The problem with Consumer Reports is they are not a hobby magazine. There's' no way they are going to invest $50k in cables or $100k in speakers. Even if they did there is no way they are going to recommend it no matter what the results.
On another thread John states "Is there a reason every thread gets derailed? We go from the OP to Michele Obama to hamburgers?"
Frankly, I too wander why this is seemingly the case.
Over on that thread, which originally was discussing why reviewers are paid so poorly, the discussion has turned to ' What is the breakdown of a manufacturer's costs and profits' in the high-end business.
Here, we are now discussing whether or not Consumer Reports would make a good reviewing option for high end gear
To try and get back on topic, another thought occurred to me...as an aside to the 'ethical' question of whether or not a reviewer should be given an 'accommodation' price; there is also the question as to who ultimately who pays for said reviewer's 'accommodation'. I'm fairly certain that this cost is most likely built into the price of the equipment by the manufacturer and therefore pushed on to the final consumer...the general public or retail Buyer. I may be wrong about this, so maybe a manufacturer could comment on that.
While I mostly agree with the comments that Davey and Steve posted so far, one thing should be pointed out that holds true for any occupation. No matter what you do, whether it's the occupation or the company one works for, there are usually always perks associated with it. Should we not, in fairness, allow reviewers to receive those same perks?
OK... some credentials for Steve...
To be called a "reviewer", you must:
1. Be a musician
2. Have a purpose built listening room
3. Attend at least 6 live events per year
4. Submit and publish a listening test or have a tonemeister degree
finally
Review no better equipment than what you already have! (ie... don't review a $3k powercord on a mid-fi Sony/Yamaha CD player)
Then you can recieve accomodation pricing only on what you review and can sell only at manufacturer's approved price
Tell me this is tongue-in-cheek?
1. Be a musician.
Well musicans know the true sound differences between different instruments and would be able to tell if the system was coloring the tone or being true to the sonority. Musicians would know if the instrument could actually make certain "noises" and be able to differentiate between that and system malfunction.
I was just giving a start of credentials. Maybe you don't NEED to be a musician, but I'd give more credibility to a reviewer if they were.
To be called a "reviewer", you must:
OK... some credentials for Steve...
To be called a "reviewer", you must:
1. Be a musician
2. Have a purpose built listening room
3. Attend at least 6 live events per year
4. Submit and publish a listening test or have a tonemeister degree
finally
Review no better equipment than what you already have! (ie... don't review a $3k powercord on a mid-fi Sony/Yamaha CD player)
Then you can recieve accomodation pricing only on what you review and can sell only at manufacturer's approved price
Of course the example you gave is an extreme ... Price is an indication of "best" .. A quick example the very speakers you use in your Mastering Room, the MM3, by all accounts have very few peers and challenge/surpass models costing several multiple of its MSRP ...Review no better equipment than what you already have