1% is not high distortion, particularly if it’s mostly 2nd harmonic.So its high distortion @35 watt , would like to see numbers at 1watt and 10watt which is approx the 33% threshold of peak.
1% is not high distortion, particularly if it’s mostly 2nd harmonic.So its high distortion @35 watt , would like to see numbers at 1watt and 10watt which is approx the 33% threshold of peak.
10 watts is 0.15% and 1 watt is <0.1%. The knee is just over 30 watts @ 0.3%.So its high distortion @35 watt , would like to see numbers at 1watt and 10watt which is approx the 33% threshold of peak.
1% is not high distortion, particularly if it’s mostly 2nd harmonic.
Yes, it’s a very good sounding amp.2nd is still distortion with deviation from the original signal if higher , liking it puts us in a different direction. Those numbers for 1-10watt is excellent for an SET and on the right load will deliver ..
Maximum output 43 watt gm 70 i estimate 1500 hours then game over.The Amplifon gets 42 watts in Class A1. There are measurements in a German magazine that shows 35 watts at 1% THD…42 is at 3%.
Ok, and?Maximum output 43 watt gm 70 i estimate 1500 hours then game over.
nothing all is good, you are more than satisfied with the amplifier that is the important thing.Ok, and?
I don’t own one anymore…I use an Aries Cerat Protos in my main system with an Incito preamp.nothing all is good, you are more than satisfied with the amplifier that is the important thing.
Brad, it would be great to get your thoughts on the overall sonic differences of the AC new school SET and their old school SET… perhaps even something more like a more formal review would be particularly great if you were open to it. Do appreciate this takes a lot of time though. With some supporting video compares of course would be the most excellent deluxe version of that.I don’t own one anymore…I use an Aries Cerat Protos in my main system with an Incito preamp.
I thought my CJ amps were 1.5% distortion. I thought most tube amps were 1% or more????
I thought my CJ amps were 1.5% distortion. I thought most tube amps were 1% or more????
At the end of the 1960s, Saba and Klein&Hummel (now Neumann) tried to counteract the emerging transistor amplifier and developed a new tube(el 503). But the course was already set for the future. 0.2% at full output power. A revised VS 110 amplifier is still hard to beat today.I thought my CJ amps were 1.5% distortion. I thought most tube amps were 1% or more????
I thought my CJ amps were 1.5% distortion. I thought most tube amps were 1% or more????
THD as a spec is essentially meaningless for sound quality understanding.Any amplifier can be driven into 1% distortion, when comparing power numbers best to compare distortion specs too.
As far as I know Ayon Crossfire III makes approx 20 W per channel with A 62 B and still plays in my system with Trio LE 26 ( before with Duo Omega G2 and Mezzo XD).Yes, Amplifon runs the tube at it's max continuous power rating. Most other GM70 amps are run more conservatively at around 20-30 watts...some even less than that (I think the OMA amp is only 14 watts with this tube). What is clear though is that this tube is a beast compared to 211 and 845 tubes, which realistically don't get more than about 20-25 watts. The 813 in triode mode can get 25 watts and the KR Audio T100 can get around 30 watts. Ayon claims 35 watts for the 82B (a 300b variant on steroids) but I think they never test that high in real life.
I thought the C3 is around 30 Watts.As far as I know Ayon Crossfire III makes approx 20 W per channel with A 62 B and still plays in my system with Trio LE 26 ( before with Duo Omega G2 and Mezzo XD).
I upgraded it with former serviceman of Ayon in Poland and decided to keep it together with hybrid Circle Labs A 100 which is rated 2x60 W.
Both are good match with AG in my system but this is SET which sounds more dynamic and with deeper going bass, with some audible hume compared to A100 which is quieter though. Among around 10 amps I tested at home ( SS, Push-Pull and even Class D) with AG Ayon SET always sounded best to me.
I do suppose that to play around 70-80 dB Ayon uses just a few Watts and distortion is not a big deal in this situation.
I have purchased this spring a spare pare of A 62 B ( expensive!) and a spare matched quad of red metal NOS RCA JAN CRC 5693 for pre section, I keep Ayon for winter time and Circle Labs for spring and summer.
I do not consider amps which have no local distribution/ service in Poland, now I have a lot of troubles to send to Wales Tom Evans phono for fixing up after the Brexit.
Just for fun I recorded recently a sample of bass a cappella ( Qobuz streaming) in my main system. Enjoy
on paper. I think real measurements show something more like Marslo is saying.I thought the C3 is around 30 Watts.
That is the declared power , the friend of mine who was behind Amare Musica said it was around 22 W according to the measurement.I thought the C3 is around 30 Watts.
Sounds good! What did you upgrade in the Crossfire? One thing I can say about the Crossfire is that it has a very powerful bass, deep and tight. The Horning amp I had was a bit punchier in the midbass but didn't have the sheer growl of the Crossfire.As far as I know Ayon Crossfire III makes approx 20 W per channel with A 62 B and still plays in my system with Trio LE 26 ( before with Duo Omega G2 and Mezzo XD).
I upgraded it with former serviceman of Ayon in Poland and decided to keep it together with hybrid Circle Labs A 100 which is rated 2x60 W.
Both are good match with AG in my system but this is SET which sounds more dynamic and with deeper going bass, with some audible hume compared to A100 which is quieter though. Among around 10 amps I tested at home ( SS, Push-Pull and even Class D) with AG Ayon SET always sounded best to me.
I do suppose that to play around 70-80 dB Ayon uses just a few Watts and distortion is not a big deal in this situation.
I have purchased this spring a spare pare of A 62 B ( expensive!) and a spare matched quad of red metal NOS RCA JAN CRC 5693 for pre section, I keep Ayon for winter time and Circle Labs for spring and summer.
I do not consider amps which have no local distribution/ service in Poland, now I have a lot of troubles to send to Wales Tom Evans phono for fixing up after the Brexit.
Just for fun I recorded recently a sample of bass a cappella ( Qobuz streaming) in my main system. Enjoy