The Mysterious Case of the Listening Window! By Jeff Day, Positive Feedback

Interesting. Reading between the lines a bit it from Jeff Day's article it seemed I was reminded more than once that his ability to discern / interpret what he hears is most likely too lacking. I thought it was that simple.

With all due respect, how can you or anyone else make the judgement that Mr. Day's ability to discern / interpret what he hears is most likely too lacking? Reading between the lines ?????????? Really. Seems extremely pretentious and entirely speculative on your part.
 
  • Like
Reactions: ddk
Tang’s speakers have nice curves. I would understand a caress if not a full embrace
Very nice curve indeed Peter. My subs are like J Lo's buttock. May be that's why my ML3s are very happy nestle on them. :)
 
  • Like
Reactions: Klonk and Lagonda
Very nice curve indeed Peter. My subs are like J Lo's buttock. May be that's why my ML3s are very happy nestle on them. :)
JLo’s buttocks ? More like Anna Nicole Smith the later years ;)
 
And who's got the buttocks of the poor old guy she killed?
I heard he had the biggest smile ever seen on a corpse
 
With all due respect, how can you or anyone else make the judgement that Mr. Day's ability to discern / interpret what he hears is most likely too lacking? Reading between the lines ?????????? Really. Seems extremely pretentious and entirely speculative on your part.

Seriously? Hmmmm, maybe it was the inflectiion in his voice that I picked up on. :cool:
 
In a game so full of the very dark rituals it is good to keep one’s holy power socket protected from unnatural vibrations at all times... I wrap mine in leather full of the philosopher’s stones hidden in it’s secret chambers... but perhaps that’s a story for a different time :)... or for a different forum even :eek:
The evolution from 'natural' to 'superstitious' to full bore Harry Potter is complete!
 
  • Like
Reactions: the sound of Tao
Pink sounds even better with careful
pairings

Rob
 

Attachments

  • 46764.png
    46764.png
    2.9 KB · Views: 5
I read your thoughts here carefully as I do all your posts. I find them wholly genuine. I really have no issues or objections to what you're writing here and elsewhere and I"ve tried to tell you that. I've written plenty here and more in my published work about the JOY of listening to music. I"ve written many times about my favorite gear being that which did not make me think about it or system.

Both you and Peter objected to (or however you want to put it Peter) about my saying Day was offering a strawman argument. I tried addressing that in a post to Peter - the one to which you are responding here. (He didn't give me the courtesy of a reply.)

The difference here between us is that I do not read these as Day's though or a summation of what he is after. He doesn't say that to me. It's our difference of reaction to an article, a post if you prefer. Presumably we can discuss what he wrote even if we don't see it the same way. Day's view is predicated on his notion of "this wide listening window possible in a high-fidelity, high-performance, audio system." I re-read the article a 3rd time honestly looking for something I could correlate to your above interpretation. Wide listening window good; narrow listening window failure.

I think this comes down to personal experience Tim which influences our choice of words and phrases when communicating with unknown others, problem often is the lack of shared experience. I never used the phrase "wide listening window" but it's understood. It's also something that I'm very aware of when recommending equipment or doing setups, it's the goal and why in many of my posts I mention "any decent average recording" as good enough. IMO a successful setup is one that allows you to play great and average recordings with equal pleasure and pick the records for music content and not the label or the recording attributes, that's my understanding of wide listening window. Unsuccessful setup is where satisfaction is limited to audiophile labels or specific recordings. Maybe I'm missing something in our conversation but I don't see anything controversial with the phrase. Visitors often ask for my favorite recordings and are surprised that I don't have a playlist nor do I ever tell anyone what system attribute listen for, I see forced playlists as a narrow window and a negative too.

If Day had not talked soley in terms of system maybe I'd think differently. But unlike your own words which appeal to the joy of music and do not appeal to the joy of system, Day asks "For me that's what high-fidelity audio is all about, and the non-intuitive part of it is why do so many high-priced and high-performance enthusiast audio systems totally suck at being able to accomplish that feat when some of the vintage gear could do that so easily? What's the secret? " And proceeds - in what was a letdown to me - to answer by telling us about his equipment.

