Martin Logan CLS II/IIa
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Is that a Maplenoll Signature on a butchers block ? That’s my setup! Are you using the dampening trough? What cartridge are you using ? I have the CLS’s in walnut with 2 Vandersteen subs in my second system fantastic vocals. That sub of yours is beautiful !
Yes, it's a Maplenoll Signature with a Shelter 901 cartridge that has had a replacement cantilever and stylus done by Soundworks. I do use the damping trough and have modified the tonearm by adding damping material to the inside and applied a coating to control resonance. I use a Bent Audio Silver transformer and Tom Tutay designed phono stage.
I already have the Sound Anchor speaker stands ready once I've got the ideal room placement determined (almost there). They give ideal support and lift the speaker up nicely. The walnut CLS look beautiful and the contrasting red panel really sets them off perfectly.
I already have the Sound Anchor speaker stands ready once I've got the ideal room placement determined (almost there). They give ideal support and lift the speaker up nicely. The walnut CLS look beautiful and the contrasting red panel really sets them off perfectly.
Are you using a motor controller ? The Phoenix Engineering models work great with the added convenience of speed reading if you can find them. The Walker is very good too. If you need a new belt, i recommend custom ordering the right length from Origin Live, these are great improvement on the original. Stay away from LP gear they don’t have the right belt, and will send you a totally wrong one.I will never buy anything from that company again, scam artists!
Is there even the remotest of hopes that we keep this thread within reason...On Track please guys!
I quite concur, the CLS's respond very well to aftermarket stands lifting and decoupling them from the room floor, particully were sub woofers are also deployed.
They also benefit notably from any additional bracing to the frame altho not always a simple task without drilling and Bolting entering into the equation , one of the reasons I descided upon the CLX Anniversary was in part he substantial billet aircraft grade aluminium frame that clamps the panel's in a vice like grip, even on Wagner esk high SPLs the frame and importantly the panel's display vanishingly low to zero resonance to the touch and the ears.
In many ways I think that CLS MKII in a nice timber finish are the arguably most aesthetically and room/WAF friendly full range transducer yet manufactured by ML.
I quite concur, the CLS's respond very well to aftermarket stands lifting and decoupling them from the room floor, particully were sub woofers are also deployed.
They also benefit notably from any additional bracing to the frame altho not always a simple task without drilling and Bolting entering into the equation , one of the reasons I descided upon the CLX Anniversary was in part he substantial billet aircraft grade aluminium frame that clamps the panel's in a vice like grip, even on Wagner esk high SPLs the frame and importantly the panel's display vanishingly low to zero resonance to the touch and the ears.
In many ways I think that CLS MKII in a nice timber finish are the arguably most aesthetically and room/WAF friendly full range transducer yet manufactured by ML.
The Sound Anchor speaker stands have two metal braces that go from the frame sides down to the stand. They do require holes to be drilled into the wood, a bit unnerving but with a sharp bit it's not too bad.
I've been listening to the speakers and switching back and forth between the two crossover configurations and haven't formed a concrete opinion what the sound difference is. I suspect it's mostly related to how the driving amplifiers react to the crossovers.
I've been listening to the speakers and switching back and forth between the two crossover configurations and haven't formed a concrete opinion what the sound difference is. I suspect it's mostly related to how the driving amplifiers react to the crossovers.
Hello Pierre,
I have owned lots of speakers over the years, KLH 9, Tympani IV, Spica TC50 and Harbeth HL5 and I could easily live with any of them and be very happy. All that has to happen is that while I'm listening to a record or tape a little awareness moment has to happen inside my brain that tells me I'm enjoying real music and I'm satisfied. Plus I like to build things and the more mechanical it is the better.
I have owned lots of speakers over the years, KLH 9, Tympani IV, Spica TC50 and Harbeth HL5 and I could easily live with any of them and be very happy. All that has to happen is that while I'm listening to a record or tape a little awareness moment has to happen inside my brain that tells me I'm enjoying real music and I'm satisfied. Plus I like to build things and the more mechanical it is the better.
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