Stenheim is much superior to TAD. Highly inefficient speaker one of the slowest moving, and really requires those awful amps from TAD to work
[please forgive my poor English]
I have been lucky to recently hear
Stenheim Reference Ultime 2 (
without the
X base) and
TAD Reference One TX, on two different audio shows in Brussels, in nice respective and very different setups:
- 15th of October 2023: Stenheim Reference Ultime 2 (€187K), bi-amped by a pair of darTZeel NHB-108 MK2 stereo power amps, and NHB-18NS preamplifier. Source: vinyl only, mainly original records, played by the
Yuki Seimitsu AP-01 turntable. No digital.
- 11th & 12th of November 2023: TAD Reference One TX (€149K), powered by a pair of brand new
Krell i800 monoblocks (Europe's premiere), class A, 800W pc, iBias. Digital source: Aqua (also used as preamp I think); no turntable.
Both sounded gobsmacking, but in a different way. Moreover, not a single common medium, or title, were at our disposal for comparison (Stenheims 100% vinyl
vs TAD 100% digital; not a single identical track could be played on both).
Maybe the TAD + Krell pair was a little more "apollinian", poised, full-bodied, "monitoring" (but nicely textured, and definitely not bland or boring; I felt the tonality was right, but admittedly, I had to insist with the exhibitor to be allowed to hear
one classical music piece, piano; it sounded great). Great dynamics (the Krell monoblocks...), if not the quickest, the "snappiest" indeed (it did not sounded subjectively "slow" though; just not
as fast as the Stenheims). Extremely coherent stereo image. Could instantly switch from one sonic universe to the other.
The easiest fail that mismatched or poorly partnered equipment will deliver, is probably
boredom due to a bland rendition. A significant "effort" has to be done to bring them to life, imho.
Maybe the Stenheim + darTZeel pair was a little more "dionysian": snappy, fast, but by no means lightweight, unbalanced or shouty (though on
some original vinyls...). On the contrary: very well textured and full-bodied too; the tonality is very good, at least for a listener who is exposed to live, unamplified music. Just that I have been a bit unsettled by some vinyls chosen by the exhibitor. Extremely coherent and precise stereo image too.
Sounded "live" in an exhilarating way (for a cone-based speaker), especially for those who attend acoustic music concerts (= unamplified, AND dynamically uncompressed music)
*. Could instantly switch from one sonic universe to the other, too.
The easiest fail that mismatched or poorly partnered equipment will deliver, is probably
fatigue if the latter fails to convey the body and balance that the speakers are naturally endowed with (the Stens don't just do
speed; it's actually the rightness of their tonality which grabbed my attention, 6 years ago). A significant "effort"/precaution has to be taken to "guide" their expressiveness, imho (and, spot on or not, they can play very loud anyway; be careful with your neighbors, if any).
*(I'm just back home after some Bach cantata's from the Weinachtsoratorio -Christmas oratorio-, conducted tonight by Masaaki Suzuki: even just the timpani and 2 trumpets already set the bar very high for home speakers...)