What a wonderful piece of writing (and machinery!). I've always enjoyed listening to the NVS/Durand combo. Congrats, Jonathan.
Hi Jonathan,
I wonder whether you could expand on this point to explain the situations where you see active isolation useful or not.
Obviously I am no turntable designer so very curious as I would have expected an active platform of this quality to benefit all turntables regardless of design especially when they are active down to 1hz or so, which is far beyond any integrated turntable suspension that I was aware of?
Cheers
I presume one of the variables that needs to be correct for active isolation to be effective is a very sturdy and solid support rack. I think Mike L discussed that in the tread about the Herzan. I'm curious to know what the other variables are.
I also wonder if the isolation shelf that Wave Kinetics sells for under the NVS is available for purchase as a stand alone product for use under other turntables.
What a wonderful piece of writing (and machinery!). I've always enjoyed listening to the NVS/Durand combo. Congrats, Jonathan.
Hi Bill, It is not a matter of whether or not active vibration is useful or not, it is more about whether it is being used in the right situation or not. There are some turntables, due to their design that active vibration just won't work with. Depending on the suspension or method of vibration control, active isolation could possibly create a constant seek loop and be totally ineffective.
Also, due to the designed application of most active isolation devices, they have certain requirements. They need to sit on top of something with mass and rigidity to be effective.
The Wave Kinetics NVS has a platform that handles vibrations down to 2 - 3Hz. It is possible that active isolation could better that, I just have not done the comparisons. I know that Mike Lavigne seems to be very happy with the results he achieves utilizing the Herzan.
Thanks, Jonathan.
So what specific turntable designs would run into this constant seek loop? I ask as I think many of us see the active platform as the panacea for all turntables regardless of design so some pointers to types of suspensions and / or makes would be incredibly helpful to wbf members.
Cheers,
Bill
I've never done a direct comparison between an active platform like the Herzan and a passive one like my Vibraplane. It has been suggested to me that the rapid adjustments, starts and stops, settling times of an active may cause an effect like jitter for a suspended table like my SME which may go into isolation and then react back and forth with the platform, but I really don't know or have any experience with the combination.
I've always thought that active platforms were designed to isolate things that don't move. Perhaps the effect would be more dramatic with a table that uses metal springs for suspension. My SME is very well damped and it takes quite a bit of force to move the platforms either up and down or laterally.
Perhaps Jonathan can elaborate.
I've never done a direct comparison between an active platform like the Herzan and a passive one like my Vibraplane. It has been suggested to me that the rapid adjustments, starts and stops, settling times of an active may cause an effect like jitter for a suspended table like my SME which may go into isolation and then react back and forth with the platform, but I really don't know or have any experience with the combination.
I've always thought that active platforms were designed to isolate things that don't move. Perhaps the effect would be more dramatic with a table that uses metal springs for suspension. My SME is very well damped and it takes quite a bit of force to move the platforms either up and down or laterally.
Perhaps Jonathan can elaborate.
Active platforms were designed to isolate things that doesnt move . 1 of the current hottest TT designer posed that question to me when I asked him abt active platform for TT. Lab equipment doesnt move . TT set up do
Good thread. I would absolutely love to hear one of these NVS decks.
I think neutrality means different things to different people but generally, at least for a lot of the guys here, it is the degree with which our music libraries are least homogenized. This particular table has been described by many of their owners to allow such differences in recordings to be more noticeable or apparent. As a fan of virtuosity in both the performing and the recording arts, I find this to be a great thing. It might not be for someone who craves for a familiar or rather a distinct tonal palette. Nothing wrong with that in my book either.
I agree, words mean different things to different people. The word neutral by definition means lacking color or positive characteristics. I do not think that the NVS can be properly described as neutral, I personally prefer the word natural as the descriptor.
Hearing deeper into the grooves due to an almost completely absent noise floor and at a pace where sustained notes are consistent and accurate is part of what we strive for and I believe achieve with the NVS.
Jack I would love for you to experience it at some point.
So would I Jonathan. I've always had a thing for DDs and I always liked the NVS' looks.
It's a fabulous TT. Every time I hear it, I find things that I like more and more. Jonathan's rooms at shows have always been in my top 3
So would I Jonathan. I've always had a thing for DDs and I always liked the NVS' looks.
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