The new audiophile vinyl series The Original Source from Deutsche Grammophon (AAA)

I am confident that a $100,000 turntable/tonearm/cartridge/phono stage will beat any digital according to at least seven out of ten randomly selected audiophiles.

Regardless of one's personal sonic preferences most audiophiles today can find a digital playback system they find genuinely impressive and involving.

Almost two years after I wrote this, and after hearing Olympus --> XDMI --> Horizon 360, I am no longer confident it would be "at least seven out of ten."
 
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Having had the Karajan Bruckner set for just over four months, I’d like to share my impressions. (I have only ever made a few posts here, but this is one release that I feel is worth highlighting.)

In short: I cannot recall being more impressed by a vinyl release.

I was already pretty familiar with these performances. They have been my favourite Bruckner interpretations for over four decades, since I first discovered Bruckner in 1980. I may be swayed by the fact that only time I heard Karajan and the Berlin Philharmonic live was when they performed Bruckner’s 5th in London in 1981 but, for me, Karajan’s ability to maintain momentum and, at the same time, keep the broad sweep that Bruckner needs is unsurpassed. (Of course, there are many, many other fine Bruckner recordings, not least some of the Furtwangler and Jochum albums, but my desert island choice would be Karajan.)

As for these Original Source releases, well, from the moment I started playing the records in August, I could not believe how well they have been remastered. They could not be more clear, without sounding remotely ‘digital’ (for want of a better word) and — perhaps I have been really lucky with the pressings I received? — absolutely quiet. Certainly way superior to the original LP releases that I bought in the 1980s and, perhaps rather more subjectively, more enjoyable to listen to than the high-res downloads (although that is arguably a rather meaningless statement, in the context of my turntable and streamer).

So for anyone who is keen on Bruckner and enjoys Karajan’s style of interpretation, I can recommend the set without reservation.

Andrew
Totally agree, the whole DG OS program is stupendous. Roll on the Ravels.
 
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The new audiophile vinyl series The Original Source from Deutsche Grammophon (AAA)


page 1
I am confident that a $100,000 turntable/tonearm/cartridge/phono stage will beat any digital according to at least seven out of ten randomly selected audiophiles.

Page 52
Regardless of one's personal sonic preferences most audiophiles today can find a digital playback system they find genuinely impressive and involving.

Almost two years after I wrote this, and after hearing Olympus --> XDMI --> Horizon 360, I am no longer confident it would be "at least seven out of ten."

Seems to happen everywhere. However this thread about a Deutsche Grammophon vinyl release series passed through its 'digital vs vinyl' phase in the first two pages. May we please not revive that here. Maybe you could start a thread on 'Ron's personal opinions about equipment and formats'.
 
Ordered the Ravel box set today. The DG website store made me create a new account. They changed their processing and deleted all existing accounts. So much for data migration. My order history was blank, so they can’t tell if someone is a regular customer.
 
Ordered the Ravel box set today. The DG website store made me create a new account. They changed their processing and deleted all existing accounts. So much for data migration. My order history was blank, so they can’t tell if someone is a regular customer.
Same here! Ok, so it’s not just me.
Honestly the DG.com site is HORRENDOUS. Universal Music owns DG - it’s shocking how back it is. Embarrassing.
Looks like they switched to Shopify now.

Sometimes they do not send email confirmations of what you ordered, especially if it’s a pre-order. So now that the order history is gone, you may not remember what you ordered.
 
Agreed, the DG website is horrific, but these LPs are so good.
I used to laugh at drug addicts having nightmares getting their fix as dealers lead them a merry dance, well the last laugh is on me, as I persevere with an ordering experience that can only have been created by extreme misanthropes.
 
Having had the Karajan Bruckner set for just over four months, I’d like to share my impressions. (I have only ever made a few posts here, but this is one release that I feel is worth highlighting.)

In short: I cannot recall being more impressed by a vinyl release.

