Thanks for posting this, great read. On March 2 I will hear Mahler 6 live at Boston Symphony Hall with the Boston Philharmonic Youth Orchestra. I'm excited.
You should be. I have listened to impressive performances from the Gustav Mahler Jugendorchester (an Austrian youth orchestra).
https://en.wikipedia.org/wiki/Gustav_Mahler_Jugendorchester , they sometimes come to Lisbon.
They are surely top performers, selected from the best - and IMO
the energy and emotional intensity of young orchestras brings us unique experiences.
(Emphasis added.)
Indeed! Here is a short report about the performance, one of the most intense Mahler experiences of my life. The playing was unexpectedly precise and tight, with very few (timing) mistakes. The French horns had several very exposed passages ,which can be treacherous since they can ruthlessly reveal impurity of tone, but the players mastered them beautifully. Woodwinds had a wonderful tone.
Some string passages sounded strident but that was evidently how they were composed. I did wonder, however, if the massed violins in the songful, loudly played "Alma" theme of the first movement could have had a more beautiful tone. On the other hand, there was a gorgeous, lush string tone in the slow movement, which for the most part does not feature very loud passages.
What might have been lacking in the last perfection of playing here and there was more than compensated with passion. All throughout there was an incredible, relentless, fiery intensity of playing, making for a thoroughly exciting and riveting performance. The young musicians, aged 13 to 21, were really into it. Benjamin Zander, the conductor, said in his very useful 20 min introduction about the music that the players all deeply loved the music. He is a tremendous Mahler conductor, couldn't have wished for a better interpretation. Dynamics were brutal, and peaks were incredibly loud (much louder than the levels even I listen at in my system). I sat in row 8 from the stage, ideal for great sound.
There was a prolonged standing ovation at the end, perhaps lasting almost 10 minutes. Clearly the audience at large was impressed with and delighted by the mastery of this performance of a difficult to play work.
Below are a few pictures pre-concert:
