I see that now but it is pretty uninteresting differential. These are very small numbers and takes away the reason to have BNC over RCA if the data holds. 9.7 picoseconds is still very low number even though he used an RCA cable.
Yes, glad you picked up on this as I was about to post something about these numbers.
Agreed, they are very low jitter numbers BUT:
- remember that is RMS jitter, & not peak to peak jitter 9.7rms is about 60p-p
- The Legato is a very good DAC which absorbs almost all of the reflections that get bounced back from the RCA impedance mismatch.
"On the ART output we still have it's very good output termination, hopefully creating less than a percent reflections, that is, "eating up" the crud coming back to it. Also, the cable is still that short cable - the consecutive reflections are decreasing down faster. So, it's still quite a "not bad" situation!".
- So in a more "normal" type of DAC the jitter figure would probably be very much higher due to the multiple reflection bounces from end to end. See the Audiocircle thread that I linked to for a typical commercial DAC & look at the scope shots from that.
- Maybe these levels of jitter are considered inaudible but if you look back a bit on that thread you will see a graph of a stock Hiface giving 28pS RMS jitter & a Hiface with external power supply (ie.e no longer powered from USB) with 15pS RMS jitter. He states that he can reliably identify these apart. I agree with him as this is what I did in my first modifications to the Hiface & people who have both stock & external powered Hiface say that the sound is so different that it is hard to conceive that these are the same devices.
- I think the point is that even at these small numbers, depending on the type of jitter, it's spectrum & amplitude, it can easily be audibly identified.
Just translating for others: the standard defines an impedance of 75 ohms for either end. The issue is that due to its design, RCA connectors cannot maintain that so in theory any cable with that either end, which is typical a lot of S/PDIF equipment, is not optimal. BNC locking connectors are designed for this use and do achieve 75 ohm. In this test he used a very clean async USB to S/PDIF device and measured that with BNC end to end and got the 4.9ps. Then he put in a cable with RCA at one end then an adapter to BNC so in theory, our impedance is now different. Yet he finds that jitter only rose to 10 picoseconds. TO put things in perspective, you need 500 picoseconds to cause enough jitter distortion to match one bit of a 16 bit audio sample at 20 Khz. So in theory, you want your jitter to be lower than this. At 10 picoseconds, we are easily achieving this.
BTW, for my testing I am trying to determine the effective impedance of the different cables.
Your explanation is concise. Are the jitter figures you quote RMS or P-P? Are they for random or deterministic jitter?
I can attest to hearing the effect of putting a BNC/RCA adapter on a cable (I.e changing it's impedance).
I can attest to hearing the effect of putting RF attenuators on a SPDIF cable. Many others also hear this difference - I can give you links
I can attest to (many others also) changing only the PS of a Hiface giving an easily identified difference to the sound - so according to his measurements going from 28pS RMS (164p-p) to 15pS RMS (88p-p) jitter is very noticeable
So maybe we underestimate the detrimental effect of even very small amounts of data dependent jitter - if that is what we are dealing with here?
Anyway, all these numbers are fine but I urge everyone to try one or more of these RF attenuators & see what they think. Trust your ears
EDIT: I'm interested in the results of your cable impedance measurements