After further review, what has been omitted will remain omitted. We would like to remind those who have participated in this thread and all members that the WBF wishes to achieve a forum that is unlike most forums out there. Our goal is to have a friendly place where everyone shares ideas and information without the level of bickering and angst that other forums tend to create. While your forum administrators here at the WBF guide with a gentle hand, if the occasion arises to where we must take immediate and strong action, we will do so. If you see objectionable posts or posts that are personal in nature, please report them. We will deal with them in the best interests of the forum, WBF's goals and the community. Above all, focus on the topic being discussed, rather than the person discussing it.
Further commentary of what was omitted along with any comments that are personal in nature will not be tolerated.
With that said, this thread will be reopened. Here's the original post again...
Tom
Further commentary of what was omitted along with any comments that are personal in nature will not be tolerated.
With that said, this thread will be reopened. Here's the original post again...
Tone Audio #26, Jeff Dorgay, 2009
link
PDF - page 138
"I continue to draw the same conclusion with the 911 MK 3. It has a huge, three-dimensional soundstage that I would normally associate with tubes, with the pace and drive I would normally associate with solid state, yet the weaknesses of neither. After six months of listening day in and day out, I can find no fault with the Burmester 911 MK 3 and am happy to say that this will become my new reference amplifier. It was dropped off of a truck on its way to me and I’ve often played it continuously for 24 hours day after day when breaking in new speakers, and it’s never let me down in any way. The 911 MK 3 offers perfect balance in my book; it is highly detailed and articulate, yet not harsh, and it is tremendously musical without being dark or rolled off in any way. This is truly the best power amplifier I have ever experienced. I can’t recommend it highly enough."
The Absolute Sound, Golden Ear Award, 2007
link
"Quite simply one of the best-sounding solid-state amps to thus far lighten our doorstep. It is an advance over the earlier Burmester electronics in that it is not only close to completely neutral but it shows no trace of the normally ubiquitous transistor texture and grain in the upper octaves. More interesting yet, to these ears, is how happy it is driving all sorts of speakers, from the ultra-revealing Kings to the sweetly euphonic Coltranes. An amp for all seasons, and virtually all setups."
Audiophilia, Star Component, 2002
http://www.audiophilia.com/hardware/burmester911.htm
"And that, ladies and gentlemen, is what the 911 brings to the table: Honesty, brilliance, totally clear and absolutely refined sound, great power, adaptability, and pride of ownership. If it is within your means, purchase at your pleasure. Is one note worth near 20K? I think Beethoven may have thought so. Very highly recommended."
What Hi-Fi, 2012
link
"Such a sky-high price tag leads to massively high expectations when it comes to build, finish and performance. And the biggest compliment we can pay to the whole amazing pre/power set-up is that it’s every bit as good as you’d hope. This is one case where you really do get what you pay for."
Tom