Also depends on how knowledgeable the sales guy was. Doesn't have anything to do with integrity if he flat out doesn't know. Rob
Rob,
Pretty simple in my mind. If you are selling something, you should know about the products that you are selling. It's one very important component of "customer service".
Ron.. a 25' x 20' room and you have to seat back at the wall? I am missing something here ...
From what DaveyF describes, this guy needs a Linn system, with the DSP/room correction mechanism. If only he'd visited us before buying all that stuff...
cheers,
alex
...most of them (perhaps not so much here) are terrible setups and indicate either ignorance or the influence of excessive external constraints. Obvious examples include asymmetries like having one speaker in a corner and the other adjacent to an open door way...
The panels of the Prodigys are about 8' from the front wall. I sit about 12' away from the speakers. The back of my couch is about 2' from the back wall.
I have two 4' X 8' ASC absorption panels covering the entire back wall behind the couch.
I assume you would have moved your chair between 8' to 12' before deciding 12 is best?
I assume you would have moved your chair between 8' to 12' before deciding 12 is best?
Not having the speakers an equal distance into the room seems foreign to me and I remember sitting in the listening chair that night expecting, maybe a little determine, to hear an anonymity. I have to say the speakers disappeared, the sound stage was excellent and the overall tonal structure was fine.
In my room, my kit is almost as Jim Smith's book recommends, but after that Sonus Faber demonstration I have an open mind when I see a setup that is not symmetrical or following the 'Perfect ratio'.
A few years back I was at a local dealer's 'Meet the Manufacturer night'. While there a customer asked the factory representative of Sonus Faber if he could hear the stand mounted Guarneri speakers. I was invited to tag along to another sound room where the rep proceeded to set up the Guarneri's. The rep started by adjusting the balance control to the left channel only (all McIntosh electronics). Listening to a female vocal he moved the left speaker till he was satisfied with the sound. He then moved the right speaker out into the room while playing the same vocal with the balance control centred. When he was finished the left speaker was six to eight inches forward compared to the right. (he claimed the equipment rack down the left wall and in front of the left speaker was the reason for the unequal spacing)
Not having the speakers an equal distance into the room seems foreign to me and I remember sitting in the listening chair that night expecting, maybe a little determine, to hear an anonymity. I have to say the speakers disappeared, the sound stage was excellent and the overall tonal structure was fine.
In my room, my kit is almost as Jim Smith's book recommends, but after that Sonus Faber demonstration I have an open mind when I see a setup that is not symmetrical or following the 'Perfect ratio'.
At one time, the placement of this system used to be much worse. When she had WatchDogs, everything was bunched up in the middle in a perfect line.
View attachment 26298
A few years back I was at a local dealer's 'Meet the Manufacturer night'. While there a customer asked the factory representative of Sonus Faber if he could hear the stand mounted Guarneri speakers. I was invited to tag along to another sound room where the rep proceeded to set up the Guarneri's. The rep started by adjusting the balance control to the left channel only (all McIntosh electronics). Listening to a female vocal he moved the left speaker till he was satisfied with the sound. He then moved the right speaker out into the room while playing the same vocal with the balance control centred. When he was finished the left speaker was six to eight inches forward compared to the right. (he claimed the equipment rack down the left wall and in front of the left speaker was the reason for the unequal spacing)
Not having the speakers an equal distance into the room seems foreign to me and I remember sitting in the listening chair that night expecting, maybe a little determine, to hear an anonymity. I have to say the speakers disappeared, the sound stage was excellent and the overall tonal structure was fine.
In my room, my kit is almost as Jim Smith's book recommends, but after that Sonus Faber demonstration I have an open mind when I see a setup that is not symmetrical or following the 'Perfect ratio'.
At one time, the placement of this system used to be much worse. When she had WatchDogs, everything was bunched up in the middle in a perfect line.
View attachment 26298
Do reflections from the uncovered windows cause any problem?