I was already pretty familiar with these performances. They have been my favourite Bruckner interpretations for over four decades, since I first discovered Bruckner in 1980. I may be swayed by the fact that only time I heard Karajan and the Berlin Philharmonic live was when they performed Bruckner’s 5th in London in 1981 but, for me, Karajan’s ability to maintain momentum and, at the same time, keep the broad sweep that Bruckner needs is unsurpassed. (Of course, there are many, many other fine Bruckner recordings, not least some of the Furtwangler and Jochum albums, but my desert island choice would be Karajan.)

As for these Original Source releases, well, from the moment I started playing the records in August, I could not believe how well they have been remastered. They could not be more clear, without sounding remotely ‘digital’ (for want of a better word) and — perhaps I have been really lucky with the pressings I received? — absolutely quiet. Certainly way superior to the original LP releases that I bought in the 1980s and, perhaps rather more subjectively, more enjoyable to listen to than the high-res downloads (although that is arguably a rather meaningless statement, in the context of my turntable and streamer).

So for anyone who is keen on Bruckner and enjoys Karajan’s style of interpretation, I can recommend the set without reservation.

Andrew
There was one other thing I meant to say when I made this post, but forgot:

I really rather like the fourth side of the 9th symphony LPs, too ….
 
Ordered the Ravel box set today. The DG website store made me create a new account. They changed their processing and deleted all existing accounts. So much for data migration. My order history was blank, so they can’t tell if someone is a regular customer.
Same experience with having to set up a new DG account too when I ordered Ravel's box set !
 
I am confident that a $100,000 turntable/tonearm/cartridge/phono stage will beat any digital according to at least seven out of ten randomly selected audiophiles.
Agreed. Again, not to go off topic; but I am reminded of this every time I listen to digital and vinyl/tape.
Despite the incredible sound from Taiko Audio, a $100k+ vinyl system will blow it away. It’s not the fault of the playback streamer/DAC, it’s the encoding from A to D that is now the bottleneck to better digital sound.
 
‘Twas the night before The Original Source Vinyl and all through the house

Not a record was spinning, not even by Strauss;

The masters were remixed by Emil Berliner Studios with care,

In hopes that a music lover soon would be there;


The audiophiles were nestled all snug in their listening rooms,

While amps and speakers matched their cable looms.

And an Amazon purchase from the computer in my lap,

And just cleaned a record to prevent electrostatic zap.


When out of the turntable there arose such a clatter,

I sprang from my listening chair to see what was the matter.

Away to platter I flew like a flash,

Called up the dealer and spent some more cash.


The four track mix from original quadro

Gave the timbre of mid-hall to the soundstage show,

When, what to my wondering eyes should appear,

But a Mahler 5th, I loved it so dear,


With a transient response, so lively and quick,

I knew in a moment it was a really great disc.

More rapid than eagles his masterings they came,

And he whistled, and shouted, and called them by name;


"Now, IEC! now, Baerwald! now, UNI-DIN and Loefgren!

On, Walker! on Rega! on, Avid and Linn!

To the top of the groove! to the top of the null!

Now spin away! spin away! spin away all!"
Once again ....

'Twas the night before analog, when all through the house

No music was playing, not even by Strauss;


The clock cables were hung from the chimney with care,

In hopes that sound improvement soon would be there;


The bits were nestled all snug in their DACs;

While visions of analog-like went through their heads;


And some with their Lampi, and I reading TAS,

Had just settled down to stream from a NAS,


When out in the forum there arose such a clatter,

I sprang from the listening position to see what was the matter.


Away to the Windows I reprogrammed the flash,

Swore about jitter and spent more cash.


The tune that was wrest from the new-fallen micro,

Gave a lustre to the midrange of the digital flow,


When what to my wondering eyes did appear,

New lacquers underway and remastered by Rainer,


With 4-track masters so lively and quick,

I knew in a moment it must be DG music.


More rapid than eagles his masters they came,

And he whistled, and shouted, and called them by name:


"Now, Berliner! now, Weiner! now Kleiber and Jochum!

On, Quartet! on, Abbado! on, Kubelik and Scriabin!


To the top of the score! to the top of the hall!

Analog soundstage! Analog sonics! dash away digital!"
 

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