My focus was wide listening window, it was a major milestone for me and I know also for people I've worked with. You don't get there by simply wiring up gear and throwing a system together, it takes effort and knowledge, hence his setup comment. I didn't read the rest of article with the precision that you have but I've made similar comments using different verbiage to what you posted here just not in context of my system. It's probably because over the years I've worked with a lot of audiophiles and with all kinds of systems so I don't see "natural" and "wide listening window" only in terms of my own system or even price related for that matter. Probably what I categorize as highend is just as controversial if not more.

Then he says "So what is it about the circuits and components used in those circuits that give them the ability to have a such a wide listening window, and how was it accomplished with those two very different - vacuum tube and solid state - components? " Another dissapointment - he doesn't really answer that outside the frame of his own equipment. Perhaps you think he is talking about what leads to a natural sound. I did not get that from what he wrote. I did not read or interpret him trying to say that wide listening window = joy of music, natural sound. It's really that simple.

I realize that Day talks largely in terms of vintage equipment, and that you have a strong affinity for vintage equipment. I don't presume your interpretation of Day is because of that.

You never wondered how things came together after a beautiful listening experience? Never thought about how a vibration picked up by a tiny piece of faceted material glued to a fragile cantilever turns into electricity and that electrical signal passes remains intact through all that wiring, circuitry, valves, transistors, capacitors, etc., etc., etc. gets amplified to move a couple of diaphragms and you end up with a full orchestra playing Mahler for you? I know I have and I'm pretty certain that you and many others have thought about it too, this is what Day is talking about and I don't believe he's limiting it to vintage and old audio only.

There are many posts all over the forum about corruption of an event through the recording & production process making a "natural" "realistic" experience of that event impossible from reproduction. When I deliver the American Sound turntables the first thing I tell the owners is that they'll be surprised how much information is hidden in the grooves of even 50 cent records. When we sit and listen after the setting up and detweaking process I see the delight and amazement on peoples faces listening to beautiful music. There's little or no conversation in terms of hifi but music and the experience of the event. For years I hear the same comment from people regarding how much life is hidden in those grooves. Natural realistic experience of the event also requires a wide listening window to look through.

david
 
The evolution from 'natural' to 'superstitious' to full bore Harry Potter is complete!
I admit I’d rather have gone all Tolkien on it instead and now feel bad I knew all these references :D I’ve only seen the movie posters and t shirts I swear.
 
Natural realistic experience of the event also requires a wide listening window to look through.

Okay. I've never heard the window phrases until the Day article was mentioned. Never heard you use it, never read it a publication, never saw those in this and other forums.

For a while, I thought we must be talking across each other. Then two things come to my mind. One, I talk Day, you talk David. You are talking about your thinking whereas I'm talking about the Day article and my reaction to it. Two, this may partly be about vocabulary. Wide and narrow windows have not been part of my vocabulary. I don't understand those phrases beyond Day's description which is unclear to me, whereas you are quite comfortable with them. I'm confident if we came at this from some other angle, besides the Day artcle vocabulary, we'd have a better mutual understanding.
 
Okay. I've never heard the window phrases until the Day article was mentioned. Never heard you use it, never read it a publication, never saw those in this and other forums.

For a while, I thought we must be talking across each other. Then two things come to my mind. One, I talk Day, you talk David. You are talking about your thinking whereas I'm talking about the Day article and my reaction to it. Two, this may partly be about vocabulary. Wide and narrow windows have not been part of my vocabulary. I don't understand those phrases beyond Day's description which is unclear to me, whereas you are quite comfortable with them. I'm confident if we came at this from some other angle, besides the Day artcle vocabulary, we'd have a better mutual understanding.

Hi Tim,

I was clear that I never used the term "wide listening window" but it was immediately understood. Probably because it's something that I go for in a setup. I wasn't trying to speak David I answered your questions in first person so there'd be no question that I'm not speaking for Jeff Day, someone I don't know. All I can say is that he's language is clear as day for me, no pun intended. It might be a generational thing but I'm surprised you never heard of "a window back to the original event" and using the opening, size and clarity of the window as quantifiers.

