I will take a personal slant on this topic. For starters, I don’t often agree with Bonzo, but it is apparent that he has heard enough that it is he that is calling out the “Bull Shit!”
35 years ago I was Jay from Jay’s Audio Lab and Mike Levigne. Although I could not afford it back then, I was dazzled and mesmerized by the price tags and size & weights of the components! As I started building my system, I looked for the most expensive and biggest & heaviest items that I could afford. Flea power SET amplifiers were of no interest to me because they were small, light and relatively inexpensive.
On top of my desire to own the flavor of the month and Stereophile Class A rated components, I was under the belief that there was an Absolute Sound that we were all striving to achieve. There was a goal out there that if you spent more money and bought the latest and greatest you could one day achieve.
One night while listening I noticed that I had two different versions of the same CD and that they sounded different. How could this be? What made them different. I discovered that they were mastered by different mastering engineers and one was a remastered version of the original. That led me down a path that took me to the mastering studio world, where I lived for 7 years learning all and everything that I could. I will stop that part of my story there.
As I mentioned above, I had no interest or desire for flea power SET amplifiers or horns because they were not on the glossy pages of Stereophile and the Absolute Sound. I also knew that the speakers that I owned and liked, Magnepan MG-III and Martin Logan CLS series II needed current and power so I never bother to look in that direction.
One day while surfing the Audioweb site late at night; who here remembers Audioweb and AudioMark? I came across a pair of the Melos Audio RWT-70 Monoblocks, which I still own. RWT stands for Real World Triode. I liked the way that they looked, I still do, massive! I bought them and they were a revelation. I had not experienced tube amplification and was always spouting off about the virtues of solid-state amplifiers over tubes. I couldn’t believe how good the Melos monoblocks sounded. I then found a pair of KR Enterprise’s VT-6000 BM monoblocks, which belonged to Ricardo Kron, on rec.audio.high-end, remember that message group? With the help from Eunice I imported them. Then I bought a pair of Miles Nestorovic’s Alpha-1 monoblocks. These magnificent tube amplifiers would lead me to ask myself, is there something to the SET and horn movement? Is there something that I’m missing out on? At the time I had acquired the one of a kind Krell KRS-400, used for the release of the Martin Logan Statement speakers at CES in Chicago. I had the biggest, heaviest and baddest amplifiers at the time and still found myself listening to the Melos, Nestorovic, and the KR amps more.
It would take too long to chronicle my journey so let’s fast forward 30 years later. I now own what is perhaps the greatest collection of DHT and SET amplification and horn speakers. I have explored and investigated every faction of this hobby, including field-coil drivers, open baffle speakers, full range drivers, chipless true 1 bit high rate DSD dacs and adc’s, plasma tweeters, horn/cone/planar/bi-pioles/di-poles/mono-poles/true-ribbon/AMT/ line-array/point source/line source speakers of every variety. If it is a faction or out there in audio I either own it or have listen to it. This broad exposure to all the different approaches in audio and my time in the mastering studio world have shaped the way I think and approach audio today.
The take aways for me are that money doesn’t buy you quality sound, it buys you status, don’t overlook something because it is not on the pages of Stereophile or The Absolute Sound, or because it is not expensive, there is no finish line with a prize at the end, the only one you really need to worry about pleasing is yourself, in the end musically and enjoyment are more important than accuracy, as accuracy cannot be validated.
Don’t get stuck in a rut! Explore the audio world, as you may very well be surprised by what you hear.