It denotes the line of American composers who more or less traveled the path blazed by Charles Ives and the 2nd Viennese School. It includes Serialists such as Roger Sessions and Milton Babbit as well as other atonalists such as Carter and, to a lesser extent, some of the "mavericks" such as Cowell and Partch.
Wuorinen's mature music sounds to me somewhat like an amalgam of post-1955 Sessions with the breadth and and refinement of Carter. The new Bridge release is easily the best introduction to Wuorinen's sound world that I've heard. It's typically American with the upbeat brightness and busy textures giving it a feeling of the bustling streets of a big city.
It's definitely not music for casual listening though. Repeat and focused listenings are the way in although the 4th Piano Concerto bowled me over the first time through like I haven't been for quite some time.
Arcangelo Corelli: Concerti Grossi, Op. VI
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This is the best played and recorded version that I have heard.
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I agree. For years, I preferred the Previn/LSO but Gergiev surprised me this this. More visceral than I expected.
By the way that Kullervo set posted above is outstanding, too!
Gergiev seems much more connected to this music than he did on the Shostakovich cycle, which seemed oddly dispassionate and not nearly as well recorded. I've been hugely disappointed with all that I've heard: 5, 7, 8, 10, and 11. I guess number 7 and 8 are not too bad, but the others are not as intense as I was hoping.Good to know. I have been a big fan of Gergiev on Russian music and also Tugan Sokhiev for a long time. Will check this out.
Gergiev seems much more connected to this music than he did on the Shostakovich cycle, which seemed oddly dispassionate and not nearly as well recorded. I've been hugely disappointed with all that I've heard: 5, 7, 8, 10, and 11. I guess number 7 and 8 are not too bad, but the others are not as intense as I was hoping.
Sonata and Partita No.1. Fantastic playing and sound, but the mics are close enough to pick up a lot of breath sounds.
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I take that back - too much room sound.
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