I would take CLX with or without subs all day long over the Neoliths ... CLX's have been magic just about every time I've heard them ... I've never met a Neolith I liked! LOLNo way mate, not me.
If you read my posts to Daniel and Marslo closely, you'll see that i clearly mention another fellow CLX owner.
Infact he just sold off his plasma tweeter horns and got CLX's from my Spore dealer. His choice of music is mostly organ and large orchestral works, hence a sub to add a bit more depth and weight in LF would benefit. He was nearly closing on the ML balanced force subs but when I mentioned this new Carbon REL sub, the purchase is on hold.
I'm thinking that since the REL carbon is made from "carbon fibre" then perhaps this is where it can match the speed and agility of panels...
Marslo gave insight to his REL's matching with his AG Trio's, not an easy integration but do-able.
Also as Marslo mentioned, it depends on the recording and mastering process. I just see far too many variables.
The funny thing is he actually ordered the Neoliths before. After he visited my place he decided on the CLX's with subs instead. He was extremely amazed at how well it portrays a live image in full holographic effect, and the depth in soundstage is amazing, Roger that captain!
Especially, now after the monoblocks arrived after their special SE upgrade, along with a few other things adjusted... sounds bloody awesome!
For the type of music I listen to, subs don't work for my tastes, unless kiddo was having a rave party! Boom boom, doof doof... that sort of thing.
Cheers mate, have a good one now.
RJ
George