I agree with what you are saying.[please forgive my poor English]
I was not in Munich this year, and I have never been in Munich before, but from what I can read:
I contend that the Contendo is a contentious system, at least in its daring attempt to demonstrate its full potential. Obviously, it was a risky bet, moreover in a room they had no previous experience with, it seems.
Nevertheless, from what I can read,
No, the demarcation line dividing the two "camps" does NOT draw a line between AC dealers / regular attendees (cf. picture in post #1,047):
just to quote a few:
Moreover, when I see the nearly unanimous negative opinions about the Stenheim Reference Ultime Two's demo (with Nagra en darTZeel), it raises questions. I heard those speakers twice, in different setups and room. The 35 live, classical concerts I attend each year, in various halls, generally very good ones, sitting on various seats, made me able to instantly recognize a truly great performer in those fabulous speakers. Well setup, this is so obvious that I could publicly post to a member who had them compared with another speaker at home:
So, as I trust the perception of members who did not liked the Stenheim demo, and as this contrasts so starkly with what I know about those JAW-DROPPING speakers, I'm literally flabbergasted by those reports (in the sense that: I really don't know what to think about the causes).
(Not to speak about the whole Aries Cerat system I heard, based on admittedly another AC speaker system (Symphonia's), admittedly in a quite different, much better context (very good dedicated room), reported here - have a look! - here, there WAS a choir in front of me, no doubt, but as it was not what my brain saw, it took me 15 sec to recover from the shock; I know that one of the biggest high-end dealer of the North of Europe, who has 30+ years of experience, ...had the same shock, with the same system - but I'm afraid I will have to close this AC-related digression, otherwise the set of "AC dealers" in the aforementioned picture could be enlarged to "AC owners"; and, yes, I own an AC preamp, bought afterwards after I tried it at home)
And the (only) question this raises for me, is:
should I attend Munich 2025, and what for ?
(not to speak about the music played in the rooms)
And a classical Cd collection to go with it.Buy yourself a horn to celebrate
If the room is not overcrowded you can usually ask the executor for music type and even specific vinyl to track
Zellaton? Just smooth? Nothing extraordinary?I stayed 2 - 3 songs
Sounded ok smooth
NoZellaton? Just smooth? Nothing extraordinary?
Thanks for sharing you impressions! I was not that impressed with their smaller Evo model at the Chicago Axpona Show, despite REALLY wanting to like their sound (and trying to find the ways to purchase a pair), so was hoping the Statements will be the great one...No
Not while i was there .
Thanks for sharing you impressions! I was not that impressed with their smaller Evo model at the Chicago Axpona Show, despite REALLY wanting to like their sound (and trying to find the ways to purchase a pair), so was hoping the Statements will be the great one...
Those amps from Japan that Zellaton was using , is a boutique brand , I think they are about 200K or so. I guess all for naught.Afaic all these brands should switch to Convergent Zanden Audio research VTL.
Munchen becomes rather uninvolving after multiple visits if your home base is high Q push pull tube amplification
Did you listen to the Odeon horn speakers by any chance?I m not saying i think Zellaton is a bad speaker .
On another amp i might really like them
Its the setting your them in that matters
Those amps from Japan that Zellaton was using , is a boutique brand , I think they are about 200K or so. I guess all for naught.
Those amps from Japan that Zellaton was using , is a boutique brand , I think they are about 200K or so. I guess all for naught.
The set up in NY used their aluminum sandwich drivers, these are the new gen.The Zellatons with YL acoustics at Munich never sounded good like the set up of Zellatons with FM at Audio Arts, which was excellent.
I was talking about the same gen at that time. Heard it the same year.The set up in NY used their aluminum sandwich drivers, these are the new gen.
Yes probably but i did nt take pics.Did you listen to the Odeon horn speakers by any chance?
Was Stein playing their smaller models as well, or only big speakers?Yes probably but i did nt take pics.
So not impressed
STEIN horns were quit good .
Avant garde with the small horns sounded not good at all to my ears.
Living voice sounded very good in 22 with the cheap model but now they demonstrate with the much more expensive ( scan speak ellipticor) model which did nt sound good at all.