*Subject to change in the next ten minutes
So there might be an unexpected twist at the end of the movie...like a Dartzeel amp+pre.
Tang
*Subject to change in the next ten minutes
I want to start with (1) plain drywall on the exterior of the walls, (2) absorbent drapes and absorber panels behind the listening position (which will be very close to the rear wall), (3) the absorbent drapes will actually cover in a square “U” shape the opening at the rear third of the left side wall and the opening at the rear third of the right wall — as well as the rear wall, and (4) I want to experiment with absorption panels versus SMT diffuser wings at the first reflection points on the side walls.
I'm sure he'll be fine, you just didn't bold absorbing materials and SMT diffusers...
It is always possible, Tang.
My other amp of interest is ARC REF 250 SE.
I am settled on the phono stage and line stage with six boxes of Aesthetix.
Haha... it won't matter though, you can't have your head too close even if there is acoustic treatment on the back wall. It smears fine detail pretty badly. It doesn't take a ton of space for things to clear up though, just a couple ft makes a big difference. I'd go for a 3-4ft min if possible.
Did you consider the Aesthetix Altas Signature or the Eclipse?
And why not Pandora and Mephysto?
(...) Hey, Francisco, why aren’t you happy and proud of me that I am very seriously considering an amplifier whose tube generated output current is further amplified by transistors?
* Alieno LTD 250
By the time you set up, Mike will have an SME next to the Durand on the same table. Christian will have the elite next to the SME on the same table. You can visit both. Then, when David comes over, he can get SME and the FR, and Mike can come with a Durand, so you will have a pretty good handle of what each can do in your system. You can then invite Steve Dobbins with a Schroeder LT and compare to the winner of the above three.