I find both Day's vocabulary and message clear and simple thinking my explanation was the same, if not then I misunderstood what you're missing, care to clarify exactly what the issue is?

david
 
Last edited:
Okay. I've never heard the window phrases until the Day article was mentioned. Never heard you use it, never read it a publication, never saw those in this and other forums.

For a while, I thought we must be talking across each other. Then two things come to my mind. One, I talk Day, you talk David. You are talking about your thinking whereas I'm talking about the Day article and my reaction to it. Two, this may partly be about vocabulary. Wide and narrow windows have not been part of my vocabulary. I don't understand those phrases beyond Day's description which is unclear to me, whereas you are quite comfortable with them. I'm confident if we came at this from some other angle, besides the Day artcle vocabulary, we'd have a better mutual understanding.

ddk on MANY occasions has said... MoFi sux (I say that too) and that "normal recordings are good enough for me".
 
  • Like
Reactions: Lagonda and ddk
ddk on MANY occasions has said... MoFi sux (I say that too) and that "normal recordings are good enough for me".

It's not just that normal recordings are "good enough". I have found that the better the system is, the more "normal" recordings shift from the good, or even problematic, category into the excellent column. You often just don't know how good a recording really is until you fix your system and setup.

PS: Yes, MoFi sux sometimes. Don't know how often, my experience with the label is limited, since I don't care about it.
 
  • Like
Reactions: Folsom
Hi Tim,

I was clear that I never used the term "wide listening window" but it was immediately understood. Probably because it's something that I go for in a setup. I wasn't trying to speak David I answered your questions in first person so there'd be no question that I'm not speaking for Jeff Day, someone I don't know. All I can say is that he's language is clear as day for me, no pun intended. It might be a generational thing but I'm surprised you never heard of "a window back to the original event" and using the opening, size and clarity of the window as quantifiers.
...
david

I never said you used the term "wide listening window". If you say you immediately understand it - fine - I believe that you do.

When you speak in first person I believe it is you, David, who is talking. I know you're not speaking for Jeff Day. No confusion there.

In none of my posts in this thread did I ask any questions.

I've not really been talking about what you say David. I'm talking about the Day article. You kinda turn it towards yourself, but that's not where my focus is.

Wrt ""a window back to the original event" and using the opening, size and clarity of the window as quantifiers." Maybe I've heard something about window to an 'original event' - but its not in my standard audio lexicon. But I have not heard much about the size of a window. Talk of Clarity sometimes includes words like "cleaning the window" . Just because a phrase or sentence includes "window" does not that it means what Day is saying.

I am taking Days actual words about wide and narrow windows as stating what he means. I am looking at his sentences and paragraphs and the order they come in. When he starts talking about listening windows and trying to make a case for his wide and narrow window concept, I find his writing is unclear and disorganized. The more I read it, the more confusing it is. I'm happy to go through sentence by sentence by paragraph and show that it is disorganized and confusing. (But our current text media here on WBF is not very suited to that.)

And no its not generational and it is not experience level. I suggest we don't go there.

I believe you when you say Day's language is clear to you. Can you believe me when I say his language and his discussion about windows is not clear to me? Not the "concepts" or "ideas" behind what he's saying. His actual words, his writing.
 
I don't think Jeff's window has anything to do with window back to the original event.

It has to do with having a broad genre of music and records allowable.
 
There are many posts all over the forum about corruption of an event through the recording & production process making a "natural" "realistic" experience of that event impossible from reproduction. When I deliver the American Sound turntables the first thing I tell the owners is that they'll be surprised how much information is hidden in the grooves of even 50 cent records. When we sit and listen after the setting up and detweaking process I see the delight and amazement on peoples faces listening to beautiful music. There's little or no conversation in terms of hifi but music and the experience of the event. For years I hear the same comment from people regarding how much life is hidden in those grooves. Natural realistic experience of the event also requires a wide listening window to look through.

