Hi 108CY,
When you say the last lightweight titanium are you referring to the Pirueta.
Regards Robert
When you say the last lightweight titanium are you referring to the Pirueta.
Regards Robert
No the starfish oneHi 108CY,
When you say the last lightweight titanium are you referring to the Pirueta.
Regards Robert
Hello 108CY
I see you have the Goldmund reference unboxed and set up, are you using it with the highly strung t3f arm? how does this 30 odd year old table stack up with such as the cs port?
I have not used
I have not used the Goldmund for around a year and own two of them, I also have the new Goldmund reference mk11. The Goldmund is has a very big bold plush sound it comes out of the speakers and touches the soul so to speak. The midrange has great texture not many turntables can do what it does tremendous drive. with a wonderful sense of ease. The cs port is certainly more transparent does nuance better at placing instruments but at the same time has expression not quite the plushness of the Goldmund but has a wonderful sense of energy and drive its certainly a unique listen and one of the most enjoyable turntables around today. The cs port disappears and and never nasty or hard it also has a large enveloping soundstage and does has great pace at the same time.
One of my big surprises is how much difference a record weight can make
i think of the vinyl as an instrument and the TT and weight give it the right tension ....l
Yep agree
i have started making my own as I cannot afford commercial weights, but use of musical wood is important
my initial experience is lower torque TT require lighter weights and higher torque more but not in a linear sense ....
Same - some madness below (I lost count of the number of prototypes). The top photos are the latest iterations that sound best. I have learnt a lot during the process.
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Bill, tell us more!
Looks like fun.
Hey,
Well I have made copious listening notes of the various different timber varieties and their qualitative sound. I have also tried to see whether applying combinations of woods can lead to a hybrid type sound. I tested different mechanisms of coupling the spindle from bare wood to bearings and even a proboscis style internal clamping mech. I have tested ball bearings in combinations, locations and materials. I have tried different total weights.
I have several more ideas and concepts to test next.
If anyone wants to post me the Pirueta I will let them know in a week how it compares to the starfish and to the lignum vitae d8. And will post it back, of course
Ked, does this mean you have purchased the rest of your system and are playing music now?