d) none of the above (Chile)(and I didn't have to look it up!)
Yes, he's one of my favorites, too. Everything just sounds "right" with him. Sure, some pianists are superficially flashier, such as Yuja Wang, but his interpretations have greater depth and humanity to my ears.
And he was a charming and gracious man.
Any of you who have not heard the latest Minnesota release of Mahler 5 under Vanska,....I would suggest grabbing a copy;
https://www.amazon.com/Mahler-Symph...=UTF8&qid=1509193695&sr=8-4&keywords=Mahler+5
Also,...if you've not listened to this sample of Mahler 8 with Utah Symph. at the Mormon Tabernacle with the Choir, I would suggest listening ASAP and securing a pre-order on Amazon;
https://referencerecordings.com/mahler-symphony-no-8-available-for-pre-order/
Sounds wonderful and very promising!
I just read the liner notes for the M8 and it's interesting that the recording engineer is John Newton from Soundmirror. Newton and Soundmirror is who did the remastering for many of the RCA Living Stereos such as the Van Cliburn/Tchaikovsky noted above. Newton also did the technical section of the liner notes for the RCA which gives great insight as to how the original 3 track recordings were transferred to SACD without signal processing to "improve" the sound of the original tapes since they were so extraordinary to begin with.
I listened to the 2013 SACD of Van Cliburn doing the Tchaikovsky Piano Concerto and Rachmaninoff Concerto #2 last night. This 1958 recording was same program he played to win the Tchaikovsky piano competition in Moscow in 1958 a the height of the cold war. It is a spectacular performance and the recording is just wonderful. The NY engineering team at Carnegie for the Kondrashin is excellent, but Lewis Layton who did Rach 2 in Chicago w Reiner just may be the best recording engineer who ever lived (not taking anything away from Wilkerson at Decca or Keith Johnson today, but Layton just always seemed to get it so right musically). Hard to believe that nearly 60 years later, recordings are rarely as good as this. And as far as Van Cliburn, there's not much to say except jaw dropping. I just saw Martha Argerich at Carnegie last week and she was amazing. But on this recording, Van Cliburn was 23 and at the height of his powers. He had it all. Speed, power, nuance, emotion, and prodigious skills all coupled with a maturity of playing never seen before in a 23 year old kid. Some say he was the best ever. I can see why. It's a must have recording. Also, perhaps the best liner notes I've seen in some time. Worth getting the disc just for those.
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