The Fremer lays an ostrich egg thread
- Thread starter DaveyF
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I have a recollection that someone mentioned the amplifier in question was an ML-rebadged version of an OEM amplifier, but can't remember any specifics.
Does this (pre)ring a bell? Anyone remember?
Does this (pre)ring a bell? Anyone remember?
If I remember correctly ML the dude not the company did some rebadging (Red Rose) but haven't heard anything about ML the company doing it at all especially not the 53.
Well there are expenses involved MEP, import duties , first class shipping , cost of rebadging and then Dealer "mark" -up ...
Yes, RedRoseMusic was a company of Mark Levinson (the man) after he left Cello. AFAIR they manufactured some nice box speakers using a ribbon tweeter, bought a tube ampilfier company (AudioPrism) and only later started selling what some people told were just re-branded chinese amplifiers.
You can read from both sides here:
http://hometheaterreview.com/red-rose-music-rosette-1-integrated-amp-reviewed/?page=2
You can read from both sides here:
http://hometheaterreview.com/red-rose-music-rosette-1-integrated-amp-reviewed/?page=2
There’s nothing like a good demo to change one’s opinion of what are now called Harman Luxury Audio components for the better. I had previously heard the pairing of JBL’s visually striking NDD66000 Everest loudspeaker ($60,000/pair) with Mark Levinson electronics at the speaker’s debut at CES a few years back. Although the buzz around the speaker was major, I recall thinking how dark and monochromatic the system sounded, and how it lacked the luminosity and color that I prefer.
Here, by contrast, the sound was some of the best solid-state sound I heard at the show. Home Audio Sound of Colorado paired the JBL speaker with the Mark Levinson No.502 media console ($35,000, discontinued, and being used solely as an analog stereo preamplifier), Mark Levinson No512 CD player ($15,000), and a pair of Mark Levinson No.53 monoblock amplifiers ($50,000/pair, to be reviewed by Mikey Fremer in the December Stereophile). Equally important were the products from Transparent Audio: RXL8–Transparent Reference XL speaker cables ($13,190/set), BRXL1–Transparent Reference XL balanced interconnects (2 pair, $18,530 total), PLMM2–Transparent PowerLink MM power cords (3, $6300 total), and PIR–PowerIsolator Reference power conditioner ($3195). Together, the chain produced a wonderful, big presentation in which lively, beautiful highs mated with impressively deep, admirably solid percussion.
“Bass lovers will have a field day,” I wrote in my notes of a system in which the entire spectrum of sound seemed of one very satisfying piece.
Here, by contrast, the sound was some of the best solid-state sound I heard at the show. Home Audio Sound of Colorado paired the JBL speaker with the Mark Levinson No.502 media console ($35,000, discontinued, and being used solely as an analog stereo preamplifier), Mark Levinson No512 CD player ($15,000), and a pair of Mark Levinson No.53 monoblock amplifiers ($50,000/pair, to be reviewed by Mikey Fremer in the December Stereophile). Equally important were the products from Transparent Audio: RXL8–Transparent Reference XL speaker cables ($13,190/set), BRXL1–Transparent Reference XL balanced interconnects (2 pair, $18,530 total), PLMM2–Transparent PowerLink MM power cords (3, $6300 total), and PIR–PowerIsolator Reference power conditioner ($3195). Together, the chain produced a wonderful, big presentation in which lively, beautiful highs mated with impressively deep, admirably solid percussion.
“Bass lovers will have a field day,” I wrote in my notes of a system in which the entire spectrum of sound seemed of one very satisfying piece.
Ditto, I heard the K2 with some small Viva amps and it knocked my socks off. The Everest isn't very efficient though, not sure my Lamm ML2 would drive 'em well. I haven't heard the Everest. I like its looks better than the K2. It's pretty imposing. Once I get re-situated, I'm gonna start thinking about a bigger horn system than the one i have. That one is certainly on the list to hear.
I guess it's all relative. My Avantgardes are 104db without the factory mod, which makes them 106 db, i think. Looks like you can biamp 'em though, using the internal passive crossovers? I know that there are always issues with mixing amps.
Fantastic to hear about a system costing 200k sounding good.
Hey, Wayne, i didn't say it sounded good, i just think it looks cool
So this guy previously hated the Levinsons' and now he loves them. He must be on the take. Harman must have taken out a big ad in his magazine. He listened at a show in a treated room. No blind or a/b testing. Give me a chance. I can show his first impression was correct. How could his subjective positive opinion have any credibility at all. I bet he hates vinyl and think tubes amp suck too.
For anybody who does not believe this amp sucks I will provide an in home demo.(tongue planted firmly in cheek):b
I hope we can close this thread now. We should be able to admit that Fremers impression of the ML 53 was just that; his informed opinion. Give it what weight you think it deserves.
For anybody who does not believe this amp sucks I will provide an in home demo.(tongue planted firmly in cheek):b
I hope we can close this thread now. We should be able to admit that Fremers impression of the ML 53 was just that; his informed opinion. Give it what weight you think it deserves.
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Greg, you do realize that he is a recent new member of the forum right? Posts like that are a definite deterrent for him wanting to participate, at least it would be for me. How would you feel if someone posted something like the post above about a review you did?
Tom
Tom