Phasemation EA-1200

About the weekend tests, Phasemation AE 1200 beat the Vandenhul Easily
Kronos Pro beat the Tech Das Air Force III
MSL Platinum is better obviously than Gold but the Gold is really good too
So the set up will be the next Kronos, MLS Platinum and Phasemation EA 1200
I got the recommendation of the Phono from Dynamic Sounds Associates, Phono III? Anyone have an opinion? \
As a plus we listen to Reel to reel to
Kronos is the one belt drive I woukd like to own…
 
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I finally got around to doing something with my old turntable in storage since the 80s, I am interested in the Phasemation phono setup. This is because the sound at Munich Hi-end is so good and their setup so simple, I find it difficult to leave their listening room year after year. ;-)
I am a bit technically lacking and I would like to get an MC pickup, likely pp200 or 300 but I don't understand if I need to get a step up transformer AND THEN a phono preamp or if the SUT is for something else like an MM regular phono preamp and the Phasemation preamp with the MC option is sufficient. For example, I read the specs for the EA 550 and it seems to have the SUT already incorporated. I googled the subject and found some stuff but I was not 100% sure I understood what I read.
Thanks!
 
According to the Phasemation homepage, you can find the following spec:


Phasemation EA-220
MM &MC, solid state


Phasemation EA-320
MM &MC, solid state


Phasemation EA-350
MM &MC, MM solid state, MC Solid state plus integrated T-320 SUT


Phasemation EA-550
MM &MC, MM solid state, MC Solid state plus integrated T-550 SUT


Phasemation EA-1200
MM &MC, MM Tube, MC Tube plus integrated T-1000 SUT


Phasemation EA-2000
MM &MC, MM Tube, MC Tube plus external T-2000 SUT


You can run your PP-200 or PP-300 on any of the above listed Phonostages without buying an external step up.

Some users do buy an external T-320 or T-550 to improve the sound quality of EA-220 and EA-320
 
Has anyone here compared the Phasemation EA-1200 to Ear Yoshino 88PB or 912 (which have the same phono stage)?

I wonder if Phasemation would sound significantly better.
 
None and I tried with the Phasemation EA-2000 and the Allnic H3000V Phono stages.
Hi there , I also have the Allnic H3000v .. I am contemplating buying it be EA-1000. Would it be an upgrade in your opinion , given your experience with the EA-2000? Thanks. Running a koetsu rosewood platinum and transfiguration phoenix pick up..
 
I compared the EA-1200 against the H3000v. I believe that the EA-1200 with the second power supply is difficult to beat in its price range. I would stay away from the EA-1000 which has been replaced by the EA-1200.
 
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I recently took possession of an EA-350 and it’s a way different beast than my current one. It’s taken time to acclimate but I like its refinement. In a few weeks I’ll switch back and see how I few about my original unit. If I stay with the Phasemation I’ll probably prioritize upgrading to the T-1000 SUT.
 
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I recently took possession of an EA-350 and it’s a way different beast than my current one. It’s taken time to acclimate but I like its refinement. In a few weeks I’ll switch back and see how I few about my original unit. If I stay with the Phasemation I’ll probably prioritize upgrading to the T-1000 SUT.
What is your original unit?
 
The 47 Laboratory Arare

What the Arare lacks in refinement is makes up for in razzle dazzle and sheer bombast (with Phasemation PP-500 cart).
I have no idea what are you saying but I have a phasemation pp500 myself and looking for phonostage for it. I have a quick and dirty DIY ad797/OPA1611 RIAA board just to get me going. It sounds ok but it has that unmistakable dead sound of an OP AMP run as unity gain.
 
I have about 10 vintage tube preamps with phono stages that I have been using for the last two decades. I didn't spend too much time and effort on them, as I was happy with my VPI hw19mk4 full upgrade/ Graham 1.5t with ceramic wand / VDH black beauty with Harmon Kardon Citation I plus a custom silver step-up MC transformer from Electra-Print. My phono setup journey started this year when I decided to play around with vintage turntables for their aesthetic looks. The Garrard 301 caught my eye and then the good old Thorens TD521 ( which I auditioned for back in 2000 ) with SME 3012R got me started again. Long story short, I got half of a dozen turntables before you know it. I needed extra connections for phono input. I decided to try out Phasemation EA350 and I bought one. My first impression of the EA350 was dead quiet vs tube phono stages from these vintage tube preamp's MM. The MC stage in the EA350 was not as impressive as using the MM with my original custom silver wire step-up transformer. My search step-up transformer journey started with adding Ortofon SPU and Audio Technica Art-1000 cartridges into the new tables I got ( with a combination of Graham Phantom II, SME 3012R, and SME 3009R tonearms ) I was never satisfied with the Art-1000 as my step-up didn't have enough gain for 0.2mV. I finally got the Phasemation EA350 to pair with the art-1000 cartridge. This time the art-1000 finally plays much better with the right gain. However, the MC stage in Phasemation EA350 just doesn't have that magic I heard. I then got the well-known vintage step-up transformers that were designed for the SPU cartridges and they seem to work great. I didn't get the T-1000 or T-2000 since I am a vintage gear fan plus they only have a single gain stage. I purchased the Japanese Kanno USW-3125L, and the British Partridge TH-7834 mk2 made from the 70s and the 80s. For my curiosity, I also purchased a new British Steve and Billington silver wire step-up transformers from Empourim HiFi from the UK as I see them in eBay listings. After chatting with Nick from Empourim Hifi, he recommended 1:20 / 1:40 specs that he had on hand and it worked just right for the art-1000 cartridge finally. All of these new 3 step-up transformers have similar dual gain stages. They are great for my cartridges ranging between 0.2mV to 0.5mV. I have compared 5 MC stages and oh-boy, these step-ups all sounded great. From the lush open sound ( Kanno) to the more refined open sound ( Partridge and the silver step-up transformers ), they have brought out the best vinyl playback I have heard over the last two decades. Album after album, I enjoyed every song and completely listened to the whole album from start to end. This never happened to me before as I was usually impatiently get up and change the song. I can only imagine the EA-1200 and the EA-2000 would bring out the best. I then searched for the new MM stage and almost got the Air Tight ATE-3011. I stopped as my record collection is mostly new re-master copies. The Solid State MM is dead quiet. I love it. I know you can do the same with a better tube phono stage, but I am really satisfied with EA350 plus these different step-up transformers. Most of my audiophile friends invest more money on the turntable, tonearm, and cartridges than the phono stage and step-up device. There is no end to this. lol. I asked the one with the best turntable setups about getting better MC step-up devices, he said that most of the folks already spend too much on the turntable setup and they don't want to spend more on the step-up devices. This is the case for me if I did not compare a bunch of them side by side to acknowledge the differences. Many of my friends are afraid to open up another can of warms.
 
