Along with Max Richter's On The Nature of Daylight, Yemeji's Theme is among my favorite film score tracks. It's almost unfair to use them as temp score while editing a movie because you'll never be able to replace them. Richter's piece caused Johann Johannsson to be disqualified after being nominated for an academy award because they licensed it for the movie Arrival (he just couldn't write something that worked as well and they didn't want to jeopardize the film). It was so vital to the movie working that they decided the score wasn't "original"! I think it's true. That movie might not work at all without Nature of Daylight under the final montage.