Why Amir? The same DBT/digital people will just crap all over it like has been going on here as of late.
If you start with that assumption it certainly will. :b
Why Amir? The same DBT/digital people will just crap all over it like has been going on here as of late.
I've started plenty of threads in the music section, plus given my opinion or a brief review. Lots of visits, but not one comment. One of 20 might invoke some interest. I wonder if most here even know where the Music section is?
I read almost everything on here and have learned a lot, and I'm not knocking the expertise/opinion of many of our fine members, but man......it's a bit much to handle at times.
I look forward to reading your reviews Amir. Hopefully they'll be better received than the reviews in the music section.
John, for example, I started a thread quite a while back on receivers that come in all flavors and at all prices; who's posting there?
But I don't mind anymore now because I know that the underground community find it inspiring enough to read some. :b
Amir is absolutely right in what he just said: It's up to you and you only to take charge and not worry. ...Don't ever expect or assume from others, but only from yourself. :b
Sorry but it is not end of discussion - it is just a start. You are addressing individual preference and completely forgetting about collective preference - obtained analyzing statistically the individual preferences. Then preference can be studied scientifically, and is no more only an individual characteristic. IMHO, it is this type of preference we many times implicitly address in this forum - we do not spend our time just debating a random individually owned entity. We express our individual preferences and compare them with other groups preference, surely most of the time using methods that are not scientific.
Concerning the second part of your post, it would be very nice to have someone who could address the "self-training, or whatever". Audiophile culture on audibility is usually limited to a few audio challenges that have been reported in old audio magazines - journals of Psychoacoustics and AES publications are not of free access.
I'm not discounting what Amir said, and I'm not "worried" about it, but it is frustrating when you are trying to create dialogue and
no one cares or has even one iota of interest. This is not unlike your AVR thread and the PICTURE thread (which I love by the way and look at all the time).
Preface your thread with "No DBT talk" and I/mods will make sure it stays that way.
Aren't preferences based on audibility to the person with the preference?
Sorry but it is not end of discussion - it is just a start. You are addressing individual preference and completely forgetting about collective preference - obtained analyzing statistically the individual preferences.
You know how many threads have been started about music Amir? Look it up. No one gives a damn. It's all about tech-specs to the 'nth degree that isn't even audible.
Why Amir? The same DBT/digital people will just crap all over it like has been going on here as of late.
If you want to reject science, start a "no science" forum, why not? I'm sure Amir can add it.
Sure and we can start a forum too called forcing a square peg in a round hole otherwise known as misapplied science.
Sure and we can start a forum too called forcing a square peg in a round hole otherwise known as misapplied science.
PLEASE talk about music. I'm all for it. I don't care what the media is, either.
Science shows how there can be a preference for a more "notable"/louder music (really oversimplifying as everyone knows) and this lead to the loudness wars/dynamically compressed music that may seem livelier for listeners.
j_j said:Preference vs Audibility
(...) High-end audio is built on one single pillar: sighted testing. Remove that pillar and the whole building is bound to collapse.
... how does high-end achieve consistently a fantastic sounding quality using mainly sighted testing as a development tool?
Because it's mainly about design. The testing that everyone seems to think is the key to steering development is really just confirmation.It can be an interesting debate - how does high-end achieve consistently a fantastic sounding quality using mainly sighted testing as a development tool?