Vision from the media player to the projector.had the Krell EVO-707 processor twice...how do u stream 4K ?
Audio from the media player to the EVO-707.
Simple…
Vision from the media player to the projector.had the Krell EVO-707 processor twice...how do u stream 4K ?
“So”? So Wilson should have made this an option. I don’t understand why you seem to be arguing against this. I happen to agree with PS Audio and REL (as do you), that high level inputs are better when integrating a sub with existing speakers.So? As with almost everything in this subjective hobby each view has its adherents and proponents.
For plenty of people running a full range analog signal through DSP is totally anathema. I vote for not relitigating the whole DSP thing.The ultimate digital sub integration is via Trinnov, even more so now with their new subwoofer management:
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Trinnov | Guidelines for Subwoofers Layouts & Optimal WaveForming&trade
Guidelines for Subwoofers Layouts & Optimal WaveForming™ Performancewww.trinnov.com
I agree. That's why I wrote 'for digital' sourcesFor plenty of people running a full range analog signal through DSP is totally anathema. I vote for not relitigating the whole DSP thing.
Vision from the media player to the projector.
Audio from the media player to the EVO-707.
Simple…
For plenty of people running a full range analog signal through DSP is totally anathema. I vote for not relitigating the whole DSP thing.
I agree. That's why I wrote 'for digital' sources. I also don't like converting an analog signal to digital; but if it's already digital, why not?
Right. I don’t use the Trinnov for 2ch music at all, only for multi-channel movies.Even with DIGITAL I wasn't too impressed when I listened to 2CH.
When I had Trinnov alt16 at the time,
but I had a completely different setup,
I'd love to try again.
“So”? So Wilson should have made this an option. I don’t understand why you seem to be arguing against this. I happen to agree with PS Audio and REL (as do you), that high level inputs are better when integrating a sub with existing speakers.
For a $30K+ sub it’s unacceptable. It’s long been known that Wilson rebadages subs in their lower end line, and I suspect this is a rebadged plate amp and driver as well. They should at least rebadge an amp with high level inputs, or add their own, which is dirt cheap and simple (add ~100K resistors and connect to low level inputs).
Look- I own Wilson speakers so I do like the brand, but I’m going to call them out on a bad product when I see it.
How do you mean use both high and low level? Won’t that send the same signal x2?In reality, and with more modern systems, the clearly superior route is to connect the subwoofer(s) with XLR or RCA, and also high pass the speakers. This way you can improve the dynamics of the speakers and utilize the subwoofers to enable a more even bass response in a wider frequency range (at least up to 80-100hz).
How do you mean use both high and low level? Won’t that send the same signal x2?
Can you help me understand why you believe this to be so?+1
The most seamless way to blend a sub with another speaker(s) is by using the high level inputs. It’s disappointing that Wilson didn’t include HL inputs, especially at this price point.
Wouldn't it be great if this was coupled with an actual comparison?Paul McGowan at PS Audio has talked about this before. Looks like REL also recommends the high level (speaker cable) inputs to a sub. This way the tonal characteristics of the amp feeding the main speakers is maintained.
In reality, and with more modern systems, the clearly superior route is to connect the subwoofer(s) with XLR or RCA, and also high pass the speakers.
The most seamless way to blend a sub with another speaker(s) is by using the high level inputs.
Unless of course, someone directly compared both methods ;-)On the question of whether it is best to use high-level input or low-level input there is plenty of dogma, but there is no rule of general applicability.
Both of these views reflect personal opinion and preference, not objective fact. Both of these statements cannot be correct.
On the question of whether it is best to use high-level input or low-level input there is plenty of dogma, but there is no rule of general applicability.
Agreed. The only downside to using a low - level signal might be the additional load on your preamp. The amp sound signature benefit which IME I've never heard nor read as verified is a fallacy.If the main goal is the cleanest possible signal, it's an objective fact that a low level signal from the preamp will be cleaner and have less distortion, as opposed to amplifying the signal twice. It is also the only way to get proper bass management.
If the main goal is to pick up coloration (aka sound signature) from the power amplifier, and send that onwards to the subwoofer, this is only possible via the high level connection.
Agreed. The only downside to using a low - level signal might be the additional load on your preamp. The amp sound signature benefit which IME I've never heard nor read as verified is a fallacy.
And that's why there's little to no sonic difference based on how the signal is applied, high or low, through the amp or not IMO.There will not be any meaningful deviation to the signal from a power amplifier within such a narrow band. And certainly not to the extent that it will affect how well it blends with the mains that are powered by the same amplifier.
Couldn’t disagree more but this is not a universal axiom since all subs are not created equal.Paul McGowan at PS Audio has talked about this before. Looks like REL also recommends the high level (speaker cable) inputs to a sub. This way the tonal characteristics of the amp feeding the main speakers is maintained.
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