WestminsterLab Re-imagining Amplification

THE BEST DRINKS, FOOD, AND MUSIC AT AXPONA ARE AT PERRY'S RESTAURANT
FRIDAY EVENING APRIL 11TH between 5 and 8 PM


Dear WBF members and friends,

We are headed to Axpona. Angus, Damon Von Schweikert, and I are holding a special off-site event Friday evening for press, retailers, and friends. To thank WBF owners and members, Angus, Damon, and I would like to invite members of Whats Best Forum to join us for a fun and casual evening. Angus will be showing his OMNE Class A integrated prototype. I, too, will see it for the first time and can't wait to see what Angus and Felix's passion and ingenuity have created. We will also premiere a new American-made custom audio furniture line designed by my long-term partner and designer, John Heins, under the Folhenhaus brand.

Unfortunately, space is limited, so we can only accommodate the first twenty (20) members that RSVP.

PLEASE RSVP TO:
jennifer@vonschweikert.com

Those attending Axpona who cannot participate in the event, please join us on any day of the show in room 480. Our room will feature the new Von Schweikert VR.thirty loudspeaker, WestminsterLab electronics, and the all-new Rockna Wavedream Reference Signature DAC.

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Zero guns involved, just dissenting opinion which is apparently blasphemy here..Glad to see you are so easily taken by a reviewers comments, as long as you understand how they acquire the gear and how the industry works. I've heard both as well and my share of Class A. My point is sound, these may be great amps, they are NOT Class A amps. And again, they DO NOT sound like them either, I've heard them. Posting excerpts from favorable reviews putting down a technology that these are posing to be, is shilling when it benefits the manufacturer btw.

People need to make informed decisions, these amps aren't rethinking anything that hasn't already been done. It's just biasing, and therefore not Class A, it's Class AB. Enjoy your amps, or preamps whatever you bought. I am just here to shed light on the truth.
Nothing wrong with dissenting opinions. No blasphemy in that. The issue here is casting opinons as facts. I came across these same narratives before regarding the Rei monos, but in a different WBF thread, so I will repost my reply here.

One of our local stereo club members had the "Stern/Heisenberg combo" that he paired with his Zellaton Stage speakers. The Zellatons are an excellent speaker - btw. The Audionet combo, not so much - to our groups ears. We found them falling short of their touted attributes. The member in question bought the CH M10 & L10 combo to replace his Audionet electronics, which has render a significant improvement in performance across the audio and enjoyment spectrums. By comparison the Audionoet gear sounds flat, artificially precise (e.g. brittle) and un-engaging.

My point is, there is a lot of hype-over-reality when it comes to some manufacturer's claims and the cult-like take up by their product buyers. One thing this hobby has taught us - there's no straight line correlation between price and perfection. So called "strata" should be solely performance based. Cost of membership considerations should be secondary at best.

I prefer real-world and real-system feedback from informed and passionate owners over the magazine-chaser and purveyor crowds. That's why I like WBF member feedback - for the most part. On occasion, the curmudgeonly antagonists weigh-in making bold and unfounded assertions under the guise of feigned expertise. That element has overtaken forums on most of the other mainstream audio-chat sites causing the more thoughtful, respectful and sincerely informed contributors to seek the comfort and civility of WBF.

As a retired general counsel of a multi-billion dollar corporation, I admired and recognized Treitz3's prudent and strategic refereeing to distance WBF from any guilt-by-association defamation exposure. Well done!

That brings me to the statement; "your Amps are NOT Class A amps..." in the context of WestminsterLab's Rei. As with Class B, AB, C, D and E amplifiers, there are many ways to skin the Class A cat (my apologizes to cat owners). The first step in the evolution of Class A amplification was replacing SET tubes with output stage transistors biased for Class-A operation. The latest evolutionary step developed by, Angus Leung, is the development of the "iBIAS" circuit, which "permits real-time bias adjustment and optimization depending on the amplifier’s load and input signal level." In both a conventional biased circuit and Leung's redesign, 100% of the input signal is used and a single output device/circuit manages both sides of the waveform. So, in my books it qualifies as Class A.

