I promised a follow-up in my first report of Troy Elite NG because I was in the middle of a speaker changing process. At a time I was selling my Avalon Time and succeeded then my friend loaned me a pair of Reference 3A Episode for a few months and finally new AlsyVox Botticelli came and this was a reason I had to rearrange the system. After I got Botticellis I deliberately disconnected Troy Elite NG from the system and listened that way for a few months to know them better “as they are” without any help from Tripoint.
Then, when I thought everything was well settled and burned-in, I put Elite NG into the system again. Even though new speakers sounded excellent without the Tripoint, the story from the first part of my report repeated and effects were even more pronounced. Perhaps because of superior resolution and greater extension of Botticellis. As good as system sounded without the Tripoint, it jumped to another level almost immediately after all connections were done. It took only 24 hours and my friends who were eagerly waiting my invitation and have heard AlsyVoxes only at hi-fi shows were floored.
The story could end at this point but then I remembered Daniele Cohen, the designer of Botticellis made a special modification for me. On my request he installed a dedicated grounding post at the bottom of the metal base that is connected to the huge metal mass of the frame (more than 100kg/speaker). I’m glad I asked him to do this at the early stage of manufacturing process because later that would be considerably harder. Speakers are so heavy and so hard to move around that I doubt I would be willing to send them back to the factory.
Troy Elite NG has 4 grounding posts covering at least 8-12 components. Since all parts of my system were already connected to it, I was wondering where to connect speakers. I had two more Tripoint Silver Signature cables on disposal which I couldn’t connect to posts occupied by the Emperor mkii and since only cj ART monos were on one post with the Signatures, I decided to connect speakers to it. Was quite concerned with four cables on one grounding post since my old Troy Signature was happy only with two or three. Well, seems the new generation of Tripoint grounding products have much more powerful filters since the effect was very surprising to say the least.
In one sentence, effects brought by the Elite NG on speakers were greater than with any other component and I expected only minor at most. The well-known story of Elite NG magic repeated itself once again and no need to go through all descriptions again. You get even greater soundstage, more authority in the bass, more body, more wood, strings, brass, skins...etc on acoustic instruments, slight spikes or distortions vanished almost completely. One detail that stayed in my memory is the reproduction of tambourine on The Royal Ballet LP (side 1, Tchaikovsky, The Nutcracker suite). I could swear I can hear more metal jingles on it after connecting speakers to the Elite NG. Before tambourine sounded very convincing but Elite NG infused it with a dose of authenticity and realism I haven’t heard before. With most of my system on Troy Elite NG (only Power supplies of Zanden phono and line stage and Magnum Dynalab tuner are not...yet ) there is also a much improved insight into musical tissue. It’s hard to explain this but it is like to be able to hear and observe more closely the composer’s musical idea, the conductor’s and artist’s idea of interpretation. I have experienced such phenomenon sometimes but never that intense.
All of this surprised me even more considering I had four components on one grounding post. I tried such configuration on Troy Signature in the past and found it a bit too much. Namely, improvements with additional (fourth) component on one filter was very small. So, I was quite skeptical before first audition and frankly didn’t expect much. Just wanted to explore the possibility at hand. Obviously filters in the Elite NG are considerably stronger and can easily handle 4 components and I’m sure even more.
Latter I did another experiment. Disconnected both power amps from the Elite NG and immediately sound became softer, much less defined, less dynamic and slower, and more tube like? In short, a proportionate part of improvements were lost. Reconnection restored the magic and all was well again. This was also a proof that one filter can easily take care of even the biggest and heaviest components such as speakers and power amps.
Although I can’t guarantee that connecting metal baskets of drivers or crossovers of conventional speakers to the Tripoint would have same effect as I described above but since Audicrack had similarly spectacular experience after grounding his Tidal Assolutas, I’m pretty convinced it would. The problem is, how to do that if you don’t have dedicated grounding posts. Wish more speaker manufacturers would follow Tidal’s decision to include them as a part of a design.