because the last 3 did not resolve the problem. They are out $200K when all they needed to do is add a couple room treatment panels for example. People keep chasing their tails for years and years and are never happy with their sound. It really hurts me when I see that.

Ironically, that same industry has created a vision in people's heads about what's good and what's bad. For example, someone with DAC X may value the clock above everything else and won’t even consider another DAC (Olympus included) unless it has a more expensive clock (because his dealer said so). And even if I had first hand experience with that DAC and suggest that the Olympus XDMI would sound better, they won’t take it seriously. Yet as soon as DAC X announces a better clock, they’ll jump on it - even if the upgrade costs more than the Olympus.

To be clear, I wasn’t pointing fingers at anyone specific (and definitely not SteveW). I’m just saying that some here have the capability to do meaningful comparisons but don’t for one reason or another - whether it’s valid or just skepticism about the XDMI analog card.

So, now that we've covered "massive resistance", where does that leave us? Ah, yeah, more data points. I want more data points too. I would love to hear these comparisons firsthand too.

Also, my mention about some people selling their expensive DACs did not imply that it was done after comparing XDMI analog to XDMI to Lampizator or MSB. I just like you am waiting to see more of these data points.
 

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