True, Leung's latest amplifier doesn't compete in the same weight class as a 1956 Buick. Apparently (and I say apparently, because I don't own the Rei), it doesn't double as a breakfast skillet on a gas stove either. However, those attributes don't define whether or not WestminsterLab's Rei is a Class A amplifier. According to a couple of voices in this post, a really good Class A amplifier should have the ability to "burn a GD hole in your floor" and "weigh a ton" (figuratively). One of our other audio club members has a few stereo systems, including one with a Gryphon Essence stereo amp driving Joesph Graphene Audio Pearls. It delivers 55W/side into an 8 ohm load in pure Class A.

Now, here's the surprise for me (beyond its meat-on-the-tomahawk delivery), that Gryphon Class A runs warm to the touch on the top of the case. So, at the cost of rattling the cages of the doubting curmudgeons, it sounds wonderful even though the Essence weighs 57kg vs. 32kg for both Rei monos.

I'm grateful for innovation in audio and I admire inventors and designers who question and challenge conventional parameters. Otherwise, I would be listening to my old JBL speakers driven by a Lloyds 8-track stereo. Thank you as well to my WBF colleagues who are willing to venture into uncharted territory and embrace and share your new experiences. Kudos my friends!
 
Hi WML aficionados !

Just a Quick question I am sure either Garry or Angus can answer: will there be a REI bridged setup in Munich end of the week ? Looking forward to visiting the WML room anyway
 
Hi WML aficionados !

Just a Quick question I am sure either Garry or Angus can answer: will there be a REI bridged setup in Munich end of the week ? Looking forward to visiting the WML room anyway
Hi! The bridged configuration will not be shown at Munich. We will be at F204 in Munich Highend and Studio 4 at HiFI Deluxe. See you there soon.
 
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Thanks, Angus. For more insight, WestminsterLab at the MOC will power an exciting new loudspeaker from AEquo Audio in the Netherlands. I have followed AEquo's development closely over the past three years, and the pairing promises to be something special. A top turntable from VPI will be on hand, plugged into the Monologue phono stage, with a full suite of the incomparable WestminsterLab Ultra cables helping make the magic happen. Over at HiFi Deluxe, the Reis, Quest, and Monologue will be paired with the Von Schweikert VR.thirites, Rockna Wavedream Reference Signature DAC and Ars Machinae M1 turntable.

While numerous mega systems will be displayed, these comparably modest systems will undoubtedly give the big boys something to think about! Please come by and say hello to Angus and me, who will split our duties between the venues.



VR.thirty.jpgBlack Ensium - Adamantis.png
 
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Thanks, Angus. For more insight, WestminsterLab at the MOC will power an exciting new loudspeaker from AEquo Audio in the Netherlands. I have followed AEquo's development closely over the past three years, and the pairing promises to be something special. A top turntable from VPI will be on hand, plugged into the Monologue phono stage, with a full suite of the incomparable WestminsterLab Ultra cables helping make the magic happen. Over at HiFi Deluxe, the Reis, Quest, and Monologue will be paired with the Von Schweikert VR.thirites, Rockna Wavedream Reference Signature DAC and Ars Machinae M1 turntable.

While numerous mega systems will be displayed, these comparably modest systems will undoubtedly give the big boys something to think about! Please come by and say hello to Angus and me, who will split our duties between the venues.



View attachment 150041View attachment 150042
Hello, I can´t seem to find any impressions or video of the Aequo Audio Adamantis / Ensium at Munich which is strange after all those years in development, would you be able to share any thoughts on them?
 
Hello Narayan.

After a long development period perfecting AEquo's innovative Diluvite cabinet technology, the AEquo Ensium did make it to Munich. Westminsterlab electronics, Playback Design DAC, and a Taiko Extreme server ably fronted the speakers. Despite a few last-minute challenges on day one, the speaker's potential was clear. Day two yielded even better results as the AEquo team acclimated to their first time showing in the challenging acoustics of the MOC rooms. Below are a few pictures of the setup. Appearances of the Ensium will follow at the Dutch Audio Show and either the New York Audio Show or the Capitol Audio Festival in the US this fall. I understand several reviews of the product are already scheduled as well. Stay tuned for more on this exceptional new offering from the men in Eindhoven.
 

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This is gorgeous. How did it sound? Are they in the US?
 
This is gorgeous. How did it sound? Are they in the US?
Matt, I assume you mean the Ensium speaker. Not yet, but will make a debut at one of the Northeastern shows this fall. Look for more on their debut soon.
 
