(...) So get that record out where you can hear the singer catch her breath on the new amp and demonstrate it was inaudible on the old one. That's what the best reviewers do. Then let the engineers figure out why.
I would not be so sure that the catch her breath amp would be inaudible in the old amp, but as it was much more difficult to listen it was inaudible (as it was never heard) until you know it was there using the new amplifier. Then, as soon as you know it was there you listen it in any of the systems.
As most of us do not train ourselves for music listening and most of the time only listen once or twice to the same music in everyday listening we naturally establish a preference for what we consider the better system along time.
I am listening now to the new ARC REF150 tube amplifier in my ARC setup and I am getting fantastic new detail in many CDs I know pretty well. I am using an old all Quad setup as a control system. Volumes were calibrated, in cases where the difference exceeds .2 dB I use the higher volume in the Quad system. The difference between both systems is astonishing - the Quad system is neutral, but the dynamics much more restrained and if I increase volume it shouts much bellow the clipping point. Imaging is precise but not spacious.
The gradation of detail with the ARC REF150 is very natural, but you listen to more studio ambiance, small effects, many small thinks that make you fell more "there".
The way the new tube amplifier shows the music in the ESL63 is really unbelievable. (End of commercial ). But if I listen just for the details in the Quad setup after I have found them they are there - no magic here. But much less evident.