No. Actually, overall, I think their tempos are quite moderate.
What might be controversial is the the 1st violinist's daring use of ad libitum ornamentation. Consider especially the adagio (mvt. 2) of Op. 54 no. 2. where the Hungarian folk music influence is emphasized by the added ornaments, rubato and 1/4 tone flattening of certain notes.
I hear some of this ad lib ornamentation in the 1st violin in various places throughout the six quartets but I never thought is was at all excessive. It seems always in the service of the spirit of the music and I believe it is true to current understanding of HIP.
Thanks! By any chance, have you looked at the new Schiff Complete Beethoven Sonatas? Recorded on ECM on 2 Bosdendofer and 1 Steinway...while i suppose Schiff might not be my absolute first pick for Beethoven...i AM very intrigued to hear such an accomplished pianist on Bosendorfers and super-well recorded by a label like ECM and on the complete works no less. I have Emile Gilels full Beethoven sonatas but he did not get to complete them before he sadly passed away.
No, not yet, but I will have a look, I am also fan of ECM sound.
looking promising...Has anyone heard the new Schiff Complete Beethoven Sonatas? Recorded on ECM on 2 Bosdendofer and 1 Steinway...while i suppose Schiff might not be my absolute first pick for Beethoven...i AM very intrigued to hear such an accomplished pianist on Bosendorfers and super-well recorded by a label like ECM and on the complete works no less. I have Emile Gilels full Beethoven sonatas but he did not get to complete them before he sadly passed away.
I like Kovacevich's Diabelli Variations, have full Gilels and have Richter's difficult to find 4-CD box Praga recordings (which have continued to improve as our digital has improved).
Thanks for any guidance!
Has anyone heard the new Schiff Complete Beethoven Sonatas? Recorded on ECM on 2 Bosdendofer and 1 Steinway...while i suppose Schiff might not be my absolute first pick for Beethoven...i AM very intrigued to hear such an accomplished pianist on Bosendorfers and super-well recorded by a label like ECM and on the complete works no less. I have Emile Gilels full Beethoven sonatas but he did not get to complete them before he sadly passed away.
I like Kovacevich's Diabelli Variations, have full Gilels and have Richter's difficult to find 4-CD box Praga recordings (which have continued to improve as our digital has improved).
Thanks for any guidance!
Yes, it's superb. In fact, I just ordered the SACD version--should make for an interesting comparison. Rosenberger might not be the last word in transcendental playing, but her interpretations are very solid.
yes, and i am beginning to feel that SOMETIMES, the reason i prefer to listen to perhaps 'lesser interpretations' of certain works that are exceptionally well recorded/mastered/transferred is because this allows us to hear more of that particular artist's nuances, inflections. In the same way, it can be captivating to hear live piano concerts even if it is not Horowitz...because we hear SO MUCH at a live concert in a good hall that we miss with a 'master pianist' playing but on a poor recording.
you have to 'listen through' the distortion, crackles, etc and do not get to hear the pedal work as well, etc...
So in this case, this recording leaves us a very good pianist with LOADS of intonations, detail for us to take in which makes for great listening.