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I have about 10 vintage tube preamps with phono stages that I have been using for the last two decades. I didn't spend too much time and effort on them, as I was happy with my VPI hw19mk4 full upgrade/ Graham 1.5t with ceramic wand / VDH black beauty with Harmon Kardon Citation I plus a custom silver step-up MC transformer from Electra-Print. My phono setup journey started this year when I decided to play around with vintage turntables for their aesthetic looks. The Garrard 301 caught my eye and then the good old Thorens TD521 ( which I auditioned for back in 2000 ) with SME 3012R got me started again. Long story short, I got half of a dozen turntables before you know it. I needed extra connections for phono input. I decided to try out Phasemation EA350 and I bought one. My first impression of the EA350 was dead quiet vs tube phono stages from these vintage tube preamp's MM. The MC stage in the EA350 was not as impressive as using the MM with my original custom silver wire step-up transformer. My search step-up transformer journey started with adding Ortofon SPU and Audio Technica Art-1000 cartridges into the new tables I got ( with a combination of Graham Phantom II, SME 3012R, and SME 3009R tonearms ) I was never satisfied with the Art-1000 as my step-up didn't have enough gain for 0.2mV. I finally got the Phasemation EA350 to pair with the art-1000 cartridge. This time the art-1000 finally plays much better with the right gain. However, the MC stage in Phasemation EA350 just doesn't have that magic I heard. I then got the well-known vintage step-up transformers that were designed for the SPU cartridges and they seem to work great. I didn't get the T-1000 or T-2000 since I am a vintage gear fan plus they only have a single gain stage. I purchased the Japanese Kanno USW-3125L, and the British Partridge TH-7834 mk2 made from the 70s and the 80s. For my curiosity, I also purchased a new British Steve and Billington silver wire step-up transformers from Empourim HiFi from the UK as I see them in eBay listings. After chatting with Nick from Empourim Hifi, he recommended 1:20 / 1:40 specs that he had on hand and it worked just right for the art-1000 cartridge finally. All of these new 3 step-up transformers have similar dual gain stages. They are great for my cartridges ranging between 0.2mV to 0.5mV. I have compared 5 MC stages and oh-boy, these step-ups all sounded great. From the lush open sound ( Kanno) to the more refined open sound ( Partridge and the silver step-up transformers ), they have brought out the best vinyl playback I have heard over the last two decades. Album after album, I enjoyed every song and completely listened to the whole album from start to end. This never happened to me before as I was usually impatiently get up and change the song. I can only imagine the EA-1200 and the EA-2000 would bring out the best. I then searched for the new MM stage and almost got the Air Tight ATE-3011. I stopped as my record collection is mostly new re-master copies. The Solid State MM is dead quiet. I love it. I know you can do the same with a better tube phono stage, but I am really satisfied with EA350 plus these different step-up transformers. Most of my audiophile friends invest more money on the turntable, tonearm, and cartridges than the phono stage and step-up device. There is no end to this. lol. I asked the one with the best turntable setups about getting better MC step-up devices, he said that most of the folks already spend too much on the turntable setup and they don't want to spend more on the step-up devices. This is the case for me if I did not compare a bunch of them side by side to acknowledge the differences. Many of my friends are afraid to open up another can of warms.
I agree with you on the MC input. That’s why I went as high as my meager means could take me with T-1000.
 
I agree with you on the MC input. That’s why I went as high as my meager means could take me with T-1000.
Exactly the same here: Phasemation EA-350 with T-1000 MC SUTs. The EA-350's internal MC SUTs are actually quite good, but clearly they lack the level of mechanical isolation that Phasemation's standalone SUTs provide, and the enhanced spacial and tonal resolution that the T-1000 brings is immediately noticeable.
 
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