I read your last paragraph here again. And yes, I've had an on-going recognition of how much information is in the grooves as my system continues to improve and I've had that experience across years. Going through old favorites and discovering more from them is a pretty common experience for many of us. I totally relate to what you're saying. But, no offense intended, the last sentence adds nothing to what you wrote - it is not needed in order to convey what you say.

You say the phrase "wide listening window" is not controversial. I agree, but it's just something else to explain and the words used to explain are far more straightforward, as your above paragraph demonstrates, without having to use it.
 
This is also very separate to the window in the broken window fallacy by Frederic Bastiat in economics

In Frederic Bastiat's tale, an audiophile breaks a cartridge. The townspeople looking on decide that the audiophile has actually done the community a service because he will have to pay the dealer and manufacturer to replace. The dealer and manufacturer will then spend the extra money on something else, jump-starting the local economy. The onlookers come to believe that breaking cartridges stimulates the economy.

Bastiat points out that further analysis exposes the fallacy. By paying for a cartridge, the audiophile has reduced his disposable income. His family will not be able to purchase new shoes, furniture, or some other luxury good. Thus, the broken cartridge might help the manufacturer, but at the same time, it robs other industries and reduces the amount spent on other goods.

https://www.investopedia.com/ask/answers/08/broken-window-fallacy.asp
 
I never said you used the term "wide listening window". If you say you immediately understand it - fine - I believe that you do.

When you speak in first person I believe it is you, David, who is talking. I know you're not speaking for Jeff Day. No confusion there.

In none of my posts in this thread did I ask any questions.

I've not really been talking about what you say David. I'm talking about the Day article. You kinda turn it towards yourself, but that's not where my focus is.

Wrt ""a window back to the original event" and using the opening, size and clarity of the window as quantifiers." Maybe I've heard something about window to an 'original event' - but its not in my standard audio lexicon. But I have not heard much about the size of a window. Talk of Clarity sometimes includes words like "cleaning the window" . Just because a phrase or sentence includes "window" does not that it means what Day is saying.

I am taking Days actual words about wide and narrow windows as stating what he means. I am looking at his sentences and paragraphs and the order they come in. When he starts talking about listening windows and trying to make a case for his wide and narrow window concept, I find his writing is unclear and disorganized. The more I read it, the more confusing it is. I'm happy to go through sentence by sentence by paragraph and show that it is disorganized and confusing. (But our current text media here on WBF is not very suited to that.)

And no its not generational and it is not experience level. I suggest we don't go there.

I believe you when you say Day's language is clear to you. Can you believe me when I say his language and his discussion about windows is not clear to me? Not the "concepts" or "ideas" behind what he's saying. His actual words, his writing.

My generational comment isn’t derogatory it’s a serious question. There’s current vocabulary that I never heard of in the past SRA is one them. I learnt about VTA it took me a while to figure out what’s SRA but I still set up VTA and it’s never in my mind. I know older guys who never heard the term VTA but set it knowing what it does to the sound. I brought window back to the event to understand if it’s the actual use of “window” that’s creating the problem. Some of my terminology gets thrown back at me too. Pistonic was the first one which was met head on and I was told that I can’t use the dictionary meaning to describe a slow woofer where you can actually hear it moving back and forth, as an audio term it meant something completely different to some here. Natural is the current term with an issue, tweak or de-tweak so I’ve been wondering about that. We learn from our environment growing and environments change. You wrote the more you read Day’s article the more confusing it is, the same thing seems to be happening in our exchanges, I’m trying to understand why I’m failing here.
I read your last paragraph here again. And yes, I've had an on-going recognition of how much information is in the grooves as my system continues to improve and I've had that experience across years. Going through old favorites and discovering more from them is a pretty common experience for many of us. I totally relate to what you're saying. But, no offense intended, the last sentGoing through old favorites and discovering more from them is a pretty common experience for many of us.ence adds nothing to what you wrote - it is not needed in order to convey what you say.

You say the phrase "wide listening window" is not controversial. I agree, but it's just something else to explain and the words used to explain are far more straightforward, as your above paragraph demonstrates, without having to use it.

