Actually think it's the other way around. Dust covers color the sound by picking up vibrations.
'Course if want the best, put the table in another room
Nice thought, Myles. I thought of that too but I would imagine the 'travel' of the room vibration from the cover into the body, and into the springs of my plinth and to the plinth itself, into the arm and then the cart would be a long one than an open TT having the room vibration hitting the cart and tonearm directly. Of course, I'm just thinking with respect to my suspended VPI HW 19 TT, and in a way, a Linn Sondek TT too.
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