What turntables do you use? Pictures would be nice as well :-)

It's not a custom clamp. Btw, after that visit, the owner bought another Dalby from the market immediately, similar to the one I used at his place

Mine actually belongs to another local friend. I had sold it to him on the criteria he would allow me to use it on some visits and sell it back to me should I ever buy a table. Both of them are in London so I could borrow it for this visit.


Have you utilised the Dalby on a Vyger Kedar ?
 
It's not a custom clamp. Btw, after that visit, the owner bought another Dalby from the market immediately, similar to the one I used at his place

Mine actually belongs to another local friend. I had sold it to him on the criteria he would allow me to use it on some visits and sell it back to me should I ever buy a table. Both of them are in London so I could borrow it for this visit.

Thank you 'bonzo75' for your reply post. and link on the 'Dalby Record Weight'. Much appreciated.
Interest read on the Dalby Record Weight.
Have you ever compared the Dalby Record Weight with the Kuzma Ebony on a Kuzma table particularly on an XL DC or Stabi M ?
 
Thank you 'bonzo75' for your reply post. and link on the 'Dalby Record Weight'. Much appreciated.
Interest read on the Dalby Record Weight.
Have you ever compared the Dalby Record Weight with the Kuzma Ebony on a Kuzma table particularly on an XL DC or Stabi M ?

Stabi M has suspension so it won't work I think. XLDC I haven't tried but I am sure it will work great.
 
Stabi M has suspension so it won't work I think. XLDC I haven't tried but I am sure it will work great.
I believe from online info etc. (as never touched one in reality) the Stabi M suspension is quite solid i.e. minimal movement not like a bouncy Linn LP12 etc.
 
Just an update. I have the analog magik v2 now and tested both turntables and cartridges.

Kuzma Stabi M with good calibration achieves as good a speed satbility as the Sony PS X9. Sony is 40 years old and has not been serviced, they both achieved less than %0,1 (about 0,08). Sony supposed to go down to 0,02 but it did not in my test. I am new to it so I may learn more about it and get closer to spec in time.

Fuuga is much better than xl-55pro. It sounds better and measures better. I have ordered an msl headshell, I will try fuuga and madake on sony too.
 
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Just an update. I have the analog magik v2 now and tested both turntables and cartridges.

Kuzma Stabi M with good calibration achieves as good a speed satbility as the Sony PS X9. Sony is 40 years old and has not been serviced, they both achieved less than %0,1 (about 0,08). Sony supposed to go down to 0,02 but it did not in my test. I am new to it so I may learn more about it and get closer to spec in time.

Fuuga is much better than xl-55pro. It sounds better and measures better. I have ordered an msl headshell, I will try fuuga and madake on sony too.
a small question about the xl 55 pro with how many ohms did you complete it on the phonopre?
Sony xl pro vta is 24 degrees tonearm lowered lower?
 
a small question about the xl 55 pro with how many ohms did you complete it on the phonopre?
Sony xl pro vta is 24 degrees tonearm lowered lower?
I loaded it with 500ohms like they show in the brochure for the xl55pro. Tonearm is lowered a little, close to parallel
 

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I loaded it with 500ohms like they show in the brochure for the xl55pro. Tonearm is lowered a little, close to parallel
There is very little information about the XL-55pro. So far I've only noticed that it has a microridge tip (rather than elliptical) and a much lower output impedance (measured around 4 ohms instead of 40 ohms). That's why my question is maybe it's not the original anymore and Sony had a service for the new version II. With 60 ohms it ran excellently for me. Normally you only measure pickups when they have a defect, but you don't want to give away the sound. The height of the tonearm is easy to align and putting a 6mm thick mat on top of the platter worked fairly well. result in wonderful timbres in the midrange, more spatial information in breadth and depth.
My tip 6mm tizo acryl mat
 
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There is very little information about the XL-55pro. So far I've only noticed that it has a microridge tip (rather than elliptical) and a much lower output impedance (measured around 4 ohms instead of 40 ohms). That's why my question is maybe it's not the original anymore and Sony had a service for the new version II. With 60 ohms it ran excellently for me. Normally you only measure pickups when they have a defect, but you don't want to give away the sound. The height of the tonearm is easy to align and putting a 6mm thick mat on top of the platter worked fairly well. result in wonderful timbres in the midrange, more spatial information in breadth and depth.
My tip 6mm tizo acryl mat
This just arrived! I will make trials and measurements and share them.
 

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No way, Sorry.
Only one tonearm stays with my Lenco and this is the GrooveMaster III.
If I like to have mono sound, I switch to it on my pre-amp. ;)
There’s something really magical about the L75 drive and an SPU. Here’s mine, though at the moment of the pic i was testing out the Allaerts on a Schroeder Reference that I had just realigned…both combos are fun (the othe arm is a Bokrand 12” with an SPU)44795C17-CF8D-49FF-97EB-90C382B5B523.jpeg
 
There’s something really magical about the L75 drive and an SPU. Here’s mine, though at the moment of the pic i was testing out the Allaerts on a Schroeder Reference that I had just realigned…both combos are fun (the othe arm is a Bokrand 12” with an SPU)View attachment 98138

Agree! Theres something about that underestimated lenco beat.

Using denon 103 and shure m3d and sc35c/n35x on my lencos. I also like the L70 tonearm.

 

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