That's my point. I have heard both setups at shows with the same tapes, but never in the same room over the same system. I think people here realize that Greg is bringing a unique solution to the table for those that can afford the freight and want to get into tape. The number of decks available on the market that are new and have a warranty are pretty slim. This is very reassuring to owners who want a product that has someone standing behind it and ready to take care of it should it need servicing.
Looking at both decks, it's obvious to me that they were not built to the same standards nor for the same purposes. The Studer A80 was designed to be a professional workhorse in a recording studio expected to perform 24/7 making recordings. It's built like a tank to Swiss mechanical standards. Looking at the tape path of the Studer A80 is the equivalent of audio porn. It's also obvious that if you buy an A80, you will have to invest some money in order to bring it back into specification. And because it is a warhorse, it is going to take up a sizable chunk of real estate in your listening room.