Christian - While I appreciate your input, that's not the market I can play in. That's just my reality.
I have an MX5050. It sounds better stock than a Technics 1500 stock. It's a pretty reliable machine.
Christian - While I appreciate your input, that's not the market I can play in. That's just my reality.
I have an MX5050. It sounds better stock than a Technics 1500 stock. It's a pretty reliable machine.
Just trying to introduce a reality check here, call it a downer if you want (reality checks often are). John has already indicated that his finances are limited, and it's hard to see how open reel tape has much to offer him. 7.5 ips needle drops aren't going to sound anywhere near as good as 24/96 or DSD from a Tascam, for instance, and blank tape is pretty expensive. Likewise, pre-recorded tapes are very expensive and except for the Tape Project have a very limited repertoire which is mostly obscure to boot. Jonathon's tapes are the exception to this rule of thumb.Convinced of what? I'm not telling you or anyone else that 7 1/2 ips tapes are world beaters in sound quality. All I'm saying is that the tapes made from a really good sounding master will still sound really good. Don't be a Debbie Downer.
Just trying to introduce a reality check here, call it a downer if you want (reality checks often are). John has already indicated that his finances are limited, and it's hard to see how open reel tape has much to offer him. 7.5 ips needle drops aren't going to sound anywhere near as good as 24/96 or DSD from a Tascam, for instance, and blank tape is pretty expensive. Likewise, pre-recorded tapes are very expensive and except for the Tape Project have a very limited repertoire which is mostly obscure to boot. Jonathon's tapes are the exception to this rule of thumb.
I've heard excellent things about that Korg unit, but I respectfully have no interest in pursuing such an avenue. To me digital shall remain on my PC which is not used for high-quality playback, but instead more for background.
Thanks, Bruce. That pretty much confirms my premise, especially if The Tape Project stops.
Just sharing my experience and opinions, as is everyone else. I got my first reel deck in 1967 and have had more than a dozen since; my first (of several) PCM/VHS setup in '84 and my first (of several) DAT in '92 and have done a ton of home and field recording. I used to record my Mahler symphony LP's to tape so I wouldn't have to play 4 record sides The capabilities of the Otari (a friend has his in the shop right now getting new heads and servicing) are right up my alley and John was asking for advice.If John buys the 5050, he can make 15 ips tapes if he so chooses and they will sound damn good.
Just trying to introduce a reality check here, call it a downer if you want (reality checks often are). John has already indicated that his finances are limited, and it's hard to see how open reel tape has much to offer him. 7.5 ips needle drops aren't going to sound anywhere near as good as 24/96 or DSD from a Tascam, for instance, and blank tape is pretty expensive. Likewise, pre-recorded tapes are very expensive and except for the Tape Project have a very limited repertoire which is mostly obscure to boot. Jonathon's tapes are the exception to this rule of thumb.
If John buys the 5050, he can make 15 ips tapes if he so chooses and they will sound damn good.
For less than 500 I doubt John will go wrong with all the usual caveats and he can play whatever tapes he wants. Nobody needs to spend a fortune here,only guys like me do,but then I just don't play tape with mine. Go for it John!
What makes you say that? Paul Stubblebine flew across the country to promote it only a few months ago. From everything I have garnered talking to the people involved they are temporarily stalled to work out some internal matters...
John,
I really understand you! But in order to be one more happy reel to reel owner you should be very careful when buying a machine. Look for the help of someone who really understands about them or you can trust. Some years ago, when the Tapeproject people started supporting the MX 5050's I was interested in them, but 95% of the machines offered for sale in the usual sites were in poor condition - they would need expensive service.
I really hope you are right because even if their product isn't practical for me at this time I respect it and the work they have done. However... I think we all know that "temporarily stalled to work out some internal matters" has often been a prelude to collapse. No reason otherwise (except their notoriously slow order filling in the best of times) to suspect problems.
Perhaps I should add that I'm far more likely to send one of my Technics off to J-corder and buy a Bottlehead to go with it than I am to get a decent new LP playback system; in fact if there were a little better selection and pricing of software I'd do it today.
Here's my Otari. It's a little bit different in the configuration that you mostly see.
View attachment 12439
Here's my Otari. It's a little bit different in the configuration that you mostly see.
View attachment 12439
Hello Micro - I have already been in contact with Ed Pong's tech guy, Roger Ginsley of Tekx Electronics (he services Studer in Canada), so I have people locally that I can turn to. But I also have you guys for support!