Can I ask you why you have chosen this speaker setup for this thread?
Because in the right room -- and they really need a big room where you can pull the speakers well out away from the walls -- they sound amazing. I listen to headphones and active monitors in a near field set up, in a very small room. These systems have their advantages -- isolation, intimacy, detail retrieval (or rather, the ability to hear the details that are being retrieved). Probably their greatest attribute is pinpoint imaging. Unrealistic in headphones and hyper-realistic in near field monitors, it is not an attempt to re-create a natural listening space, it is, in fact, unnatural, but fun. My near field system is not perfect, but really, it's not going to get much better. It only needs the right sub, and in this room one will do.
So if I had a big, dedicated listening room in which to build a dream system, what would I dream of? The opposite extreme. Creating a huge ambient space filled with music! Would I lose some imaging? Of course. Would I gain a wonderful new listening experience? Yes! And when I think of creating that big roomful of sound I think back on the big, room-filling systems I've heard. Some were incredibly expensive, with speakers the size of major appliances and massive power amplifiers and subwoofers all over the room. But none of them created the sense of space or approached the consistency of FR in positions all over the room that comes from the Orions.
And I haven't even heard the Thors. Actually, I probably wouldn't need them. Their FR is identical to the bass units in the Orions, and Dr. Linkwitz thinks their necessity is contingent on room size. So if I were building the room, I could just size it, and treat it, for the Orions alone.
This would make the system, by WBAS standards, an incredible bargain. The upper end of midfi, putting most systems, at any price, on the bench, IMO.
Yes, and I know Dr. Linkwitz talks of creating a "natural" space. There is a huge difference, I think, between endeavoring to create a natural-sounding and feeling audio space in a room, and believing that your system is re-creating an original event that was not captured on the recording in the first place. The first is making the most of omni-directional speaker designs and natural room acoustics. The latter is fooling yourself.
Tim