Great review Tim, the compare with the Lamm's is a nice detail . You must be using a more generous cartridge or preamp tube than me. I have always found Trio to be a example of great music but a bad digital recording, thinish and somewhat brittle in tone, lacking emphasis on drums and bass. Just pulled the 2 copies i own and must say that impression holds. Voices are sounding clear and separate in the mix, and heavily voices they are !
Tim, I’ve never seen a reviewer include a link to a system video demonstrating the component under review. I think it’s an interesting idea that can compliment the review with additional information. The reader can choose whether or not to watch the video.
I didn't care about the video (surprise!) but I did very much appreciate your inclusion and explanation of musical examples, as well as the excerpt from the Bartok score.
Great review Tim, the compare with the Lamm's is a nice detail . You must be using a more generous cartridge or preamp tube than me. I have always found Trio to be a example of great music but a bad digital recording, thinish and somewhat brittle in tone, lacking emphasis on drums and bass. Just pulled the 2 copies i own and must say that impression holds. Voices are sounding clear and separate in the mix, and heavily voices they are !
Thank you very much Milan. Pre and phono are Lamm Signature models. Aidas Mammoth Gold Cartridge.
Not a lot of bass and drum other than as the rhythm section, but I don't think the music intends an emphasis on bass and drums. Check this cut out, Emmy-Lou and Dolly
It makes sense to include videos. Fremer has released videos though separately to a review which he said are representative., including compares (techdas AF3 vs Oma)
Yes, sometimes a video can be really helpful, particularly with sources, although what we're listening to in this case is the sound of the amps in combination with your speakers so it is possible that the reason I don't like the sound is down to some sort of mismatch between the two.
Thank you very much Milan. Pre and phono are Lamm Signature models. Aidas Mammoth Gold Cartridge.
Not a lot of bass and drum other than as the rhythm section, but I don't think the music intends an emphasis on bass and drums. Check this cut out, Emmy-Lou and Dolly
She has the strongest voice of the three -- witness ~ 3:20, really dynamic. Sopranos and pianos are good tests for a system. And that track is the last on the side, great for finding out if you hear any inner groove distortion which can suggest anti-skate is not quite right.
Yes, sometimes a video can be really helpful, particularly with sources, although what we're listening to in this case is the sound of the amps in combination with your speakers so it is possible that the reason I don't like the sound is down to some sort of mismatch between the two.
I think what one hears in the video is consistent with what is written in the review. You may just prefer the sound of his system with the Lamm amplifiers in his other videos. I think including a link to the video is a nice addition to the review. I would like to see more of it in the future.
Thank you very much Milan. Pre and phono are Lamm Signature models. Aidas Mammoth Gold Cartridge.
Not a lot of bass and drum other than as the rhythm section, but I don't think the music intends an emphasis on bass and drums. Check this cut out, Emmy-Lou and Dolly
She has the strongest voice of the three -- witness ~ 3:20, really dynamic. Sopranos and pianos are good tests for a system. And that track is the last on the side, great for finding out if you hear any inner groove distortion which can suggest anti-skate is not quite right.
I hope you mean Parson peaked early ? Emmylou has done great albums into her 70's. "Spyboy", "Wrecking Ball" , "All the Roadrunning" with Knopfler and "The Traveling Kind" comes to mind. I fell in love with her voice long before i knew who she was, i thought it was the violinist Scarlet Rivera singing backup on Dylans 1976 "Desire" album, found out years later that is was Emmylou.
I'm glad you like her work. I just find her voice a little thin when solo. On the other hand, her singing with Parsons in duet was transcendent. She has a particular genius in harmony.
But music brings on strong personal preferences.
Who knows what Parsons would have done as he sadly died at 26.
I'm glad you like her work. I just find her voice a little thin when solo. On the other hand, her singing with Parsons in duet was transcendent. She has a particular genius in harmony.
But music brings on strong personal preferences.
Who knows what Parsons would have done as he sadly died at 26.
Try " Spyboy" a live album, amazing stuff. " Deeper Well" and "The Maker" will give your system a good workout. Brady Blade on drums and Darryl Johnson on bass is not for the weak hearted. Emmylou vocals on " Boulder to Birmingham ", a song she wrote in memory of Parson are heavenly!
Very fine review Tim. I have owned Atma-Sphere amps for decades, MA1 (Mk3.3 now) Silver Editions (my fav). Comparing them to Ralph’s new D class creations in home, I ultimately came to pretty much the same conclusions sonically in juxtaposition between these excellent devices as your ears heard. With many considerations, I believe these D class offer a compelling alternative and sound remarkably like their OTL tube predecessors. No surprise there