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I have installed my new Westminster Labs Quest 2 preamp, mated via WL Ultra XLRs to WL Rei amps, all with WL Ultra power cables. While I greatly enjoyed analog through my Lampizator Poseidon, digital wasn't quite adequate. The Quest 2 took my digital to another level while preserving the beautiful analog sound (including 78s as well as LPs and tape). I discovered music lines and hidden instruments in CDs I've heard for decades. Especially effective in chamber string music. Uncanny. Secondly, I have some hot vocal classical recordings which I thought were just remastered too hot (searingly bright, but only about 5 of 6 of my 1000s of classical vocal CDs). Through the Quest 2, the highs were still brighter than I prefer but now totally listenable with extra dimensionality. "78s" have a newfound dynamic punch and tonally full sound. Thirdly, I can keep it on with the amps and have ready to listen to equipment (yes, the Poseidon requires 3 minutes and the cartridge requires somewhat more to stabilize).

Now I have the best of tube and solid state sound for all genres of music. Low heat and power costs compared to my former 125 watt monoblock tube amps too.

Here's a photo of my WL Quest 2, Jay's Audio CDt3 Mk3 and EAR 312 line up. I don't need to touch the Quest (it's remote only operation) so placing it on the lower shelf if just fine.

Garry is going to install the two RCA inputs soon so that I will have R2R and 78s inputs along with my LP via XLR and CD/DAC through XLRs as well.
 

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I have installed my new Westminster Labs Quest 2 preamp, mated via WL Ultra XLRs to WL Rei amps, all with WL Ultra power cables. While I greatly enjoyed analog through my Lampizator Poseidon, digital wasn't quite adequate. The Quest 2 took my digital to another level while preserving the beautiful analog sound (including 78s as well as LPs and tape). I discovered music lines and hidden instruments in CDs I've heard for decades. Especially effective in chamber string music. Uncanny. Secondly, I have some hot vocal classical recordings which I thought were just remastered too hot (searingly bright, but only about 5 of 6 of my 1000s of classical vocal CDs). Through the Quest 2, the highs were still brighter than I prefer but now totally listenable with extra dimensionality. "78s" have a newfound dynamic punch and tonally full sound. Thirdly, I can keep it on with the amps and have ready to listen to equipment (yes, the Poseidon requires 3 minutes and the cartridge requires somewhat more to stabilize).

Now I have the best of tube and solid state sound for all genres of music. Low heat and power costs compared to my former 125 watt monoblock tube amps too.

Here's a photo of my WL Quest 2, Jay's Audio CDt3 Mk3 and EAR 312 line up. I don't need to touch the Quest (it's remote only operation) so placing it on the lower shelf if just fine.

Garry is going to install the two RCA inputs soon so that I will have R2R and 78s inputs along with my LP via XLR and CD/DAC through XLRs as well.
Thanks Stephen. For a man without a streamer, you sure have a lot of sources:) I'm glad the Quest can accommodate them all. I'll see you at THE SHOW in Costa Mesa later this week. Angus and I appreciate the kind words as always.
 
All,

At this week's THE SHOW, we will be featuring the Quest 2 pre-amplifier and bridging Rei's to power Ron's Clarysis Studio Plus speakers located in the Balboa II ballroom on the lower level. The Wavedream Reference Signature DAC will make its West Coast debut. Our good friend Vasil from Taiko America was kind enough to supply us with the mighty Olympus handling file server and take care of the streaming duties.

For analog, while I'm awaiting parts on my demo Ars Machinae M1 TT Peter Norbeck of PBN has graciously volunteered one of his superb DD table. Rumor has it it will be fitted with an SPU cartridge, which Ron and I suspect will add some lovely color to the proceedings. No show led by Ron without a tape machine would be complete, so Von Schweikert will be providing their Technics RS-1500.

Lastly, Von Schweikert will provide their Foundation 15 (formerly Shockwave) subwoofers, which will handle analog room correction, eliminating any nasty room nodes the ballroom throws our way. For anyone interested in a demo of this decidedly cool new/old tech at the show, please send me a PM and I'll let you know when Damon will be on hand to explain his decidedly cool new/old tech, and do an A/B comparison with and without room correction.
 
