I have heard the "sound collapse" phenomenon many times over the years when going from tube to SS. There were some good articles about the effect back in the 80's by some top-notch folk; I don't have them now (the articles or the folk
). As best I recall, the main contributors in order were damping factor (tube amps so low that the speakers would ring longer) and distortion (higher amounts of low-order distortion in the tube amps); I think distortion was deemed by far the secondary effect. Damping factor is really too loose a term; it was a function of how the tube amps' impedances interacted with the speakers' impedances over frequency, and perhaps transient response and phase as much as (but not more than) frequency response.
Ultimately, it came down to the big SS amps driving the speakers (B&W 801, Magnepan MG-III and 20, Dahlquist DQ-10, Beveridge, a few others) having measurably lower distortion as measured in the room but the tube sound liked more by some (and less by others). In other words, preference. Which I have no problem with; my D79 did not fare well into most of the speakers, but I loved the sound and it did OK into my Magnepans.
One of many experiments that yielded some interesting results about what we like vs. what measures best, and esxposed me and others to a wider variety of components and insight into how they interacted.
BTW, this was one of the tests that began easing me away from tubes and electrostats; the tube amps sounded awesome in the midrange but did NOT like the low impedance in the HF and I thought the tube amps sounded more harsh in the upper treble. Measurements backed me up, but of course that went against the grain of all the "tubes are smoother" folk.
Edit: I should clarify that some felt the soundstage
increased with the SS amps...