You say my last paragraph was unnecessary I think it is and very much part of the conversation. You wrote “no offense intended, the last sentGoing through old favorites and discovering more from them is a pretty common experience for many of us”. I know that, it’s not what I wrote though. That information is different from this common type of discovery. Another unintended communication failure.

david
 
Last edited:
I have to say that I am also a little bit confused by this discussion. As I gain experience in the hobby, I find myself actually being drawn toward simplicity: simplicity in set up, and simplicity in communicating and thinking about what I am hearing. Often, the less communication and thinking the better.

I have been to audio shows, dealers, and even in one case, someone's home, where the host begins the listening session with a speech, describing what the system is all about, the changes that have recently been made, and what we are about to hear. He sets the stage. He then plays a specific demo track of music that reinforces that for which he has prepared us.

To some extent, I used to play music that my system portrayed well, rarely playing music that challenged the system. That was more with my former limited range speakers. I would play small ensembles, rarely larger scale music, and almost never rock or pop. With my new speakers, I can play larger scale music convincingly. With more recent set up changes, a broader range of recordings sound good. And in combination with those changes, a new preamp, cables, and particularly cartridges, I noticed much more information captured in my LPs.

All of this has improved the degree to which I enjoy my music, and it has changed the way I present the music to my visitors. I no longer play my choices but ask others what they want to hear. It is completely up to them, assuming I have the music they request. I and we listen now more to the performances and the music rather than to the system. Sometimes I simply listen to the energy in the room. There is much less dissecting of the sound going on. There is less need to understand the sound, and there is more comfort and relaxation while enjoying the experience.

I do think that we need to agree on the meanings of terms so that we can convey ideas during discussions. It makes it easier. We seem to have surprising difficulty coming to terms with "pinpoint" , "hifi", "natural", and now "listening window". I was always confused about "glare", "grain", "tight bass", "articulation" and others. These have been used so often, I assumed this was how everyone thinks of sound. I even used these terms trying to burrow down toward a better understanding of the issues in my own system. But non audiophiles never use such terms, or they don't with me when we go to concerts or listen to audio.

AJ van den Hul described to me an issue he was hearing in some of his cartridges. He called it an unwelcome "accent" above 20K Hz. I knew immediately what he meant, not because I necessarily heard it, but because the term was easy to understand. He also rights about live music, never using these glossary terms. I think we try very hard to complicate and confuse matters in some of these discussions. We know what live unamplified music sounds like. Why not just discuss our systems in those terms? I think it would help if we find some way to simply our communication to convey things in easy to understand ways to others. Image how a non audiophile thinks about music, say in "layman's" terms. The glossary of hifi terms is great but where has it gotten us all these years later? It got me moving away from the essence of the music, the real reason I am in this hobby. This is where I was in college enjoying my Led Zeppelin, Black Sabbath, and Diva sound track. I am slowly going back there.

When I hear a new piece of gear in my system or am asked by a friend to comment about a new component or set up, I no longer think about "glare" or "tight bass", I think about whether or not it sounds right to me. This is the fundamental idea behind the term "natural". It assumes we know what an instrument or voice actually sounds like, well, within a range of variable acoustics and conditions, not an "absolute sound". Jeff Day's "Listening Window" is not something I ever thought of before, but it seems simple enough and I understand what he is talking about because I have experienced the same thing in my own listening room and that of Al M's over the last year or so. I read it in Tang's many posts.

The system, the vocabulary, and the discussions, have become simpler for me, and thus much easier to understand and enjoy. Perhaps it is fatigue or age setting in.
 
Last edited:

About us

  • What’s Best Forum is THE forum for high end audio, product reviews, advice and sharing experiences on the best of everything else. This is THE place where audiophiles and audio companies discuss vintage, contemporary and new audio products, music servers, music streamers, computer audio, digital-to-analog converters, turntables, phono stages, cartridges, reel-to-reel tape machines, speakers, headphones and tube and solid-state amplification. Founded in 2010 What’s Best Forum invites intelligent and courteous people of all interests and backgrounds to describe and discuss the best of everything. From beginners to life-long hobbyists to industry professionals, we enjoy learning about new things and meeting new people, and participating in spirited debates.

Quick Navigation

User Menu