Tinka and I are looking forward to hosting this room with you!
 
Tinka and I are looking forward to hosting this room with you!
Great choice to add a colorful cartridge for the Clarisys speakers. First time I will get to hear them. I also will be able to plug in my Technics 1500 R2R with the pending install of the RCA board on my Quest 2.
 
If anyone is interested in automating the Quest via Home Assistant, with Angus' great assistance I have implemented the codes for the remote in Home assistant using a Kincony KC868-AG. This unit also controls my Lampi Horizon, my Optoma projector, projector screen up/down etc.
Lights and AC/air purifiers in my music room are controlled separately by HA.

This is working very reliably. There is an unavoidable issue with the RC5 command set where there is a parity bit that is flipped with every button press, but only for the Power/Input/Mute commands and not for the volume up and down commands. So sometimes you have to issue two Power toggle commands for it to turn on on off (same for Horizon).

Here's the relevant section of my esphome config for the Quest.

- platform: template
name: "Quest Volume Down"
on_press:
- remote_transmitter.transmit_rc5:
transmitter_id: transmitter_ir
address: 0xB
command: 0x3C
- platform: template
name: "Quest Volume Up"
on_press:
- remote_transmitter.transmit_rc5:
transmitter_id: transmitter_ir
address: 0xB
command: 0x3E
- platform: template
name: "Quest Mute"
on_press:
- remote_transmitter.transmit_rc5:
transmitter_id: transmitter_ir
address: 0xB
command: 0x3A
- platform: template
name: "Quest Power Toggle"
on_press:
- remote_transmitter.transmit_rc5:
transmitter_id: transmitter_ir
address: 0x10
command: 0x1
- platform: template
name: "Quest + Input"
on_press:
- remote_transmitter.transmit_rc5:
transmitter_id: transmitter_ir
address: 0x10
command: 0xB
- platform: template
name: "Quest - Input"
on_press:
- remote_transmitter.transmit_rc5:
transmitter_id: transmitter_ir
address: 0x10
command: 0xA


I am now working on using the 12V relay out from the Quest to implement a binary sensor in Home Assistant so i can tell if the Quest is actually on. If it isn't and the power button has been pressed, it will send another command with a delay to make sure it turns on.
 
It's a wrap for now! THE SHOW in Costa Mesa, CA, our final show of the season, including three in the US, one in Canada, and Munich 2025.

This was a fun one, featuring Ron Resnick and his pair of Clarysis Studio Plus speakers. Thank you, Ron, Tinka, and Audio Cafe for leading the effort. Also, for bringing wine, whiskey, and some terrific analog tapes along with plenty of vinyl. I hope we can collaborate again soon!

Amplification was a bridged pair of Reis and a Quest preamplifier, with the Clarysis soaking up the unlimited headroom offered by the Reis's 800 watts of power per channel. Three sources are included, including an updated J-Corder Technics RS-1500 tape machine, a rare 1970s Denon DD studio table fitted with a Groove Master tonearm (with an Ortofon-branded cartridge), plus two DACs: the mighty Taiko Olympus with an internal DAC card and the Lampizator Horizon.

Vassill of Taiko America graciously supplied the Olympus, while Peter Norbeck of PBN furnished the turntable. Thanks to both of these consummate professionals for their time and support.

Ron, as is his custom, focused heavily on spinning vinyl, considering the turntables' provenance; the playback quality was excellent. Ron and I were hoping for an Ortofon SPU to complete the vintage vibe; however, a branded Ortofon MC showed up instead. Not usually a fan of modern Ortofon moving coils (except perhaps the warmer-balance MC Winfield); this one acquitted itself nicely. Rounding out the vinyl front-end was the Trafomatic Audio two-chassis tube phono stage.

Damon Von Schweikert and his team did an exceptional job of helping unpack and set up the room. This included Damon masterfully tuning the rear-wall-positioned VS Foundation subwoofers used in room correction mode and eliminating nearly all of the room boom associated with the large ballroom. Thank you, Damon, Matt, and Chris!

Up next for the WestminsterLab boys is the New York Metropolitan event, hosted by THE SHOW at the New Jersey Meadowlands Hilton.
Unlike the prototype WestminsterLab OMNE integrated shown in Chicago, we will be demonstrating with a production unit for the first time.

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